Within Our Gates

I was deeply affected by parts of this story about the plight of negroes as told for negroes by negro director Oscar Micheaux. Ostensibly, it's about a woman who tries to help a poor southern school for negroes by getting financial help to supplement the meager amount the state provides, but it is laced with observations about racial prejudice. One bigoted southern woman living in the north is against the women's suffrage movement for fear that negro women will get the right to vote. And she expresses her negative sentiment about educating negroes: "Thinking will give them a headache." Micheaux gets more points across in the best part of the film, the flashback scene near the end prefaced with a title card "Sylvia's Story." We see how a negro preacher agrees with some condescending whites that the negroes should keep their place, but privately condemns himself for doing so, announcing that "negroes and whites are equal" to himself. We see how injustice reigns with a lynch mob and how the innocent, even an innocent bystander, can easily become victims of racial prejudice. The film is worth seeing for this sequence alone, providing images that caused me to lose some sleep. Micheaux also slips in comments about the negroes' accomplishments in the Spanish-American and Mexican wars and WWI, as if to bolster the low self-image of his negro viewers. The film may be primitive by some standards, but Oscar Micheaux tells a powerful story.

The film was intended for negro audiences, but because of some controversial parts (rape and lynching) many exhibitors refused to show it, so very few saw it when it was released. This being the earliest surviving film made by an African American, it was placed on the National Film Registry and lovingly restored from the only surviving copy in Spain (see the alternative version listing for details). The Library of Congress is to be commended for doing such a fine job.

Oscar Micheaux is one of my motion picture heroes.

With courage and determination, he set out to make movies for and about black people when it wasn't otherwise much done.

He was a pioneer in independent film-making, raising money in the most unusual places and unusual ways.

He deserves a lot of praise ... but, alas, his results were too often disappointing.

"Within Our Gates" has a lot of potential, but most of it is unmet.

The acting is pretty good, but the camera work and editing are lacking; and the script misses badly.

The story is a good one, and the school that is at the heart of a major subplot has a real-life counterpart: Professor Laurance Jones created a school for the black people of the piney woods near Jackson, Mississippi, in the very earliest years of the 20th century.

Professor Jones' story is incredibly inspiring and I urge everyone who cares about spirit and courage to take a look (http://www.antiqbook.com/boox/vol/21991.shtml is one source).

Micheaux and Jones have somewhat parallel lives, though Jones ultimately achieved recognition in his lifetime.

Micheaux should have, and I am grateful beyond words that at least his films are finally being seen by a wider audience.

They are flawed, yes, but they present two stories we all need to know about: The actual topic of the movie, and that of Micheaux himself.

The ending of this movie is, frankly, beyond my comprehension. It seems to come out of thin air, and I fear it must have been hastily tacked on in order to placate someone. Too bad, but still the movie is historically valuable.

This is added June 10, 2015: There is a print available at YouTube.com, https://www.youtube.com/watch?v=h1E0NrcnwAE

I haven't watched more than a few seconds, but so far it's a terrible print.

Within Our Gates (1920)

*** (out of 4)

Oscar Micheaux's response to Griffith's The Birth of a Nation faced its own share of controversy when originally released and was banned in black communities all over the country. The film was thought lost until a print showed up in Spain in 1993 and this remains the oldest surviving feature from a black director. A light skinned black woman, living up North, travels to the South to teach at an all black school. Since the government isn't helping to educate black kids, the woman goes back North to try and find rich white folks who will help in her cause but she's met with racism, from blacks and whites and a secret from her past might catch up to haunt her.

As with the Griffith film, you could overlook all the controversy surrounding this film and judge is for what good it does do and its historical importance. Watching the film with today's standards and politically correct nature, it's still easy to see why so many black folks were offended by a film that was made to have a moral tale. Micheaux shows racism going from black to white and white to black but, unlike the Griffith film, he also shows that races can show hatred toward their own race. Not many people have viewed this film, which is a real shame because it's heart is certainly in the right place and if you take the historic importance away from the Griffith film, more folks should be checking out this movie instead of that one.

Technically speaking it's rather amazing at how well Micheaux pulled this low budget film off. The editing is very good and really helps build up the suspense towards the end of the film. The story could have been worked on and a lot of the performances are quite poor but that doesn't take away from the film's message. The ending involves the backstory to our main character and this includes a lynching scene as well as a rape scene. Both of these scenes are very well done and pack quite a punch for a 86-year-old film. This sidestory, which is basically a remake of the ending to the Griffith film, has some over the top moments, which weren't needed but again, the film's heart and message is in the right place so hopefully more will seek this film out and let the other one die.

Primitively filmed, with a fractured and meandering plot. Micheaux gives little evidence here of having much directorial ability. It's hard to imagine anyone actually enjoying watching it.

Of historical and sociological interest as an early black-made film, but compares poorly to professional-quality films of that era from the US and elsewhere. Of some value because it presumably shows how educated blacks of that era looked at themselves.

I disagree with the first comment. I did not find this movie silly at all. I believe it was up to par with any other silent movie of this same period, and the acting was not atrocious. I think it was a very provocative movie for its time and, whether it was purposefully or not, a great response to DW Griffith's "Birth of a Nation." That movie showed a mulatto man trying to force himself on a White woman, along with numerous other stereotypes of Black people in that movie. "Within Our Gates" showed the true side of what really happened, especially with the lynching, and the main character and her *real* father. I feel privileged to have seen a Black silent film, especially one of such high caliber.