Tyler Rake, un impavido mercenario del mercato nero, inizia l'estrazione più mortale della sua carriera quando viene arruolato per salvare il figlio rapito di un signore del crimine internaz... Leggi tuttoTyler Rake, un impavido mercenario del mercato nero, inizia l'estrazione più mortale della sua carriera quando viene arruolato per salvare il figlio rapito di un signore del crimine internazionale incarcerato.Tyler Rake, un impavido mercenario del mercato nero, inizia l'estrazione più mortale della sua carriera quando viene arruolato per salvare il figlio rapito di un signore del crimine internazionale incarcerato.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 15 candidature totali
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Recensioni in evidenza
Exactly what I expect from Netflix.
Extraction is a fun and average action flick that has awesome action, good performances, and a totally "meh" plot. But hey, this is exactly what Netflix is for and I'm totally okay with that.
OK Plot, Immense Action Scenes, Hemsworth Nails It
I'm not much of a writer, so I'll keep the review short.
The plot is nothing new, but is interesting enough. However, Chris Hemsworth knocks it out the park with his performance - I really didn't expect that from him, but he is awesome in this.
The action scenes are great, and some of the camera work and filming techniques are fantastic.
The film is a 6/10, but I gave it a 7/10 for the action scenes and Hemsworth's performance.
The plot is nothing new, but is interesting enough. However, Chris Hemsworth knocks it out the park with his performance - I really didn't expect that from him, but he is awesome in this.
The action scenes are great, and some of the camera work and filming techniques are fantastic.
The film is a 6/10, but I gave it a 7/10 for the action scenes and Hemsworth's performance.
Give Me More
What a rush. What a thrill. What poetic violence.
After movies like this, "6 Underground," "Ronin," and others, can we please have more movies set in foreign countries? Let's break away from the monotony of New York, L.A., and Chicago and go international: Mumbai, Tokyo, Lagos.
The premise of the movie is simple and it's all in the title. A skilled mercenary named Tyler (Chris Hemsworth) has been contracted to extract a drug dealer's kidnapped son. It's pretty much a suicide mission, but Tyler didn't need even the slightest coaxing to take the job. He didn't even ask the price. Some odd hours later he's in Bangladesh, kid in tow, shooting his way out of a sticky situation.
This ballsy grimy film took you through the muck in style. The camera angles and continuous action shots were fresh as it followed Tyler from one point to the next while he shot and fought John Wick style to his extraction point. "Extraction" was raw at times, shocking at other times, and even moving at times. It's a no frills visceral form of action that keeps you at the edge of your seat and constantly engaged. Ooooh! give me more.
After movies like this, "6 Underground," "Ronin," and others, can we please have more movies set in foreign countries? Let's break away from the monotony of New York, L.A., and Chicago and go international: Mumbai, Tokyo, Lagos.
The premise of the movie is simple and it's all in the title. A skilled mercenary named Tyler (Chris Hemsworth) has been contracted to extract a drug dealer's kidnapped son. It's pretty much a suicide mission, but Tyler didn't need even the slightest coaxing to take the job. He didn't even ask the price. Some odd hours later he's in Bangladesh, kid in tow, shooting his way out of a sticky situation.
This ballsy grimy film took you through the muck in style. The camera angles and continuous action shots were fresh as it followed Tyler from one point to the next while he shot and fought John Wick style to his extraction point. "Extraction" was raw at times, shocking at other times, and even moving at times. It's a no frills visceral form of action that keeps you at the edge of your seat and constantly engaged. Ooooh! give me more.
Extraction
The latest Netflix original film to arrive on the streaming service. Extraction sees Tyler Rake (Chris Hemsworth), a black market mercenary, embark on the most deadly extraction of his career when he's enlisted to rescue the kidnapped son (Rudhraksh Jaiswal) of an imprisoned international crime lord.
As much as their originals are hit and miss and the sheer amount of content they release being ridiculous, there is no question that Netflix allow pure filmmaker freedom without the restrictions and interference of Hollywood influence as here the film is allowed to make full use of its 18 rating and not have the burden of setting up or continuing a franchise. Though generic and cliche in its story telling, the action and stunt work are an absolute blast to witness and make this a step up from what I was expecting.
The film's 2 hour runtime may have some filler sequences around the middle section, but the 1st and 3rd acts are fast paced and frantic, throwing you right into the situation, the film knows exactly what it wants and sets out to deliver it. The race against time and constant improvisation of the extraction itself makes for a consistently engaging watch, though the film does brush over motivations (the villain here is especially lacklustre) and character back story, with Tyler solely relying on a few flashbacks and essentially an exposition interview with the kid he is protecting, so that we get more of his story.
However what this basic premise does allow for is to be filled with brutal, well choreographed and creative action. This film delivers one of the best set pieces of this year, with a phenomenal one-take style 15 minute sequence, which goes from a car chase, to a building assault to a lorry chase, it's absolute controlled chaos. As a fan of John Wick, The Raid etc. it was excellent to see their influence on the choreography, the camerawork never is too shaky or quick cutting meaning it is easy to follow and witness every stab, punch, kick in their bone crunching and visceral glory. The shootouts sound great and are intense, always ending in bloody results, especially the finale sequence.
It's good seeing Hemsworth in a grittier, darker non-Thor/MIB role and he delivers here in a more somber and focused role, though also channels some of the action hero vibe of the 80/90's that this film is going for. Jaiswal is also good here as the kid thrown into this life or death situation, he is never irritating or acts unrealistically at all (which is the case with kids in these types of films at times). Randeep Hooda has an intimidating screen presence as someone working for the kid's father and David Harbour gives an enthusiastic performance, though his character's section does stall the plot pacing.
Extraction is a fun watch to turn your brain off for 2 hours and was actually better than I expected. The action is bloody, visceral and frantic with some brilliant practical effects and choreography and the cast give good performances. The film does suffer from several cliches and genre traits and lack of character depth, but honestly from a purely entertainment perspective this does the job.
As much as their originals are hit and miss and the sheer amount of content they release being ridiculous, there is no question that Netflix allow pure filmmaker freedom without the restrictions and interference of Hollywood influence as here the film is allowed to make full use of its 18 rating and not have the burden of setting up or continuing a franchise. Though generic and cliche in its story telling, the action and stunt work are an absolute blast to witness and make this a step up from what I was expecting.
The film's 2 hour runtime may have some filler sequences around the middle section, but the 1st and 3rd acts are fast paced and frantic, throwing you right into the situation, the film knows exactly what it wants and sets out to deliver it. The race against time and constant improvisation of the extraction itself makes for a consistently engaging watch, though the film does brush over motivations (the villain here is especially lacklustre) and character back story, with Tyler solely relying on a few flashbacks and essentially an exposition interview with the kid he is protecting, so that we get more of his story.
However what this basic premise does allow for is to be filled with brutal, well choreographed and creative action. This film delivers one of the best set pieces of this year, with a phenomenal one-take style 15 minute sequence, which goes from a car chase, to a building assault to a lorry chase, it's absolute controlled chaos. As a fan of John Wick, The Raid etc. it was excellent to see their influence on the choreography, the camerawork never is too shaky or quick cutting meaning it is easy to follow and witness every stab, punch, kick in their bone crunching and visceral glory. The shootouts sound great and are intense, always ending in bloody results, especially the finale sequence.
It's good seeing Hemsworth in a grittier, darker non-Thor/MIB role and he delivers here in a more somber and focused role, though also channels some of the action hero vibe of the 80/90's that this film is going for. Jaiswal is also good here as the kid thrown into this life or death situation, he is never irritating or acts unrealistically at all (which is the case with kids in these types of films at times). Randeep Hooda has an intimidating screen presence as someone working for the kid's father and David Harbour gives an enthusiastic performance, though his character's section does stall the plot pacing.
Extraction is a fun watch to turn your brain off for 2 hours and was actually better than I expected. The action is bloody, visceral and frantic with some brilliant practical effects and choreography and the cast give good performances. The film does suffer from several cliches and genre traits and lack of character depth, but honestly from a purely entertainment perspective this does the job.
Lo sapevi?
- QuizAccording to director Sam Hargrave, the nationwide ban on firearms on location in India was so strict, the production had to import rubber prop guns without any moving parts. For the first major action rescue sequence, for example, these dummy weapons were used exclusively without any blank rounds being discharged. The entire sequence had to be digitally animated in post to give the impression that shots were being fired.
- BlooperWhen the Colonel shoots at the heroes with his sniper rifle, the sound of the shots is heard before bullet impact. High-powered long-range rifle bullets typically travel at over twice the speed of sound, so the bullets would hit before the shots are heard. Additionally, in an urban setting with tall buildings, there would typically be a series of echoes from the loud gunfire.
- Citazioni
Ovi Mahajan: "You drown not by falling into the river, but by staying submerged in it."
- ConnessioniFeatured in Chris Stuckmann Movie Reviews: Extraction (2020)
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- Extraction
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- Budget
- 65.000.000 USD (previsto)
- Tempo di esecuzione
- 1h 56min(116 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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