Nada Consta

Smart and funny dark-humored distopy with time-travel elements, authoritarian rule and weird bureaucracy. It compensates extreme low budget with nice cinematography and edition. The only problem is the final (the scene immediately before and also after credits), that is a little confusing and in a hurry, being hard even to understand what the mains character says. A nice beginning for director. Santiago Dellape, who would also mock on bureacracy, corporative enviroment and time-travel in later feature films Meio Expediente and Punch the Clock (A Repartição do Tempo).