La vita straordinaria di David Copperfield

Dev Patel carries the role of David Copperfield gracefully and naturally. He meets many characters along the way that vividly come to life on screen in ways that make you feel as though you are reading the descriptions as they unfolded on the page. They are almost caricatures in a very whimsical and delightful way. The rollercoaster that takes David from being the only son of a widow to the discarded baggage of a new marriage also makes him the guest in an overwhelmingly loving (yet constantly indebted) family. The ride continues as he becomes a young man on the run and on his fresh start as a gentleman with a past and then finally landing as a man in love with a girl who is out of place in his story.

Though we are introduced to a wonderful array of supporting characters who help David on his long and winding journey, we do not get to spend enough time getting to know them because of the fast pace of the film. We feel his connection to them based on all of the great performances, however, it is tough to stay connected to them on the other side of the lens as the pace through situations races ahead. The third act of the film is where it is felt the most. As all of the characters come together for a very satisfying ending, it would have been nice to have more time with the characters as they enjoy the spoils of ride they took together.

In the end, this is a redemption story about a very interesting character and his extraordinarily interesting life. David and his engaging journey have every element needed to go from whimsical to scary to revenge filled and eventually a satisfying conclusion. I would definitely recommend it. There are brilliant performances all around and the film is a welcome escape from the current lack of whimsy in the world.

Based upon Charles Dickens novel David Copperfield (1850), this latest adaptation starring Dev Patel as the titular lead chronicles Copperfield's erratic life from rags to riches. Set during Victorian-era England, The Personal History of David Copperfield commences with his idyllic childhood living on a beach in an overturned boat through to early adulthood after a somewhat turbulent string of events. Being a fan of Dicken's works (as well as having written and starred in the 2012 TV film Armando's Tale Of Charles Dickens), Iannucci appeared to be an appropriate choice to adapt Dicken's 600+ page behemoth for the screen. Along with co-writer and regular collaborator Simon Blackwell, Iannucci found himself drawn towards the comedy featured within the novel. Dev Patel shines as David Copperfield, and he's joined by a magnificent ensemble cast comprised of some of Britain's finest. Peter Capaldi (a previous collaborator of Iannucci's, most notably known for his work on The Thick Of It) features as the scheming Mr. Micawber, and Hugh Laurie delivers a wonderfully mad performance as Mr. Dick; a frantic, paranoid man plagued with what seems to be a loose form of schizophrenia. Tilda Swinton is another fantastic addition as Betsy Trotwood, and Ben Whishaw's performance as the seedy Uriah Heep lends a slightly more antagonistic presence to a storyline largely lacking such a component. It is evident both Iannucci and Blackwell are fans of the source material they're adapting, as The Personal History of David Copperfield is a vibrant, charming piece of work that is irresistibly fun. Driven by a wonderful cast and a fast-paced storyline spanning many years, it is a film made with affection that is an absolute joy to watch.

Some profoundly eccentric characters but the performances seemed a little forced and the connection you need to carry them over the line was missing for the most part.

This is a fun and enjoyable movie. The weird comments by people who can't comprehend a non-white cast are baffling. If you can't enjoy a film because of the colour of actor's skin, that's your problem, not the film's.

'The Personal History Of David Copperfield (2019)' feels, quite significantly, like a clip-show, closer to a series of interconnected skits than a traditionally cinematic narrative. This isn't necessarily a bad thing, though. It gives the piece - which does, of course, have an overarching story - a unique feel. It's also an apt way to condense a lifetime into two hours, featuring only the most significant moments of its eponymous character's life. It all seems a little surreal, especially when it begins to visualise its narration in the middle of select scenes. The experience starts off a little slow but it soon picks up the pace, moving towards its low-key finale with a fair bit of momentum. Most of it is presented rather farcically, its eccentric characters flailing their arms or speaking in eloquent metaphor. There are a fair few moments that provoke a chuckle or two, but the flick still retains some resonance. It isn't all overtly comedic; some of its more sobering stuff does, indeed, sting. It comes so close to having something to say about class, but this aspect remains distinctly subtextual and always comes second to the more straightforward story. This isn't a huge issue, though. Perhaps the movie's biggest asset is its ensemble cast. Patel, who perfectly portrays the adult version of the whimsical protagonist, is a real stand-out. As are Capaldi and Laurie, who play eccentric but endearing middle-aged men. Each and every cast member is decidedly good, though, doing exactly what they need to with apparent joy. Overall, the film is entertaining and well-made. It's fun, energetic and, in general, just a good time. 7/10