VALUTAZIONE IMDb
6,3/10
26.522
LA TUA VALUTAZIONE
Una ragazza costruisce un razzo e decolla, sperando di incontrare una mitica dea della luna.Una ragazza costruisce un razzo e decolla, sperando di incontrare una mitica dea della luna.Una ragazza costruisce un razzo e decolla, sperando di incontrare una mitica dea della luna.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 3 vittorie e 60 candidature totali
Glen Keane
- Space Dog
- (voce)
- …
Brycen Hall
- Young Fei Fei
- (voce)
- (as Brycen Taylor Hall)
Ruthie Ann Miles
- Mother
- (voce)
Edie Ichioka
- Bungee
- (voce)
Greg Watanabe
- Male Customer
- (voce)
- …
David Chen
- Townsperson
- (voce)
- …
Sandra Oh
- Mrs. Zhong
- (voce)
Robert G. Chiu
- Chin
- (voce)
Margaret Cho
- Auntie Ling
- (voce)
- …
Kimiko Glenn
- Auntie Mei
- (voce)
- …
Artt Butler
- Uncle
- (voce)
- …
6,326.5K
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Recensioni in evidenza
Beautiful animation and a great message about overcoming tragedy and loss
Young Fei Fei (Cathy Ang) over the course of her childhood is told of ancient legends of moon goddess Chang'e (Phillipa Soo) by her mother (Ruthie Ann Miles). After her mother passes from a terminal illness Fei Fei is shaken by the prospect that her father (John Cho) will marry Mrs. Zhong (Sandra Oh) and believing the stories told by her mother hold the key to preventing this Fei Fei builds a rocket to the moon to find the moon goddess Chang'e only for her soon to be stepbrother Chin (Robert G Chiu) throwing a monkey wrench into her plans and setting them on an unplanned detour.
Over the Moon is the third feature film co-production from Netflix's animation division following Klaus and The Willoughbys. Klaus was probably in my top 10 list for that year, and while I didn't think The Willoughby's was in the same league, I still appreciate the craft and care that went into it making it look as good or better than some films that got a theatrical release. With Over the Moon co-produced with Pearl Studio (Abominable), I'm pleased to say this film is closer to the former than the latter.
The film is the feature length animated debut for John Kahrs (director of amazing short Paperman) and Glen Keane (Dear Basketball) and both have work in the industry coming from Pixar as well as back to the early days of the Disney Renaissance. Needless to say, their A game has been brought and delivers. The animation in this movie is simply incredible. The vibrancy and life of Fei Fei's home town, the energy brought to the comic relief characters (of which there maybe a few too many), the emptiness of space, and some scenes of sheer awe and wonder that deserve to be experienced so I'll avoid spoiling them, save for saying they're as imaginative as anything Winsor McCay created for his Little Nemo comic strips back in the early 1900s.
The story is absolutely amazing showing the importance of family, but also the threat of getting stuck in the past and refusing to move past it (with some eerily effective imagery in the film's climax. The movie is a musical with Christopher Curtis, Marjorie Duffield and Helen Park serving as the song writers, and the score they come up with is as vibrant and powerful as the upper levels of the Disney Renaissance. The songs range from more traditional melodies to more modern compositions to sometimes skirting the lines and being compositions of both, in this way it's very much enhancing the theme of appreciating the old while allowing acceptance of the new.
Fei Fei makes a likable lead as we see her emotional jounrey and it parallels nicely with the Chang'e legend as presented in the film. Fei Fei is brought to life by not only great expressive animation but also by Cathy Ang giving a great VO performance that hits all the right notes. The rest of the voice cast do a terrific job and play their parts well. Some of the comic relief do flirt with becoming grating and overbearing, but luckily what annoyance there are to the characters feel (mostly) true to life and feel earned in relation to the rest of the movie that surrounds them. There are also a few lowbrow gags, but they're luckily used sparingly and never overstay their welcome.
Over the Moon is a terrific film that shows that both Pearl Studio and Netflix Animation are worthy contenders among the crowded animation field. With fantastic visuals, likable characters, a dynamic musical score, and a story that strikes the right emotional chords, the movie is able to overcome the few minor drawbacks keep it from being perfect. While some of the comic relief feels unnecessary, it's balanced out by a cohesive whole of ingredients that make for a beautiful and moving animated visual feast.
Over the Moon is the third feature film co-production from Netflix's animation division following Klaus and The Willoughbys. Klaus was probably in my top 10 list for that year, and while I didn't think The Willoughby's was in the same league, I still appreciate the craft and care that went into it making it look as good or better than some films that got a theatrical release. With Over the Moon co-produced with Pearl Studio (Abominable), I'm pleased to say this film is closer to the former than the latter.
The film is the feature length animated debut for John Kahrs (director of amazing short Paperman) and Glen Keane (Dear Basketball) and both have work in the industry coming from Pixar as well as back to the early days of the Disney Renaissance. Needless to say, their A game has been brought and delivers. The animation in this movie is simply incredible. The vibrancy and life of Fei Fei's home town, the energy brought to the comic relief characters (of which there maybe a few too many), the emptiness of space, and some scenes of sheer awe and wonder that deserve to be experienced so I'll avoid spoiling them, save for saying they're as imaginative as anything Winsor McCay created for his Little Nemo comic strips back in the early 1900s.
The story is absolutely amazing showing the importance of family, but also the threat of getting stuck in the past and refusing to move past it (with some eerily effective imagery in the film's climax. The movie is a musical with Christopher Curtis, Marjorie Duffield and Helen Park serving as the song writers, and the score they come up with is as vibrant and powerful as the upper levels of the Disney Renaissance. The songs range from more traditional melodies to more modern compositions to sometimes skirting the lines and being compositions of both, in this way it's very much enhancing the theme of appreciating the old while allowing acceptance of the new.
Fei Fei makes a likable lead as we see her emotional jounrey and it parallels nicely with the Chang'e legend as presented in the film. Fei Fei is brought to life by not only great expressive animation but also by Cathy Ang giving a great VO performance that hits all the right notes. The rest of the voice cast do a terrific job and play their parts well. Some of the comic relief do flirt with becoming grating and overbearing, but luckily what annoyance there are to the characters feel (mostly) true to life and feel earned in relation to the rest of the movie that surrounds them. There are also a few lowbrow gags, but they're luckily used sparingly and never overstay their welcome.
Over the Moon is a terrific film that shows that both Pearl Studio and Netflix Animation are worthy contenders among the crowded animation field. With fantastic visuals, likable characters, a dynamic musical score, and a story that strikes the right emotional chords, the movie is able to overcome the few minor drawbacks keep it from being perfect. While some of the comic relief feels unnecessary, it's balanced out by a cohesive whole of ingredients that make for a beautiful and moving animated visual feast.
Identity crisis
This is a film in two parts: the beginning and end are a very nicely animated story of grief and the struggle to belong while the middle is a strange neon Fantasia adventure that isn't wholly appealing. The animation stops just short of being interesting or inventive, but the music is flat out boring (I cannot recall a single bit of it less than an hour from finishing the movie). Much is familiar with Disney's influence everywhere. The hare looks exactly like a green Mad Hatter and you'll spy Cinderella's castle at least once. Some things aren't as well defined and look almost unfinished. There are absolutely moments of excellence (there's a particularly great moment at the end), but overall I was bored. This film had great promise and I love the representation. Unfortunately, it wasn't for me.
Rihanna on the moon
Started of very well, nice and gripping story. And then comes the moon with neon colors and a stupid pop star God.
Is this what we really want to show the children? There are better ways to tell a story about loss and progress with life.
Beautiful visuals and music
I have to laugh at people complaining about this movie because it's a musical or mentions the moon a lot. Like... yeah. The trailer pretty efficiently covers that! Anyway... More than once I was awed at the colors and visuals. The storyline is sweet and a little sad. All of the songs were so beautiful. But what else can I expect from a movie starring Philippa Soo? Plus I love to see the representation!!
Gorgeous Animation Generic Storyline.
Top notch animation. but if you've seen as many animated films as i've done then the plot won't stand out in any way.
Lo sapevi?
- QuizThis is the final film written by Audrey Wells before her death in 2018. The film is dedicated to her.
- Citazioni
Young Fei Fei: Magnetic levitation's the coolest.
- ConnessioniFeatured in Animat's Crazy Cartoon Cast: Tiana's Splashing Palace (2020)
- Colonne sonoreOn the Moon Above
Written by Christopher Curtis, Marjorie Duffield and Helen Park
Performed by Ruthie Ann Miles, John Cho and Cathy Ang
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Más allá de la Luna
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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