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Accidenti che ospitalità!

Titolo originale: Our Hospitality
  • 1923
  • T
  • 1h 5min
VALUTAZIONE IMDb
7,7/10
13.192
LA TUA VALUTAZIONE
Buster Keaton, Buster Keaton Jr., Joe Keaton, and Natalie Talmadge in Accidenti che ospitalità! (1923)
Shared Trailer
Riproduci trailer2:18
1 video
51 foto
Commedia romanticaCommediaRomanticismoThriller

Aggiungi una trama nella tua linguaA man returns to his Appalachian homestead. On the trip, he falls for a young woman. The only problem is her family has vowed to kill every member of his family.A man returns to his Appalachian homestead. On the trip, he falls for a young woman. The only problem is her family has vowed to kill every member of his family.A man returns to his Appalachian homestead. On the trip, he falls for a young woman. The only problem is her family has vowed to kill every member of his family.

  • Regia
    • John G. Blystone
    • Buster Keaton
  • Sceneggiatura
    • Jean C. Havez
    • Clyde Bruckman
    • Joseph A. Mitchell
  • Star
    • Buster Keaton
    • Natalie Talmadge
    • Joe Keaton
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,7/10
    13.192
    LA TUA VALUTAZIONE
    • Regia
      • John G. Blystone
      • Buster Keaton
    • Sceneggiatura
      • Jean C. Havez
      • Clyde Bruckman
      • Joseph A. Mitchell
    • Star
      • Buster Keaton
      • Natalie Talmadge
      • Joe Keaton
    • 81Recensioni degli utenti
    • 57Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Video1

    Our Hospitality
    Trailer 2:18
    Our Hospitality

    Foto51

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    Interpreti principali16

    Modifica
    Buster Keaton
    Buster Keaton
    • Willie McKay - 21 Years Old
    Natalie Talmadge
    Natalie Talmadge
    • Virginia Canfield
    Joe Keaton
    Joe Keaton
    • The Engineer
    Joe Roberts
    Joe Roberts
    • Joseph Canfield
    Francis X. Bushman Jr.
    Francis X. Bushman Jr.
    • Canfield's 1st Son
    • (as Ralph Bushman)
    Monte Collins
    Monte Collins
    • The Parson
    Craig Ward
    Craig Ward
    • Canfield's 2nd Son
    Kitty Bradbury
    • The Aunt
    Buster Keaton Jr.
    Buster Keaton Jr.
    • Willie McKay - 1 Year Old
    Jim Blackwell
    • Canfield's servant
    • (non citato nei titoli originali)
    Erwin Connelly
    • Husband Quarreling with Wife
    • (non citato nei titoli originali)
    Edward Coxen
    Edward Coxen
    • John McKay
    • (non citato nei titoli originali)
    Jack Duffy
    Jack Duffy
    • Sam Gardner
    • (non citato nei titoli originali)
    Jean Dumas
    • Mrs. McKay
    • (non citato nei titoli originali)
    Tom London
    Tom London
    • James Canfield
    • (non citato nei titoli originali)
    George Marion
    • Traffic Policeman
    • (non citato nei titoli originali)
    • Regia
      • John G. Blystone
      • Buster Keaton
    • Sceneggiatura
      • Jean C. Havez
      • Clyde Bruckman
      • Joseph A. Mitchell
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti81

    7,713.1K
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    Recensioni in evidenza

    CinemaClown

    A Definite Must For Buster Keaton Fanatics

    A parody of a real-life feud between two families in the 19th century, Buster Keaton's Our Hospitality may not be as memorable as Sherlock Jr. or The General but it nonetheless works as yet another accomplished piece of technical filmmaking from "The Great Stone Face" and packs in a few genuinely hilarious situations over the course of its runtime but there are also numerous stretches of nothingness in between that never lets it off the ground.

    The story of Our Hospitality covers the feud between two families that has been ongoing for so long that no one remembers who or what started it in the first place. The plot follows a young man who, while en route to his hometown, meets a girl on the train and they soon become acquainted. Invited to supper at her place, he ultimately learns that she belongs to the rival family and he's going to be executed by her kins as soon as he departs, following which he keeps finding ways to not leave the house.

    Directed by Buster Keaton, Our Hospitality is part serious family drama & part comedy and while both these elements are blended nicely, there are still a few overstretched dramatic moments in between that could've been further trimmed. The situation comedy however is expertly handled and Keaton's deadpan expressions only help in making it all the more effective. From a technical standpoint, there isn't really much to complain about as the set pieces, black-n-white photography & other elements are brilliantly executed.

    On an overall scale, Our Hospitality once again presents Buster Keaton in control of his craft, but its desired effect does feel diminished by time. There are moments that make you wonder how Keaton pulled it off, like the famous waterfall rescue scene, but there is quite a bit of plodding to sit through if all you are looking for is some good old-fashioned laughs. I do appreciate the technical mastery presented here and its contribution to its genre cannot be downplayed but I did expect more from what this silent classic eventually had in store. Still, worth your time & money and a definite must for Keaton fanatics.
    9Kiddman

    Beautiful effort from the King

    This fine film represents one of the earlier attempts at "dramedy", long before the term was invented. The story has a highly realistic feel to it, yet the funny stuff is never far away.

    The film does start a bit slowly as they set up the story, but things pick up quickly once the funny (but true, from an old photo) shot of 1810 Times Square hits the screen.

    The little train which takes Buster to Kentucky is a hoot, and THAT is based on the real 1830's deal, too. Movable, bumpy, flimsy tracks and a couple nutty characters and situations are highlights.

    My favorite bit in the whole film, though, is when poor Buster realizes the fabulous mansion he thought he was inheriting turned out to be a broken-down shack, ending his dreams in spectacularly explosive fashion.

    The story was strong and believable, and the climactic (and very dangerous) scenes at the river and waterfall were amazing. As a matter of fact, these scenes are so impressive, it's easy to forget that they are funny; this is the only reason for me to not give the movie a 10.

    Side note to those who have said the poor soundtrack detracted from the film: If you EVER have the opportunity to see this or other silent movies in their proper environment (A glorious movie palace with live musical accompaniment by theatre organ or an orchestra), DO it! The "half-live, half-canned" aspect is very important to the enjoyment of silents. It also keeps any film you've seen many times (as is often the case with "The General" or "Phantom") fresh. Even the same organist doesn't play the same film the same way every time, and a different organist can accompany the film in such a different way that it can almost fool you into thinking you're seeing a new movie.

    I'm one of those lucky enough to have done so and there's nothing quite like it.
    8Stablemate

    Great End Part, Otherwise Uneven

    Although not Keaton's greatest film, this one has sure got some really great moments. The build-up is rather slow while the main plot is being established: 1830s Kentucky. Keaton gets invited by a pretty girl to attend her family dinner. What he doesn't realize until too late is that the family in question is his inherited mortal enemies in a blood feud that has been going on for centuries. The girl's father and brothers all want to kill him but is prevented from doing so until he has left their house (hence the title).

    Our Hospitality has got some amazing action sequences but the tempo is very uneven. The early part of the film treats us to some beautiful replicas of old vehicles including trains and bicycles and also some of Keaton's usual train-rail comedy. The middle part, where Keaton guests his blood feud enemies is full of running in and out through doors. Up until now everything has been pretty slow. The last third of the movie though, is truly mind boggling! Keaton and a chasing gunman falls down cliffs, flows down rivers and waterfalls, jumps in and out of moving trains and so on while tied to each other with a rope around their waists. It must have been through watching this James Bond learned his action trade. Our Hospitality however, has also got a lot of comedy in its moments of unbelievable action.

    Good fun.
    PiranianRose

    Excellent fun

    Our Hospitality is truly a work of art from the silent era. Buster Keaton amazed me with his stunts, which I dare say do not pale in comparison with those of Jackie Chan. The story is filled with wit and suspense. At times you laugh, at times you gasp, at times the world trembles as Keaton delivers death-defying stunts. This is one of the first silent movies I watched in its entirety, and I was thoroughly impressed with the film-making quality. While I wouldn't go as far as to prefer silent movies over their contemporary sound counterpart, I like how soundless movies invite you to pay particular attention to the facial expression--it's all there in the actor's face. I personally prefer Our Hospitality to Keaton's acclaimed "The General."
    8dhoffman

    A parody of the Hatfield-McCoy feud

    There has never been a more comic use of a `train' (if the label is appropriate) than in this film. This is ingenuity at its finest, the most sustained comic sequence I've ever seen. Travelling from New York ca. 1830 to the Appalachians to claim an `estate', Keaton on this journey provides the highlight of the film-and what a highlight it is! From the bouncing actions of passengers to the lifting and moving of track, this series of images is non-stop pleasure. A dog, a hobo, a man throwing rocks at the engineer, a mule-all are inspired catalysts to laughter.

    Once Keaton (a McKay) reaches his destination, the movie changes pace. And despite many good moments, especially those when Keaton has taken up `permanent residence' at the Canfields, the humor never reaches the level of the first portion of the film. Nonetheless, Keaton's genius is evident throughout the film, and it is this ability to innovate that constantly amazes.

    Altri elementi simili

    Le sette probabilità
    7,8
    Le sette probabilità
    Il navigatore
    7,5
    Il navigatore
    Senti, amore mio
    7,0
    Senti, amore mio
    Se perdo la pazienza...
    7,0
    Se perdo la pazienza...
    Io e la vacca
    7,1
    Io e la vacca
    Tuo per sempre
    6,9
    Tuo per sempre
    Io... e l'amore
    6,9
    Io... e l'amore
    Saltarello e la casa smontabile
    8,1
    Saltarello e la casa smontabile
    Saltarello e il suo delitto
    7,7
    Saltarello e il suo delitto
    Saltarello e la sua vicina
    7,5
    Saltarello e la sua vicina
    La palla n° 13
    8,1
    La palla n° 13
    The Saphead
    6,1
    The Saphead

    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      During the filming of the scene in which Buster Keaton is being swept downstream towards the waterfall, he was attached to a 'holdback' cable, concealed in the river. During the filming of the scene, the cable broke, and he was hurled down the rapids, battered by rocks and limbs, and was only barely able to grab an overhanging branch, which held him just long enough for the crew to reach and rescue him. This scene remains in the final print, and is fairly easy to spot. Just look for the point at which Keaton is being pulled downriver and 1) he suddenly looks back towards the camera, and 2) his speed in the water doubles, almost causing him to fly out of frame.
    • Blooper
      When the donkey refuses to move from the rail tracks, the engineer and others curve the tracks around him. The long shot that shows the train moving past the donkey, however, shows the tracks back in a straight line.
    • Citazioni

      Joseph Canfield: Jim - I've been trying to forget this fued-why can't you do the same?

      James Canfield: No! - I came a long way to kill him-and I'm going to do it tonight!

    • Versioni alternative
      In 1995, Film Preservation Associates, Inc. copyrighted a 73-minute version of this film with a music score compiled by Donald Hunsberger.
    • Connessioni
      Edited into The Golden Age of Buster Keaton (1979)

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    Dettagli

    Modifica
    • Data di uscita
      • 27 novembre 1925 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Nessuna
      • Inglese
    • Celebre anche come
      • La legge dell'ospitalità
    • Luoghi delle riprese
      • Truckee River, California, Stati Uniti
    • Azienda produttrice
      • Joseph M. Schenck Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Lordo in tutto il mondo
      • 248 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 5min(65 min)
    • Colore
      • Black and White
    • Mix di suoni
      • Silent
    • Proporzioni
      • 1.33 : 1

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