Christian Wolff usa la sua mente brillante e i suoi metodi illegali per mettere insieme il puzzle irrisolto dell'assassinio di un capo delle tasse.Christian Wolff usa la sua mente brillante e i suoi metodi illegali per mettere insieme il puzzle irrisolto dell'assassinio di un capo delle tasse.Christian Wolff usa la sua mente brillante e i suoi metodi illegali per mettere insieme il puzzle irrisolto dell'assassinio di un capo delle tasse.
- Premi
- 1 vittoria e 3 candidature totali
Fernando Chien
- Sorkis
- (as Fernando Funan Chien)
Recensioni in evidenza
I really enjoyed the first 'The Accountant' so had high expectations for the follow up.
Sadly, I was very dissappointed.
The first film had some logic, it made sense, it had a story. So made the all action nonsense plausible and therefore excusable as 'artistic license.
The Accountant 2 is all action nonsense.
It makes very little sense. Very weak on story and logic i.e. Not believable for the audience to invest in it.
E.g. Why would Ray King in retirement, spend all his money 'investigating' alone and particularly for one child ?
Why would Chris (Affleck) reveal his computer help source (Justine) and her location so glibly.
It was absurd how the woman assassin was supposed to be the woman in the picture, It was also absurd how she was more like a terminator than a person.
And there are many more such issues, that prevent the story from flowing logically and therefore immersing the audience in a journey.
Instead you are repeatedly 'jolted' out, asking what? Why? When? Sort of questions, which don't have answers.
Ben Affleck is looking a bit aged and gaunt, but he and the guy who plays Braxton , played their parts compentently, but were let down by the weak script.
It does have some laughs, It's not terrible, just very mediocre, certainly nowhere near as good as the first film.
Would I watch this again ? No, it's too glib and lacks cohesion.
Yet, I have watched the first film several times and I will watch it again.
Very dissappointed and I felt this was a missed opportunity.
Not worth a full price cinema ticket.
Sadly, I was very dissappointed.
The first film had some logic, it made sense, it had a story. So made the all action nonsense plausible and therefore excusable as 'artistic license.
The Accountant 2 is all action nonsense.
It makes very little sense. Very weak on story and logic i.e. Not believable for the audience to invest in it.
E.g. Why would Ray King in retirement, spend all his money 'investigating' alone and particularly for one child ?
Why would Chris (Affleck) reveal his computer help source (Justine) and her location so glibly.
It was absurd how the woman assassin was supposed to be the woman in the picture, It was also absurd how she was more like a terminator than a person.
And there are many more such issues, that prevent the story from flowing logically and therefore immersing the audience in a journey.
Instead you are repeatedly 'jolted' out, asking what? Why? When? Sort of questions, which don't have answers.
Ben Affleck is looking a bit aged and gaunt, but he and the guy who plays Braxton , played their parts compentently, but were let down by the weak script.
It does have some laughs, It's not terrible, just very mediocre, certainly nowhere near as good as the first film.
Would I watch this again ? No, it's too glib and lacks cohesion.
Yet, I have watched the first film several times and I will watch it again.
Very dissappointed and I felt this was a missed opportunity.
Not worth a full price cinema ticket.
Ben Affleck's portrayal of Christian Wolff in The Accountant 2 feels noticeably different this time around. His character's autism traits seem more exaggerated, which comes off as a disservice to the subtle brilliance of the original performance. The addition of more overt comic relief also feels jarring and out of place-it shifts the tone from the gritty, tightly wound thriller of the first film into something less focused. That said, there are a handful of scenes that are exceptionally well shot, with crisp choreography and dark, gritty visuals. Ultimately, the film struggles to balance its identity, wavering between serious character study and action-comedy hybrid. It's watchable, but not nearly as satisfying as the first.
It's been years since I watched "THE ACCOUNTANT" and I didn't watch it before going to see this one. I liked this movie and enjoyed it, but I felt like it was missing something. What that is, I don't know, I can't put my finger on it. Maybe I missed something. And whatever that something might have been, I think the movie could have been better.
I liked the dance scene, not so much the troupe that followed. The movie had a hero's heart and some great action. A solid matinee movie.
When the day comes when it goes to streaming, I'll be sure to watch the both movies back to back. Hopefully, I'll discover that missing ingredient.
I liked the dance scene, not so much the troupe that followed. The movie had a hero's heart and some great action. A solid matinee movie.
When the day comes when it goes to streaming, I'll be sure to watch the both movies back to back. Hopefully, I'll discover that missing ingredient.
The Accountant 2 opens with tired beats and immediately falls into formula. The writing is weak, loaded with bad cop movie tropes, flat exposition, and attempts at humor that land with a thud. Cynthia Addai-Robinson's performance is especially wooden-zero chemistry, no urgency, and completely lifeless delivery. The score sounds like stock suspense cues pulled from a bargain bin, draining scenes of any weight. Ben Affleck's portrayal of Christian feels like a caricature of a character, not a person. Jon Bernthal is the lone bright spot, managing to bring grit and humanity despite the clunky lines. Slick on the surface, hollow underneath. 4/10.
Tonally extremely different to the original movie as they aim to increase the comedic moments. Very weak plot which seemed to rely on paper thin character links.
Terrible oversights with character continuity for the actual accountant. He sounded and looked different - his wardrobe was actually that of Forrest Gump and they even mentioned that as a reference at one point. He doesn't seem to be working in the same way now, and just messing about with dating algorithms for laughs now?! Even if you buy into him making 9 years of effort to integrate, it just seemed too different and ultimately fans of the first movie are coming back for more of the same so development must be within some bounds, otherwise he is just a different character.
I was really upset that they turned his "Solomon Grundy" stim/soothe into a joke and then had him use it in absolutely the wrong moment - more like a punch/tag line. His father's routine over overstimulation that dominated the original to help him cope with the world was completely absent - nothing really seemed to trigger him this time at all.
Would go so far as to say that Jon Bernthal was absolutely wasted and his character was made to look like an idiot rather than a dangerous and whimsical guy.
Agent Medina was a bit of an afterthought who got in the way. Little character development and it seemed like she was just there to remind us all how "off book" the accountant and his brother are.
Honestly this was a terrible follow up to the first movie and we came home and immediately put on the original to try and wash away the mess that was this sequel. It was such an opportunity to really do something cool with the concept, and it was absolutely wasted.
Terrible oversights with character continuity for the actual accountant. He sounded and looked different - his wardrobe was actually that of Forrest Gump and they even mentioned that as a reference at one point. He doesn't seem to be working in the same way now, and just messing about with dating algorithms for laughs now?! Even if you buy into him making 9 years of effort to integrate, it just seemed too different and ultimately fans of the first movie are coming back for more of the same so development must be within some bounds, otherwise he is just a different character.
I was really upset that they turned his "Solomon Grundy" stim/soothe into a joke and then had him use it in absolutely the wrong moment - more like a punch/tag line. His father's routine over overstimulation that dominated the original to help him cope with the world was completely absent - nothing really seemed to trigger him this time at all.
Would go so far as to say that Jon Bernthal was absolutely wasted and his character was made to look like an idiot rather than a dangerous and whimsical guy.
Agent Medina was a bit of an afterthought who got in the way. Little character development and it seemed like she was just there to remind us all how "off book" the accountant and his brother are.
Honestly this was a terrible follow up to the first movie and we came home and immediately put on the original to try and wash away the mess that was this sequel. It was such an opportunity to really do something cool with the concept, and it was absolutely wasted.
New and Upcoming Sequels, Prequels, and Spin-Offs
New and Upcoming Sequels, Prequels, and Spin-Offs
Discover some of the most anticipated sequels, prequels, and spin-offs coming to theaters and streaming.
Lo sapevi?
- QuizIn February 2020, Ben Affleck revealed there were talks about a follow-up to The Accountant (2016), but they had yet to nail down a script. At the same time, he also mentioned there were talks of developing a TV series based on the film.
- BlooperWhen the hackers gain access to the selfie lady's computer, they have no reason to distract her. With anything close to the level of access they have at that point they would just copy the files out. Taking over her desktop is completely pointless.
- Citazioni
Christian Wolff: The fall didn't kill him. It was the abrupt stop.
- ConnessioniFollows The Accountant (2016)
- Colonne sonoreSee-Line Woman
Written by George Bass and Nina Simone
Performed by Danielle Ponder and Bryce Dessner
Produced by Bryce Dessner
Courtesy of Saddest Factory Records
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- El contador 2
- Luoghi delle riprese
- Cowboy Palace Saloon - 21635 Devonshire St, Chatsworth, Los Angeles, California, Stati Uniti(Honky Tonk bar scene.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 80.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 65.523.366 USD
- Fine settimana di apertura Stati Uniti e Canada
- 24.533.959 USD
- 27 apr 2025
- Lordo in tutto il mondo
- 103.223.366 USD
- Tempo di esecuzione
- 2h 12min(132 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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