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Se fossi libero

Titolo originale: If I Were Free
  • 1933
  • Approved
  • 1h 6min
VALUTAZIONE IMDb
6,0/10
344
LA TUA VALUTAZIONE
Irene Dunne and Clive Brook in Se fossi libero (1933)
DramaRomance

Aggiungi una trama nella tua linguaA suicidal World War I veteran and an antique dealer, both already married to others, embark on a love affair.A suicidal World War I veteran and an antique dealer, both already married to others, embark on a love affair.A suicidal World War I veteran and an antique dealer, both already married to others, embark on a love affair.

  • Regia
    • Elliott Nugent
  • Sceneggiatura
    • Dwight Taylor
    • John Van Druten
  • Star
    • Irene Dunne
    • Clive Brook
    • Nils Asther
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,0/10
    344
    LA TUA VALUTAZIONE
    • Regia
      • Elliott Nugent
    • Sceneggiatura
      • Dwight Taylor
      • John Van Druten
    • Star
      • Irene Dunne
      • Clive Brook
      • Nils Asther
    • 11Recensioni degli utenti
    • 5Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto8

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    Interpreti principali18

    Modifica
    Irene Dunne
    Irene Dunne
    • Sarah Cazenove
    Clive Brook
    Clive Brook
    • Gordon Evers
    Nils Asther
    Nils Asther
    • Tono Cazenove
    Henry Stephenson
    Henry Stephenson
    • Hector Stribling
    Vivian Tobin
    Vivian Tobin
    • Jewel Stribling
    Laura Hope Crews
    Laura Hope Crews
    • Dame Evers
    Tempe Pigott
    Tempe Pigott
    • Mrs. Gill
    Lorraine MacLean
    Lorraine MacLean
    • Catherine Evers
    Harry Allen
    • Moving Man Handling Sarah's Trunks
    • (non citato nei titoli originali)
    Mario Dominici
    • Organ Grinder
    • (non citato nei titoli originali)
    Charles K. Gerrard
    Charles K. Gerrard
    • Undetermined Secondary Role
    • (non citato nei titoli originali)
    Halliwell Hobbes
    Halliwell Hobbes
    • Burford - Gordon's Butler
    • (non citato nei titoli originali)
    Charles Irwin
    Charles Irwin
    • Hector's Bridge Partner
    • (non citato nei titoli originali)
    Murray Kinnell
    Murray Kinnell
    • Dr. Clairbourne
    • (non citato nei titoli originali)
    Jacques Lory
    • Man Selling French Postcards
    • (non citato nei titoli originali)
    Reginald Sheffield
    Reginald Sheffield
    • Sharpshooter
    • (non citato nei titoli originali)
    Larry Steers
    Larry Steers
    • Man at Dance
    • (non citato nei titoli originali)
    Florence Wix
    Florence Wix
    • Parisian Night Club Patron
    • (non citato nei titoli originali)
    • Regia
      • Elliott Nugent
    • Sceneggiatura
      • Dwight Taylor
      • John Van Druten
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti11

    6,0344
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    Recensioni in evidenza

    10Ron Oliver

    A Gentle Little Love Story

    Two desperately unhappy people, both trapped in loveless marriages, meet one night by chance in Paris...

    IF I WERE FREE is a fine example of what could be done with a soap opera plot when given the advantages of excellent acting & good production values. In less expert hands the film could have easily become awkward & mawkish; instead, the viewer is given slightly over an hour of solid entertainment.

    Irene Dunne & Clive Brook are first rate as the sensible lovers who enter a relationship with their eyes wide open. Some clever scenes with sophisticated dialogue - going through her childhood books, visiting his favorite old church - makes their interaction a delight.

    Considerable contributions are also given by the supporting performers: Henry Stephenson as Brook's jolly legal friend and Vivian Tobin as his pixilated wife are very amusing. Laura Hope Crews as Brook's free spirited mother & Tempe Pigott as Dunne's Cockney housekeeper add their own style of drollery to the proceedings.

    Silent film star Nils Asther scores in the small role of Dunne's caddish husband. His celebrity had considerably dimmed with the arrival of talking pictures, but given a decent role this actor could still deliver the goods.

    Movie mavens will recognize an uncredited Halliwell Hobbes as Brook's butler.
    10silenceisgolden

    Sappy to be sure - but sweet as candy!

    If you are a romantic at heart, like me, then you'll enjoy this movie. With any other actors it might not have been as good but Irene Dunne and Clive Brook really bring this story to life and it becomes more than just your average romance. Ever since I saw Irene Dunne in Love Affair with Charles Boyer I was a fan so I was SO glad to see TCM show this in tribute to her on her birthday! I was also glad to get to see another fine performance from Clive Brook who I'd only seen in one other movie before this one. I think I'm becoming quite fond of him! ;-)

    Oh and for you silent movie fans - Nils Asther plays Irene Dunnes husband - he was SO good at playing jerks! It's a pity his career didn't last longer. Anyway - if you are a fan of romances or just the actors in this movie I highly recommend watching this the next time it's shown on TV!
    5bkoganbing

    Stiff Upper Lip

    If I Were Free is based on a John Van Druten play that never got over to Broadway entitled Behold We Live. The British stiff upper lip tradition is shown at its finest or its silliest depending on your point of view.

    Barrister Clive Brook and Interior Decorator Irene Dunne unhappily wed to others fall in love. Brook carries with him a souvenir of the last war which causes him all kinds of health problems and being married to a cold fish of a wife Lorraine McLean doesn't help.

    Irene Dunne is married to Nils Asther a real smooth operator who works in the nether regions of morality and legality. He's got the best role in the film and makes it count with only a few lines.

    At this point in her career Irene Dunne was churning out these soap operas regularly at RKO. I think the ending looked like it was tacked on. I'm reasonably sure this was not the ending the author had in mind.

    Irene Dunne fans will like it and Clive Brook beats out Herbert Marshall for the best British stiff upper lip.
    6planktonrules

    Pretty good but a bit hard to believe.

    Warning: Before watching this film, you might want to give your dogs a sedative, as the sound of Irene Dunne singing might otherwise trigger them into howling fits! Yes, I know Dunne sang in such films as SHOWBOAT and ROBERTA, but never was it more piercing and high-pitched as it was here! I warned you. Fortunately, however, she doesn't sing that often.

    As for the film, it's a soap opera that would not have been likely to have been made just a year later. In 1934, a tougher Production Code was enacted. It strongly censored films and many topics that were common in the pre-Code days were either forbidden completely or were forced to be so sanitized that it's tough understanding what the film might be implying--as they could not directly address topics such as adultery, abortion, drug addiction and the like. As for IF I WERE FREE, the reason it would have been tough to make just a year later was because the main topic is adultery...AND the film excusing its two leads for cheating on their partners. Even if their spouses were terrible (like they were here), such goings on were strictly taboo post-1934...at least until the 1960s.

    As for the romance between Dunne and Clive Brook, it's handled in a very gentle manner. It is NOT some torrid romance or sexcapade, but two sad and lonely people in horrible marriages who gravitate together out of a need for ANY warmth and affection. As a result, you really do feel sorry for the pair--they really are married to terrible spouses and they just want to be loved. What I liked about all this is that the film lacked some of the melodrama such films might usually have--none of the sappy music or overly romantic scenes--just two people enjoying spending time together. Only later in the film does it become a bit sticky...just a bit.

    Unfortunately for the pair, there are problems with their relationship. First, Brook's wife had promised to divorce him, but now she capriciously has changed her mind and won't let go. Second, they are from different elements in society--he's from the upper classes and is a barrister while she works in an antiques shop. As a result, his friends pressure him to give her up and soon, a mutual friend (Henry Stephenson) approaches Dunne to tell him how much this is hurting Brook. What happened next came as a genuine surprise--and you'll have to tune in yourself to see what happens next.

    Overall, a good but certainly not great romance. Worth seeing, but also a bit tough to believe...particularly when Brook's mother laments to her that she wishes her son were married to Dunne and that she approved of the affair.
    10lbbrooks

    Love is Lovelier the Second Time Around

    Irene Dunne and Clive Brooke find love after each loses it in unwanted marriages--she because of an abusive spouse and he because of a wife who pursues a marriage in name only. While Dunne's character Sara has the courage to stand up to and leave Nils Asther's no good Tono, Clive Brooke's Gordon seems more resigned to his fate. That is until he discovers that the new girl of his fancy loves him too. That is why this story works. Because love is lovelier the second time around, when both partners truly appreciate the fact that they have been blessed with a second chance. I love Irene Dunne in her very early, pre-Code film phase. She is so fresh faced and fun loving, especially in the scene where Brooke literally sweeps her off her feet in the churchyard and whisks her away and she says "Well, alright!". As if to say, it's about darn time you showed me how you really feel! All's well that ends well and the lovers are united in the final scene where we see them blissfully floating downstream with their erstwhile friend Hector sitting in the bow. We find out that they have indeed sealed the deal as Sara admiringly glances at her wedding ring, the outward symbol of her newfound respectability with Gordon and more poignantly as the reflection of their wedded bliss.

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      This film is based on the play "Behold, We Live!" by John Van Druten.n The play opened in London on August 16, 1932. The play ran on the London stage during 1932 and starred Gertrude Lawrence and Gerald du Maurier in the leading roles.
    • Citazioni

      [first lines]

      Man Selling French Postcards: [scene: a Paris street cafe] Des cartes postales, m'sieur? Des cartes postales, sir?

      [Man seated with lady shoos the vendor away]

      Man Selling French Postcards: [approaching Gordon and Hector's table] Postal cards, m'sier? *Dirty* postcards?

      Hector Stribling: [turning away, disgusted] Uh!

      Gordon Evers: Charming.

      [taking the cards]

      Gordon Evers: Would you like to look at them, Hector?

      Hector Stribling: Certainly not!

      Gordon Evers: How much are they?

      Man Selling French Postcards: Twenty francs.

      Gordon Evers: There you are.

      Man Selling French Postcards: Merci m'sieur. Merci.

      [Gordon tears up the cards, bows to the vendor, and throws the pieces away]

      Hector Stribling: Why... why on earth did you do that?

      Gordon Evers: Who knows, it may save the soul of some American tourist.

    • Versioni alternative
      There is an Italian edition of this film on DVD, distributed by DNA srl, "LOVE AFFAIR - UN GRANDE AMORE (1939) + SE FOSSI LIBERO (1933)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
    • Colonne sonore
      Early Rising
      (uncredited)

      Composer unknown

      Sung a cappella by Irene Dunne

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    Dettagli

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    • Data di uscita
      • 1 dicembre 1933 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Francese
      • Inglese
    • Celebre anche come
      • If I Were Free
    • Luoghi delle riprese
      • Parigi, Francia(establishing shots, backgrounds)
    • Azienda produttrice
      • RKO Radio Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 6 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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