Uno sguardo agli anni formativi del gangster del New Jersey, Tony Soprano.Uno sguardo agli anni formativi del gangster del New Jersey, Tony Soprano.Uno sguardo agli anni formativi del gangster del New Jersey, Tony Soprano.
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Recensioni in evidenza
If the Sopranos had relied on this film to launch the tv series, the show would never had been released.
Its an average film, neither offensive to the brain nor exhilarating, but it fails miserably to develop any excitement to the 'coming' of Tony.
If you want to watch a movie about growing up to become a gangster...watch Goodfellas :)
Its an average film, neither offensive to the brain nor exhilarating, but it fails miserably to develop any excitement to the 'coming' of Tony.
If you want to watch a movie about growing up to become a gangster...watch Goodfellas :)
Jon Bernthal said this film isn't like the Sopranos, and I can see what he means. I walked in thinking this would focus on Tony Sopranos' route to becoming who he is when we meet him in the first episode of the Sopranos, but instead, it focuses on Christopher's dad, Dickie Moltisanti.
The acting is superb, but the plot is thin. Dickie is not a particularly interesting character. In fact, I think focusing on Johnny Soprano would've made for a way more gripping film. What we end up with is something half-baked, more of a mini series than a stand-alone film. I have to admit, when the credits started coming up, I was thinking, "Is this it?"
For a Sopranos fan, it's worth a watch, but ultimately, it was underwhelming.
The acting is superb, but the plot is thin. Dickie is not a particularly interesting character. In fact, I think focusing on Johnny Soprano would've made for a way more gripping film. What we end up with is something half-baked, more of a mini series than a stand-alone film. I have to admit, when the credits started coming up, I was thinking, "Is this it?"
For a Sopranos fan, it's worth a watch, but ultimately, it was underwhelming.
Really? All that talent and money, and yet overall this is a meandering narrative mess that doesn't know what story it wants to tell. It is more or less a hodgepodge of cameos by younger versions of the TV series characters superimposed over a laughably shallow and revisionist narrative on the riots that destroyed Newark NJ.
The closest analogy I can give is the shockingly bad "Deadwood: The Movie" which was an insult to everyone who enjoyed the Deadwood series. It makes me profoundly grateful that no "movie" was made following "Rome" or Boardwalk Empire."
The closest analogy I can give is the shockingly bad "Deadwood: The Movie" which was an insult to everyone who enjoyed the Deadwood series. It makes me profoundly grateful that no "movie" was made following "Rome" or Boardwalk Empire."
This coming from a huge Sopranos fan who as many people, been looking forward to this movie with great anticipation. Afterall mr. Chase being involved ought to almost guarantee quality.
However, then you start reading about some delays and production trouble, then Chase was not directing it, was not directly writing the script, and so on and so forth... Just one after another misteps from the studio.
So we got what we get in 90% nowadays. Average, check-patronizing-woke boxes flick, shallow characters (that are basically skimmed through), incoherent jumping story and many pretentious moments trying to be more than they are.
Nothing like the Sopranos, where every moment was more than what it appeared at first, where characters were all interesting and multilayered and each episode was an intriguing story, 10 or 20 times what this movie is.
A huge disappointment, not even close to the quality of Sopranos. Half of the movie is as is usual today forced political patronizing and blaming white people for everything, which is the last thing I expected from a Chase "product", that he would sell out like this to please others. Also in general it is a bad mob flick with too much jumping and no focus.
I dont know if Chase was forced into a position with no say or he sold out but unless told, I would never belive a person who created Sopranos could also be involved with this travesty of a movie.
However, then you start reading about some delays and production trouble, then Chase was not directing it, was not directly writing the script, and so on and so forth... Just one after another misteps from the studio.
So we got what we get in 90% nowadays. Average, check-patronizing-woke boxes flick, shallow characters (that are basically skimmed through), incoherent jumping story and many pretentious moments trying to be more than they are.
Nothing like the Sopranos, where every moment was more than what it appeared at first, where characters were all interesting and multilayered and each episode was an intriguing story, 10 or 20 times what this movie is.
A huge disappointment, not even close to the quality of Sopranos. Half of the movie is as is usual today forced political patronizing and blaming white people for everything, which is the last thing I expected from a Chase "product", that he would sell out like this to please others. Also in general it is a bad mob flick with too much jumping and no focus.
I dont know if Chase was forced into a position with no say or he sold out but unless told, I would never belive a person who created Sopranos could also be involved with this travesty of a movie.
They made a movie about Dickie Moltisanti. Most Soprano fans couldn't give a damn about Dickie. He's a background character.
Fans wanted a show about Tony Soprano. The movie made Tony a background character. We learned more about Tony's childhood from the original show than we do during this movie.
With the exception of one scene, we don't even know anything about Tony's relationship with his father.
It's puzzling. The original show was all about the complexity of family dynamics. This movie was a B-rate gangster flick sidetracked by a plot about a black gangster during a time in the 60's when there would have been minimal interaction between street gangs & mob bosses.
The fans wanted a Tony Soprano coming of age Story. Instead the producers delivered a 2 hour film with 14 minutes of Tony Soprano flashbacks.
Fans wanted a show about Tony Soprano. The movie made Tony a background character. We learned more about Tony's childhood from the original show than we do during this movie.
With the exception of one scene, we don't even know anything about Tony's relationship with his father.
It's puzzling. The original show was all about the complexity of family dynamics. This movie was a B-rate gangster flick sidetracked by a plot about a black gangster during a time in the 60's when there would have been minimal interaction between street gangs & mob bosses.
The fans wanted a Tony Soprano coming of age Story. Instead the producers delivered a 2 hour film with 14 minutes of Tony Soprano flashbacks.
Lo sapevi?
- QuizThe film's title comes from Dickie Moltisanti's family's name which when translated from Italian to English means "many saints."
- BlooperWhen Tony is handing out free ice cream, the shot of him handing an ice cream cone to the boy wearing a vest (1:06:17) is re-used just a few seconds later.
- Citazioni
Christopher Moltisanti: [Final lines] That's the guy, my uncle Tony. The guy I went to hell for.
- Colonne sonoreStardust
Written by Hoagy Carmichael and Mitchell Parish
Performed by Artie Shaw and His Orchestra
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- I molti santi del New Jersey - I Soprano: le origini
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 8.237.403 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.651.571 USD
- 3 ott 2021
- Lordo in tutto il mondo
- 13.037.403 USD
- Tempo di esecuzione2 ore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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