Minding the Gap

I registered on the site to write this because I was hungover on a Sunday and looking for skateboarding videos/docs online. I used to skate and cannot now due to a back injury.

I expected something featuring tricks and skate videos, however I received an extremely emotional reaction to a brilliant documentary about real people living through very real issues I have had experienced. The film was made brilliantly and I have highly recommended this to my friends. People who skate and those who don't. A very well done piece. I grew up in the Midwest and knew the struggle of "when is the sidewalk good for skating" with the cabin fever of just wanting to pop an ollie outside.

Brilliant. Highly recommended, especially for anyone that broke out on a skateboard (bike, roller blades, etc) just to get outside when young. This doc is terrificly an underdog.

Honestly I didn't find this sort of movie meaning skaters to be my type of documentary. But I love a great thought provoking documentary. It's brilliant and beautiful in so many ways. I totally recommend watching.

In Rockford, Illinois, the lives three young male friends (all of different racial backgrounds) and their families are the subject of this documentary focusing on the town's history of high unemployment, financial hardship, and domestic violence and how this affects individual lives. One of the friends, Bing Liu, is also the director and interviewer of the film.

The film footage takes place over a number of years. The beginning shows the boys as teenage skateboard experts. The first impression is that this is a skateboard doc but it doesn't take long for the film to show its true depth. The testimonies of the abuse from the subjects regarding husbands / partners / fathers / step-fathers have much in common but are also unique. One of the commonalities is a phrase that has sadly been repeated, in various forms, for decades: "yes, he can be terribly mean but when he's nice, he's really so sweet". In one such case, the abuse is subtle as the voice of an unseen man gives an "order" to his female partner who is being interviewed.

The film's boldest moments include those focusing on one of the young men (Zack) who is starting to fall into this negative pattern. What he's doing is wrong but the viewer has already felt compassion for him from previous excerpts. A film-maker is at his/her best when the viewer is left with conflicting feelings such as this case.

"Minding the Gap" has many strong qualities. One is that its creator is not from the outside looking in but one of the insiders. To maintain composure and seem neutral to the history that is so close to him is remarkable. - dbamateurcritic

From the breathtaking, fluid camera work to the increasingly brutal, honest emotionality, this documentary is a brilliant piece of work that needs to be seen by all, especially young men for whom this should be mandatory viewing.

Bing Lu's "Minding the Gap" is more than a sleek skateboarding doc that dives into alternative culture; in fact, it might not even be that at all. What probably began as an exercise in Lu turning the camera on himself and his friends blossomed into portrait of middle-American working-class life, specifically three young men who process hardship and deep emotional wounds best while on a skateboard.

Lu, his friend Zack and their younger friend, Kiere are the main subjects of the story, each passionate skaters trying to get by in their hometown of Rockford, Illinois. Piecing together that skating is symptomatic of something deeper between them, Lu decides to probe Zack and Kiere, gently pushing them toward emotional honesty. What he uncovers is a troubling and all-too-true reality that each of them is enduring, a revelation that transforms the entire viewing experience.

The film is full of these subtle, unexpected surprises. Most documentaries make an assertion or hypothesis that the filmmakers explore in depth, and the stories have an intuitive arc to them. "Minding the Gap" takes place over the course of many years and even includes footage from several years earlier, but that's not immediately apparent. Our perception of the story, along with its scope and impact, changes the longer the movie's timeline gets. Essentially, Lu's patience with his story pays off tremendously; letting these characters' lives play out deepens and enriches everything.

Time factors in the most in Zack's tumultuous relationship with Nina. She's pregnant when we meet them, and as their baby boy, Elliott, begins to grow, their lives and their relationship struggles take on a different urgency. Lu captures lots of critical moments in their journey (usually from either his or her perspective separately), which proves vital to the film because so much of the rest is reflective, specifically on Lu and Kiere's childhoods. The Zack-Nina relationship is, in effect, a microcosm of so many of the obstacles, struggles and themes of all the characters' lives.

As personal as the film gets, however, it's also a technical accomplishment. Lu conveys not just the cool, but also the zen of skateboarding that these characters experience through excellent action shots. He and co-editor Joshua Altman nail those movement sequences on top of powerfully stitching together so many different moments and stories. The film sometimes gets so deep into the characters' emotional lives that skateboarding feels irrelevant, but the extent to which skateboarding provides escape and "therapy" as one character puts it sinks completely in by the end.

Here are these men who will gladly risk every limb to land a trick yet are reticent to take emotional risks. Only Lu's close relationship with these subjects allows them to open up. His own sense of an imperative to ask them the tough, honest questions and blur his role between filmmaker and friend/relative creates the film's most powerful material. At a few points, subjects ask him if they should pretend he's not there or talk to him like they're having a conversation, suggesting the strong influence of his dual-role in his film.

Yet "Minding the Gap" is far from self-centered and self-serving. Rather, it is indicative of how some stories can only be collected and recorded by the people who live them. We'll need more brave filmmakers like Lu in order to discover these stories and let their truth find the eyes, ears and hearts of those who identify with and need them most.

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