Final Destination: Bloodlines

If you are going into this movie just to have a good time and turn your brain off then you'll enjoy this film. However, as someone who became obsessed with the Final Destination franchise nearly 2 decades ago after watching the choose your own fate edition of Final Destination 3 with the tanning bed scene permanently seared into my brain, I'm a bit more harsh.

Cons:

• The CGI blood and kills. Nothing takes me out of a scene more than dark red cartoon blood. With a film that is built PRIMARILY on deaths it should be quite limited on the usage of CGI. We've seen great use of practical effects which is why this feels like such wasted potential. The biggest reason these movies work is because no matter how ridiculous the set up is the death still feels real (4th sequel excluded). It doesn't have the same effect if the person dying sudden looks like an animated character.

• This might be the most useless protagonist since the 4th installment. The main character might be the blandest character in the whole movie, and she has some tough competition because only 3 people stand out in this movie. I can forgive throw away characters if the deaths are memorable but both are lacking here.

• There have been rumors that there were reshoots and I believe them because the final act has some pacing issues and ends somewhat abruptly.

Pros:

• I will say that this film had the 2nd best opening scene/disaster behind the pile up.

• Tony Todd's goodbye was moving and possibly the best dialogue he has given in the franchise.

• The hospital death scene involving an MRI machine has a great build up of suspense and emotion and is up there with other iconic final destination death scenes.

• While there is more cons then pros for me I still had a good time and still fun to see in theaters. While some FD sequels miss the mark there is always another sequel that can surpass it. Can't wait for the next sequels!!

The return of the series after 14 years should not have been like this. It honestly felt like I was watching a gory Disney Channel Original Movie. The tone was way too childish. If it weren't for the gore, I'm sure it would have been rated PG-13 because the dialogue wasn't mature at all. I would have preferred a darker and more serious tone like in the first two movies.

One of the things that bothered me the most was the way they handled Bludworth. In the previous films, he was a mysterious character who seemed to have a supernatural connection to death. In Bloodlines, he's reduced to just an ordinary guy. I'm pretty sure this wasn't the original vision for the character. It felt like they rushed to close his arc because the actor is reportedly sick and may not return in future installments. The Bludworth we see in this film doesn't align with the enigmatic presence we knew. The man who used to deliver eerie, metaphorical warnings now feels completely humanized and bland.

The Final Destination series has never been fully consistent in its lore, but it's 2025. If you're bringing a franchise like this back, you need to be more coherent and deliberate. The final train crash should have been Stefani's premonition. All the other films start with something like a finger cut cut. Or maybe Charlie should have had the vision at the prom. The CGI in the final scene was awful. It looked like something out of Spy Kids.

On the bright side, I did appreciate the emotional approach of focusing on a family rather than a group of classmates or coworkers for once. It helped the audience connect more deeply with the characters. I really liked Iris and thought Brec Bassinger did a great job. The Skyview Tower collapse, while not visually perfect, ranks among my top three openings in the franchise.

The hospital sequence was by far the best part of the movie. The MRI death easily enters my top five deaths across all the films. I also liked how complex the death order was this time. The butterfly effect was depicted pretty well.

Overall, the movie was watchable but fell short of my expectations. A more serious and darker tone would have been a better fit. Honestly, if the whole film had taken place in the 1960s and followed Iris and the diner characters, it might have turned out better. But the most important thing is this franchise needs to be taken out of Zach and Adam's hands. They are turning it into a kids movie with gore.

Respect how they didn't kill off Tony Todd's character to finish the trilogy,due to his real health issues therefore we must imagine it for closure.. With that said,hope they let Final Destination-Rest In Peace versus milking it.

Only way another Final Destination movie would be acceptable,if survivors returned & finally found a way to end things.. Closing what started a generational chain reaction,even before some were born. Etc.

Outside of the cameo with the legendary TT everything else,was basically been there seen that production.. Nothing felt overly original,not clichéd or perhaps with plotholes.

Not disregarding some of the opening scene positives but was like they used the whole budget on that,as the remaining movie felt lackluster.

Did anyone think the home Iris created felt more like,she was trying to keep out walkers versus death? All those spikes,etc. Logic failure!

Notice movies that claim to be horror try to fit in the all type of categories,to get most viewership regardless these days.. Where it can be on Shudder for example,but also under Disney.

I'm rather shocked with the high ratings,but also feel people(certain generations)don't appreciate quality movies anymore.

Acting to actors chosen was tolerable,cinematography & music was fine.. However you just didn't care about anyone,rooting for them or upset if they died.

Not part of the trilogy will probably rewatch,but was worth viewing once.

Final Destination: Bloodlines is a great time. It does the smart thing and goes for a more comedic approach than earlier entries in the series.

Bloodlines contains possibly the best opening of the franchise and the first 20 minutes are a treat. The effects, while not amazing, do the job and are particularly gory even for this series.

The movie works well bringing a new twist on the Final Destination formula and the family are all likable enough in their own ways.

It would be remiss of me not to mention a standout in Richard Harmon. I spend a good portion of his time on screen trying to calculate if Tom Green could have fathered him as he is his dead ringer in this (amazingly both canadian as well). It was obvious they were going for a Tom Green type of character.

Tony Todd shows up for the last time as the mortician and it's a great emotional and poetic send off for him as well as giving his character an interesting backstory.

The movie has some nice little easter eggs for fans of the series with some call backs to previous entries as well as harking back to some of the premonitions.

The Final Destination franchise has always been interesting to me but never quite delivered a quality movie. This is perhaps the closest it has came to that by just being a good time and not getting bogged down in the lore.

Final Destination: Bloodlines isn't going to pull a rabbit out of its undead hat, reinvent the horror wheel, or stake its claim as a genre-defining masterstroke-but that's not the point.

What it does do is breathe new life into a franchise that felt like it had run out of steam. Bloodlines is a solid sixth installment, packing the same patented "inevitable death" mechanics we know and (occasionally) love, but with enough fresh twists to keep die-hard fans from checking out.

If you never warmed to the idea of "death's design" calling the shots, this won't convert you. For everyone else, the film delivers brilliantly choreographed set pieces of grisly demise-think elaborate Rube Goldberg traps drenched in splatter FX-that hit the sweet spot between macabre creativity and good old-fashioned gore.

The biggest upgrade this time around is emotional buy-in: the victims aren't a bunch of arbitrary strangers thrown together by fate. Instead, Bloodlines builds sincere rapport with its core ensemble, giving each death a bit more narrative weight (and, yes, a smidge of pathos) before the inevitable payoff.

Unfortunately, the dialogue remains as thin as ever-flat exposition one moment, telenovela melodrama the next-reminding you that subtlety wasn't high on the call sheet.

On the plus side, the movie leavens the carnage with genuinely funny, ironically staged moments-many courtesy of Erik, whose over-the-top flair steals scenes from our so-called protagonist-and the delightfully absurd chain reactions (who knew the garbage truck could be such a menace?).

Even though the film trudges into its predictable finale with all the subtlety of a wrecking ball, Bloodlines is pure adrenaline: brutal, energetic, and darkly comedic. In other words, exactly what you paid for when you bought that Final Destination ticket.