The Old Man

Had high hopes, but 65% is overdrawn dialogue and reaction shots. We get the point, they're scared/concerned/angry. No need for the oversell. Episode 1-2 showed promise, but it seems they didn't discard any edits to help string the series out.

They should play this to insomniacs that don't respond to standard medication.

In 6 months, Jeff Bridges will turn 73 years old. Indeed, he is an old man. His character makes those grunting noises from the effort of arising in the morning, and you also overhear a very sporadic urine stream in the middle of the night. Starting in Peter Bogdanovich's seminal "The Last Picture Show," Bridges continued to build an enviable career out of numerous carefully drawn roles, each one truly unique and most of them more memorable than the last. He was finally awarded his long overdue Best Actor Oscar for "Crazy Heart" a few years ago, and then last year we almost lost him because of CoVID-19. But he's back as a beat-up old ex-spy and is perfect for and in this latest complex part.

In 4 months, John Lithgow will be 77 years old. Also by most narrow definitions, an old man. Is he the obvious villain of this story, or might he actually be the hero? You are never quite sure with a Lithgow character, and this one's no exception.

Supporting roles for such long-time pros as Amy Brenneman and Joel Gray are also well written and, of course, superbly well performed. But no mistake: this miniseries totally belongs to the one and only Jeff Bridges. And by extension, to all of us who remain his long-time fans more than a half century later. Not to be missed. 9/10.

I watched this miniseries because of Jeff Bridges and John Lithgow. They never disappoint, but the plot and script sure did. So much of the plot was full of holes, and the supporting cast often came off as wooden. A thriller like this should never leave an audience bored at times. Sadly, this did for me.

Episode one had so much promise; Jeff Bridges, his Rottweilers and the taste of danger and drama to come. Enter John Lithgow as the perfect foil/nemesis and I thought we were really cooking. Add some intriguing flashbacks to spice up the recipe, but finally, the ridiculous Afghan-Russian conflict and the pseudo sensitive conversations that go nowhere... blah blah blah, yada yada yada. Great big let down; episodes two through six. Hopefully, they can save this one, but I wouldn't count on it.

This show starts super strong with great actions and a slow roll out of backstory that leaves you very intrigued. Once you are caught up by episode 4, things aren't going so well. Lithgow and Bridges are excellent. Shawcat is kind of a boat anchor, delivering every line almost in monotone. None of the characters are particularly endearing. As the plot development and action slows down after a few episodes, a lot of awkward dialogue fills its place. It seems clear that the writers were trying to recreate the style of The Counselor, screenplay written by Cormac McCarthy, but not doing such a great job. The more literary style of the The Counselor left a lot of viewers confused. How much more so will a bad copy.

I'll keep watching, hoping things get better.