Aggiungi una trama nella tua linguaA suicidal World War I veteran and an antique dealer, both already married to others, embark on a love affair.A suicidal World War I veteran and an antique dealer, both already married to others, embark on a love affair.A suicidal World War I veteran and an antique dealer, both already married to others, embark on a love affair.
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Recensioni in evidenza
IF I WERE FREE is a fine example of what could be done with a soap opera plot when given the advantages of excellent acting & good production values. In less expert hands the film could have easily become awkward & mawkish; instead, the viewer is given slightly over an hour of solid entertainment.
Irene Dunne & Clive Brook are first rate as the sensible lovers who enter a relationship with their eyes wide open. Some clever scenes with sophisticated dialogue - going through her childhood books, visiting his favorite old church - makes their interaction a delight.
Considerable contributions are also given by the supporting performers: Henry Stephenson as Brook's jolly legal friend and Vivian Tobin as his pixilated wife are very amusing. Laura Hope Crews as Brook's free spirited mother & Tempe Pigott as Dunne's Cockney housekeeper add their own style of drollery to the proceedings.
Silent film star Nils Asther scores in the small role of Dunne's caddish husband. His celebrity had considerably dimmed with the arrival of talking pictures, but given a decent role this actor could still deliver the goods.
Movie mavens will recognize an uncredited Halliwell Hobbes as Brook's butler.
Oh and for you silent movie fans - Nils Asther plays Irene Dunnes husband - he was SO good at playing jerks! It's a pity his career didn't last longer. Anyway - if you are a fan of romances or just the actors in this movie I highly recommend watching this the next time it's shown on TV!
Barrister Clive Brook and Interior Decorator Irene Dunne unhappily wed to others fall in love. Brook carries with him a souvenir of the last war which causes him all kinds of health problems and being married to a cold fish of a wife Lorraine McLean doesn't help.
Irene Dunne is married to Nils Asther a real smooth operator who works in the nether regions of morality and legality. He's got the best role in the film and makes it count with only a few lines.
At this point in her career Irene Dunne was churning out these soap operas regularly at RKO. I think the ending looked like it was tacked on. I'm reasonably sure this was not the ending the author had in mind.
Irene Dunne fans will like it and Clive Brook beats out Herbert Marshall for the best British stiff upper lip.
As for the film, it's a soap opera that would not have been likely to have been made just a year later. In 1934, a tougher Production Code was enacted. It strongly censored films and many topics that were common in the pre-Code days were either forbidden completely or were forced to be so sanitized that it's tough understanding what the film might be implying--as they could not directly address topics such as adultery, abortion, drug addiction and the like. As for IF I WERE FREE, the reason it would have been tough to make just a year later was because the main topic is adultery...AND the film excusing its two leads for cheating on their partners. Even if their spouses were terrible (like they were here), such goings on were strictly taboo post-1934...at least until the 1960s.
As for the romance between Dunne and Clive Brook, it's handled in a very gentle manner. It is NOT some torrid romance or sexcapade, but two sad and lonely people in horrible marriages who gravitate together out of a need for ANY warmth and affection. As a result, you really do feel sorry for the pair--they really are married to terrible spouses and they just want to be loved. What I liked about all this is that the film lacked some of the melodrama such films might usually have--none of the sappy music or overly romantic scenes--just two people enjoying spending time together. Only later in the film does it become a bit sticky...just a bit.
Unfortunately for the pair, there are problems with their relationship. First, Brook's wife had promised to divorce him, but now she capriciously has changed her mind and won't let go. Second, they are from different elements in society--he's from the upper classes and is a barrister while she works in an antiques shop. As a result, his friends pressure him to give her up and soon, a mutual friend (Henry Stephenson) approaches Dunne to tell him how much this is hurting Brook. What happened next came as a genuine surprise--and you'll have to tune in yourself to see what happens next.
Overall, a good but certainly not great romance. Worth seeing, but also a bit tough to believe...particularly when Brook's mother laments to her that she wishes her son were married to Dunne and that she approved of the affair.
Lo sapevi?
- QuizThis film is based on the play "Behold, We Live!" by John Van Druten.n The play opened in London on August 16, 1932. The play ran on the London stage during 1932 and starred Gertrude Lawrence and Gerald du Maurier in the leading roles.
- Citazioni
[first lines]
Man Selling French Postcards: [scene: a Paris street cafe] Des cartes postales, m'sieur? Des cartes postales, sir?
[Man seated with lady shoos the vendor away]
Man Selling French Postcards: [approaching Gordon and Hector's table] Postal cards, m'sier? *Dirty* postcards?
Hector Stribling: [turning away, disgusted] Uh!
Gordon Evers: Charming.
[taking the cards]
Gordon Evers: Would you like to look at them, Hector?
Hector Stribling: Certainly not!
Gordon Evers: How much are they?
Man Selling French Postcards: Twenty francs.
Gordon Evers: There you are.
Man Selling French Postcards: Merci m'sieur. Merci.
[Gordon tears up the cards, bows to the vendor, and throws the pieces away]
Hector Stribling: Why... why on earth did you do that?
Gordon Evers: Who knows, it may save the soul of some American tourist.
- Versioni alternativeThere is an Italian edition of this film on DVD, distributed by DNA srl, "LOVE AFFAIR - UN GRANDE AMORE (1939) + SE FOSSI LIBERO (1933)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- If I Were Free
- Luoghi delle riprese
- Parigi, Francia(establishing shots, backgrounds)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 6 minuti
- Colore
- Proporzioni
- 1.37 : 1