Nell'Italia degli anni '80, una storia d'amore sboccia tra uno studente di diciassette anni e un uomo più vecchio assunto come assistente di ricerca del padre.Nell'Italia degli anni '80, una storia d'amore sboccia tra uno studente di diciassette anni e un uomo più vecchio assunto come assistente di ricerca del padre.Nell'Italia degli anni '80, una storia d'amore sboccia tra uno studente di diciassette anni e un uomo più vecchio assunto come assistente di ricerca del padre.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 107 vittorie e 263 candidature totali
Maria Caggianelli Villani
- Elio's Friend
- (non citato nei titoli originali)
Krystal Ellsworth
- Astonished Store Customer
- (non citato nei titoli originali)
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Recensioni in evidenza
A beautiful, heart touching love story.
Although I am a straight person, I loved this movie in all the ways. A beautiful, heart warming love story, makes me want to fall in love again again. This movie gives me the feeling that there is nothing more wonderful than falling in love for the first time. The cinematography, sound track, adopted screenplay is perfect. I personally loved the acting of Timothee Chalamet, wonderful. It makes me feel that being homo sexual is perfectly normal, there is nothing wrong about it, Absolutely perfect..
Beautiful
Beautiful movie. Timothée Chalamet is more than brilliant. He makes you
believe everything is real, every emotion, every scene, everything. Sweet, lovely boy
Near masterful
It's hard to put into words exactly the way I felt watching this film. Hours later it's hard to even begin to write my opinion on it. To put as simply as I can, the film perfectly captures its setting and atmosphere in a way few films do. The biggest credit needs to be given to director Luca Guadagnino, who is able to capture the smallest of details. Technically, the film is a marvel and I struggle to think of one flaw. It's beautiful, sensual, luscious in its execution, with absolutely marvelous pacing. In terms of pure directorial achievements, it's definitely one of the best of the year. The performance of Timothée Chalamet is also a pretty perfect portrayal of the character in the novel, and a completely internal performance that is reminiscent of Rooney Mara's wonderful work in Carol. Armie Hammer is also quite strong in the role, although it's a tricky character to get completely right. The novel is told completely through Elio's eyes and so we only imagine and see Oliver from a distance. He's more of an enigmatic figure in the novel than a real, tangible person. So much of that is due to the writing and the way Elio sees him as, so in terms of difficulty, I can imagine how Hammer had quite a task on his hands. Due to the literal nature of film, it's a type of character that always had to lose some of its mystery to its translation from the page, and it's as good one as can be.
I have so much I want to say about this but still can't find the right words, but the one thing I will say is that while the story here is pretty simple, the film really does capture, more than any other in recent memory, the feeling of that fleeting force of love and passion that can come to define one's life. It does so in a melancholic, beautiful way that makes it stand out from others of its kind. I can see why some people wouldn't take to it (and in fact the almost-unanimous positive reviews surprise me) because at the end of the day, the technical aspects work to create a film that can only be defined by a feeling that some people will experience watching the film and that others won't. All that sounds incredibly enigmatic, but it's a difficult feeling to pinpoint and considering the film, I think it's fitting.
I have so much I want to say about this but still can't find the right words, but the one thing I will say is that while the story here is pretty simple, the film really does capture, more than any other in recent memory, the feeling of that fleeting force of love and passion that can come to define one's life. It does so in a melancholic, beautiful way that makes it stand out from others of its kind. I can see why some people wouldn't take to it (and in fact the almost-unanimous positive reviews surprise me) because at the end of the day, the technical aspects work to create a film that can only be defined by a feeling that some people will experience watching the film and that others won't. All that sounds incredibly enigmatic, but it's a difficult feeling to pinpoint and considering the film, I think it's fitting.
Absorbing but not a masterpiece
First, to all the Americans on here outraged about the film "endorsing" a criminal act - NEWS FLASH!! Just because the age of consent is 18 in your country, doesn't make it so everywhere else in the world! 18 is comparatively old by global standards. I believe the average age is 16 (as in my country) and in Italy where the film takes place it's actually 14. Whether you agree with it morally or not, no criminal act takes place - US law does not apply!
However, I agree with many reviewers that Armie Hammer is miscast in terms of his character's age. He is 31 and looks it, whereas Oliver is meant to be 24. His age is never referred to in the film, so viewers who haven't read the book are left with the impression of a 30-ish man engaging in a relationship with a 17-year-old, which Timothee (20 at the time) does convincingly portray. I can fully understand how that would ring alarm bells for many. If they'd had an actor who actually looked 24 I think that would have created a very different dynamic. Even so, the relationship is hardly of a paedophilic nature. And I don't think most people would regard 17-year-olds as "children" physically and emotionally, even if they may be legally.
Timothee Chalamet gives an incredible performance fully deserving of all the accolades, but I found Armie's inconsistent at best. He does get better as the film goes along. Maybe it's just that I didn't find his character particularly appealing... to me he comes across as rather abrupt and arrogant, and weirdly passive-aggressive and patronising towards Elio for much of the time. The physical scenes between Oliver and Elio were excruciatingly awkward to watch and didn't ring true to me - but I'm a straight female so what would I know? I haven't had that reaction with the (admittedly few) other gay films I've seen though. Maybe it was supposed to reflect real life, or maybe I am just too accustomed to male-female depictions. Ultimately the relationship seemed to consist of Elio being infatuated and Oliver enjoying being the object of that infatuation, rather than a true love story.
Personally the relationship I found most touching in the film was that between Elio and his parents. Although they aren't given much to work with, both the actors playing his parents do beautiful, nuanced work... and the much-lauded scene near the end with his father was stunning and truly moving. It was refreshing to see a such a loving and accepting child-parent relationship, done in a natural and non-affected way. It rang very true to my own experience as an only child and it was nice to see this portrayed on film for once, instead of the tension-filled relationships American films usually depict.
Overall I thought the film was absorbing and well-done, but neither the masterpiece or great love story it's being hyped as.
However, I agree with many reviewers that Armie Hammer is miscast in terms of his character's age. He is 31 and looks it, whereas Oliver is meant to be 24. His age is never referred to in the film, so viewers who haven't read the book are left with the impression of a 30-ish man engaging in a relationship with a 17-year-old, which Timothee (20 at the time) does convincingly portray. I can fully understand how that would ring alarm bells for many. If they'd had an actor who actually looked 24 I think that would have created a very different dynamic. Even so, the relationship is hardly of a paedophilic nature. And I don't think most people would regard 17-year-olds as "children" physically and emotionally, even if they may be legally.
Timothee Chalamet gives an incredible performance fully deserving of all the accolades, but I found Armie's inconsistent at best. He does get better as the film goes along. Maybe it's just that I didn't find his character particularly appealing... to me he comes across as rather abrupt and arrogant, and weirdly passive-aggressive and patronising towards Elio for much of the time. The physical scenes between Oliver and Elio were excruciatingly awkward to watch and didn't ring true to me - but I'm a straight female so what would I know? I haven't had that reaction with the (admittedly few) other gay films I've seen though. Maybe it was supposed to reflect real life, or maybe I am just too accustomed to male-female depictions. Ultimately the relationship seemed to consist of Elio being infatuated and Oliver enjoying being the object of that infatuation, rather than a true love story.
Personally the relationship I found most touching in the film was that between Elio and his parents. Although they aren't given much to work with, both the actors playing his parents do beautiful, nuanced work... and the much-lauded scene near the end with his father was stunning and truly moving. It was refreshing to see a such a loving and accepting child-parent relationship, done in a natural and non-affected way. It rang very true to my own experience as an only child and it was nice to see this portrayed on film for once, instead of the tension-filled relationships American films usually depict.
Overall I thought the film was absorbing and well-done, but neither the masterpiece or great love story it's being hyped as.
The power of LOVE!
Call Me By Your Name is one of those films which doesn't feel like a film but rather a journey of self discovery which we witness and feel as if it's happening at that exact moment.
Call Me By Your Name is the story of two people, Elio and Oliver, who fall in love over the course of the summer.
This movie brings one of the most beautiful relationships ever put to film. The way writer James Ivory and director Luca Guadagnino portrayed this story felt so real and in the moment. Not even for a second does it feel like you're watching actors playing these characters because of how well everyone played their roles and the excellent direction by Gaudagnino.
Timothée Chalamet is a force to be reckoned with. This man displayed such raw and tender emotion as Elio that it's impossible to think that Chalamet is acting. He is essentially our main focus since we see him learn more about himself and his sexuality as the film goes on. Elio is a character that you connect with and actually care about. He will make you feel a whole bunch of emotions as his character develops and grows.
Let's not forget how terrific Elio's other half, Oliver, played by Armie Hammer was. The chemistry between these two seemed so genuine that you instantly root for both of them being together. The love and sweetness Oliver gives to Elio is something that can't be found or forgotten easily. There's something so sincere and authentic between these two that just makes tears stream down your face like a running tap. If there was one thing that I would've liked more, it would be learning more about the character of Oliver.
This movie isn't your typical love story filled with obstacles and conflict. This is one that celebrates the ideology of LOVE and shows it in a touching and emotional way. By the end, there will be nothing else but sniffling and tears throughout the end credits. This film conveys one of the most heartbreaking and beautiful relationships the world has ever seen.
Call Me By Your Name is the story of two people, Elio and Oliver, who fall in love over the course of the summer.
This movie brings one of the most beautiful relationships ever put to film. The way writer James Ivory and director Luca Guadagnino portrayed this story felt so real and in the moment. Not even for a second does it feel like you're watching actors playing these characters because of how well everyone played their roles and the excellent direction by Gaudagnino.
Timothée Chalamet is a force to be reckoned with. This man displayed such raw and tender emotion as Elio that it's impossible to think that Chalamet is acting. He is essentially our main focus since we see him learn more about himself and his sexuality as the film goes on. Elio is a character that you connect with and actually care about. He will make you feel a whole bunch of emotions as his character develops and grows.
Let's not forget how terrific Elio's other half, Oliver, played by Armie Hammer was. The chemistry between these two seemed so genuine that you instantly root for both of them being together. The love and sweetness Oliver gives to Elio is something that can't be found or forgotten easily. There's something so sincere and authentic between these two that just makes tears stream down your face like a running tap. If there was one thing that I would've liked more, it would be learning more about the character of Oliver.
This movie isn't your typical love story filled with obstacles and conflict. This is one that celebrates the ideology of LOVE and shows it in a touching and emotional way. By the end, there will be nothing else but sniffling and tears throughout the end credits. This film conveys one of the most heartbreaking and beautiful relationships the world has ever seen.
Director's Trademarks: The Films of Luca Guadagnino
Director's Trademarks: The Films of Luca Guadagnino
Suspiria director Luca Guadagnino takes IMDb through his approach to filmmaking, from longtime collaborator Tilda Swinton, to why he hopes he doesn't have a "style."
Colonna sonora
Visualizza l'anteprima della colonna sonora qui e continua ad ascoltarla su Amazon Music.
Lo sapevi?
- QuizTimothée Chalamet learned to speak Italian and play the classical piano pieces used in the film.
- BlooperAt the car, when Elio and Oliver prepare to head off to Lake Garda with Sam, Elio has his right foot up on the open back door panel during their conversation; however, when the shot changes to Oliver's point of view in the front seat, Elio clearly has his left foot up on the door frame. Back outside it's his right foot again.
- Citazioni
Mr. Perlman: We rip out so much of ourselves to be cured of things faster that we go bankrupt by the age of thirty and have less to offer each time we start with someone new, but to make yourself feel nothing so as not to feel anything - what a waste.
- Curiosità sui creditiAlthough the movie has a full opening credits sequence, the title of the film is not shown on screen until the end credits begin.
- Colonne sonoreHallelujah Junction
Written by John Adams (as J.C. Adams)
Performed by John Adams
Published by Hendon Music Inc.
Administered in Italy by Casa Ricordi Srl
Courtesy of Nonesuch Records
By arrangement with Warner Music Italia Srl
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Llámame por tu nombre
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 € (previsto)
- Lordo Stati Uniti e Canada
- 18.095.701 USD
- Fine settimana di apertura Stati Uniti e Canada
- 412.932 USD
- 26 nov 2017
- Lordo in tutto il mondo
- 68.928.176 USD
- Tempo di esecuzione
- 2h 12min(132 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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