Flee

Chronicling the harrowing journey of an Afghan immigrant and the unfathomable adversity he & his family had to navigate through to find a new home, Flee lends a powerful, heart-rending & thought-provoking perspective to the refugee experience through the first-hand account of its protagonist, and makes for a strongly moving documentary that's rendered on screen with care & consideration.

Written & directed by Jonas Poher Rasmussen, the film employs animation to narrate the life story of its protagonist who's been harbouring a secret he finally feels ready to reveal for the first time. The use of animation not only allows the director to sketch a stimulating portrait of the narrator's dark & traumatic past but also helps protect his real-world identity by keeping him & his family anonymous.

Though a work of rich, evocative animation for the most part, the film does make use of live-action archival footages sometimes to help ground our storyteller's testimony in reality. Add to that, the emotional wallop it provides only contributes to the film's overall bracing impact. But it's not all disturbing & distressing, for there lies his own coming-of-age story & his road to self-discovery which is beautifully illustrated.

Overall, Flee is an achingly human & emotionally stirring slice of life that's crafted with heart, told with compassion and has an apt understanding of its thematic content. Thoughtful in its approach and empathetic in its presentation, this Danish memoir is a gripping blend of artful animation & documentary realism, and definitely ranks amongst the most intimate, affecting, personal & profound films of 2021. Thoroughly recommended.

Denmark's official submission to 2022's Oscars is an amazing heartbreaking animated documentary. Its real story is extraordinary, sad, powerful and so moving. It's written brilliantly, with many deep lines. The animation is beautiful and original. I hope this film will get Oscar nominations for Best International Feature Film, Best Animation and Best Documentary.

At this point it's going to be so hard to top Flee. It tells the extraordinary true story of a man, Amin, on the verge of marriage which compels him to reveal his hidden past for the first time. Rather than a typical documentary style, it goes for an animated approach in the for of mockumentary. Never does it feel like a documentary which is extraordinary. The animation is simplistic yet looks so dynamic. It also blends archive footage to remind us the realness of it all. The story is tragic and amazing. We're told of Amin's experience fleeing country to country in hopes for a better life. It's a thrilling ride from start to finish. I'm not sure how anyone couldn't like it. This is the best of the festival and one of the best of the year!

Before I watched this movie, I thought I was going to hate it. Why is that ? Because this movie looked like a movie that was made just to get awards. Isn't it a prize-winning subject ? A gay muslim Afghan men, war, flee, bad situations, family, drama. But after watching the movie, I saw that it wasn't like that. I was particularly impressed by the fact that it was a true story, and I understood and appreciated that it was told via animation. It was a very different and good experience. Reminds me of the movie "Persepolis". I like it.

Fleeing Taliban's Afghanistan in the latter part of the last century would seem the proper subject for film or video, capturing the reality of flight from oppression to freedom. Actually, in Flee, a documentary-animation with shades of color and earth tones works even better because the reality is in the narration of unspeakable horrors lived by protagonist Amin Nowabi at several stages of his life and experienced by the viewer not distracted by film's visual reality.

Amin's quarter-century friendship with director Jonas Poher Rasmussen helps him confess honestly to the single camera about long suppressed hurt. The animation objectively captures the pain he suffers recounting the journey to freedom and recapturing his love of life.

Young Amin travels with his mother, brother, and two sisters with unscrupulous traffickers and corrupt police for months to arrive in freedom physically and psychologically damaged, separated from each other for years to come. The narration is impeccably understated as it lets the story collect the audience's grief and pity out of the documentary's reality.

Amin's story moves from idyllic, brightly lit youthful days in Kabul (similarly sketched in Kenneth Branagh's recollection of his youth in Belfast) through the darkly harrowing journey on land and sea to land his life finally now in Copenhagen, buying a house, and coming out with his partner to family and the world in a salutary note of hope for refugees everywhere at any time. The price has been enormous in lost lives and lost youth.

All is not animation because interspersed is library footage of the Russian Afghanistan invasion and speeches by former President Mohammad Najibullah. Such reality checks make sure audience is not lulled into animation's chief compromiser-its own unreality.

Amin himself may be experiencing fictionalized reminiscence even though events seem to reflet a terror that did happen and can only be imagined years later.

Flee is a masterful amalgam of animation, real-live photography, and history recounted partially from a terrible journey's reality and a hero's struggling memory and imagination. You'll understand our collective confusion about Afghanistan and our abandoning it. You'll also understand if Flee is Oscar nominated in categories such as animation and international. It's all good.