VALUTAZIONE IMDb
6,9/10
3514
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTodd and Rory are intellectual soul mates. He might be gay. She might not care. A romantic-comedy drama with a twist; a love story without the thrill of copulation.Todd and Rory are intellectual soul mates. He might be gay. She might not care. A romantic-comedy drama with a twist; a love story without the thrill of copulation.Todd and Rory are intellectual soul mates. He might be gay. She might not care. A romantic-comedy drama with a twist; a love story without the thrill of copulation.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Joshua Diaz
- Zane
- (as Josh Diaz)
Jon E. Darby
- Student Director
- (as Jon Darby)
Recensioni in evidenza
Straight Up (2019) was written and directed by James Sweeney.
Director Sweeney plays Todd, who has OCD and many, many phobias. Todd's friends know he's gay, Todd's therapist knows he's gay, and--I think--Todd knows he's gay. The problem is that Todd really doesn't want to be gay.
He wants to be straight, especially after he meets Rory, portrayed by Katie Findlay. They are mutually attracted, and the start to live together. But . . .
Although this was a meant as a comedy, I found it poignant. Meeting the right person, when you're the wrong person, isn't really funny. Funny things happen along the way, but the basic premise is sad.
Sweeney does a good job, especially when you remember that he's directing himself. Katie Findlay is outstanding in her role.
Special acting credit goes to Tracie Thoms as Dr. Larson, Todd's ever-patient therapist.
This film had its New York State premiere at ImageOut, Rochester's great LGBT festival. (Remember that both NYC and Buffalo are larger than Rochester. Having a NYS premiere in Rochester takes special effort by the ImageOut selection committee.)
This is a film that will work on the small screen. Yes--it's set in California with views of the ocean, but it's about people, not scenery.
This movie hasn't had a large distribution. It's only been rated by 30 people. The good news is that those people gave it an extremely high rating of 8.1. I think it's even better than that.
Director Sweeney plays Todd, who has OCD and many, many phobias. Todd's friends know he's gay, Todd's therapist knows he's gay, and--I think--Todd knows he's gay. The problem is that Todd really doesn't want to be gay.
He wants to be straight, especially after he meets Rory, portrayed by Katie Findlay. They are mutually attracted, and the start to live together. But . . .
Although this was a meant as a comedy, I found it poignant. Meeting the right person, when you're the wrong person, isn't really funny. Funny things happen along the way, but the basic premise is sad.
Sweeney does a good job, especially when you remember that he's directing himself. Katie Findlay is outstanding in her role.
Special acting credit goes to Tracie Thoms as Dr. Larson, Todd's ever-patient therapist.
This film had its New York State premiere at ImageOut, Rochester's great LGBT festival. (Remember that both NYC and Buffalo are larger than Rochester. Having a NYS premiere in Rochester takes special effort by the ImageOut selection committee.)
This is a film that will work on the small screen. Yes--it's set in California with views of the ocean, but it's about people, not scenery.
This movie hasn't had a large distribution. It's only been rated by 30 people. The good news is that those people gave it an extremely high rating of 8.1. I think it's even better than that.
I just want to be friends with Todd and Rory. They are wacky and adorable and even borderline annoying and I love them both. This movie is the type of love story I can totally get attached to. And it's so funny that I need to watch it again, because there were times the audience was laughing so hard that I couldn't hear all the words. Just watch this movie any chance you get.
If you're searching for an explanation of successful millennial romantic relationships, it might be characterized by bisexuality without sex. If you're searching for an unconventional romantic comedy? that's what writer/director/star James Sweeney offers in the brilliant Straight Up.
It's a rom-com whose roots are firmly placed in the Howard Hawke's world of His Girl Friday, where sex is a form of screwball comedy banter, brilliantly pop-cultured and offered by brainiac characters who want sex but accept words as more forgiving: "You called me." "No, I didn't." "Yes, you did." "My butt dialed you." "Well, I think your butt knows what your heart wants." You might also thin of the less biting, but still bright, Will & Grace.
Todd (Sweeney) and Rory (Katie Findlay) meet cute in a library and exchange super-charged dialogue titillating in its wit and emotionally fulfilling like good sex. He is OCD-his whole life is that analytical way-- arranging the books here making her think he's a librarian. He house sits rather than create a home. It's perhaps his OCD that keeps him from a satisfying sexuality, so preoccupied he is with deconstructing life that he misses its joys. He, however, knows he does not want to be alone his whole life.
The difference between Hawkes' dialogue or, say Wes Anderson's in The Grand Budapest Hotel, is that Straight Up relies on machinegunned words, whereas the earlier screwball comedies come out almost gently from sweet origins in the head with smoother delivery (Cary Grant and Rosalind Russell, for example).
Besides the smart dialogue, Straight Up offers, for the main characters' insistence otherwise, benign almost sexless love, which seems counterintuitive but ends up between the two principals an almost ideal state. Yet both characters long for love, a universal desire the lasts throughout the modern biracial and bisexual modes.
The comedy lampoons the correctness of our century while it offers a sober commentary on fulfilling relationships that rely on mind over matter.
Listen up you uncertain millennials, it's the mind that matters
It's a rom-com whose roots are firmly placed in the Howard Hawke's world of His Girl Friday, where sex is a form of screwball comedy banter, brilliantly pop-cultured and offered by brainiac characters who want sex but accept words as more forgiving: "You called me." "No, I didn't." "Yes, you did." "My butt dialed you." "Well, I think your butt knows what your heart wants." You might also thin of the less biting, but still bright, Will & Grace.
Todd (Sweeney) and Rory (Katie Findlay) meet cute in a library and exchange super-charged dialogue titillating in its wit and emotionally fulfilling like good sex. He is OCD-his whole life is that analytical way-- arranging the books here making her think he's a librarian. He house sits rather than create a home. It's perhaps his OCD that keeps him from a satisfying sexuality, so preoccupied he is with deconstructing life that he misses its joys. He, however, knows he does not want to be alone his whole life.
The difference between Hawkes' dialogue or, say Wes Anderson's in The Grand Budapest Hotel, is that Straight Up relies on machinegunned words, whereas the earlier screwball comedies come out almost gently from sweet origins in the head with smoother delivery (Cary Grant and Rosalind Russell, for example).
Besides the smart dialogue, Straight Up offers, for the main characters' insistence otherwise, benign almost sexless love, which seems counterintuitive but ends up between the two principals an almost ideal state. Yet both characters long for love, a universal desire the lasts throughout the modern biracial and bisexual modes.
The comedy lampoons the correctness of our century while it offers a sober commentary on fulfilling relationships that rely on mind over matter.
Listen up you uncertain millennials, it's the mind that matters
Yes, this film is VERY Millennial, but my big takeaway is that I've never seen a comedy (rom-com?) quite like it before. The actor/filmmaker has a totally unique voice and vision. Hopefully there will be another project after this one, because I'm definitely interested to see another feature from him.
Honestly, it's seems pretty unlikely but it's a delight! Very entertaining dialogue that keeps the audience engaged. Funny moments, romantic moments, cringey moments, and thought provoking moments. I think this film does a fantastic job at exploring unconventional relationships. One of the few that do it right.
Lo sapevi?
- QuizAt one point, multiple distributors were interested in acquiring Straight Up, but none of them would accept the film in its intended aspect ratio of 4:3. James Sweeney was instructed to deliver in 16:9, excise 25 percent of the frame. He refused to give up his creative vision and eventually found a distributor who agreed.
- BlooperAlthough not impossible, the opening conversation between the Todd and Rory (not a give-away because it is literally the opening of the movie) develops from Rory saying Todd might generally be mistaken for an employee based on his putting things (for instance organizing books) in order.
Todd replied that no, someone mistook him for a Staples employee, asking where the paperweights are, and he wasn't doing anything, just standing there.
Perhaps it is a dig at Staples employees who just stand there, or a play on the fact that he was not doing anything and was asked about paperweights. Yes, there are decorative desk things they sell as 'paperweights' at Staples, but nobody ever went to Staples to buy a paperweight. Inventing some scenario that didn't happen or joking is out of character.
- Citazioni
Dr. Larson: Are you sure you're a boy?
Todd: [pause] Well, I was until now.
- ConnessioniReferences Zanna gialla (1957)
- Colonne sonoreScoobidoo Love
Written by Paul Rothman
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 16.080 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4075 USD
- 1 mar 2020
- Lordo in tutto il mondo
- 16.080 USD
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
- Proporzioni
- 1.33 : 1
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