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King Kong

  • 1933
  • T
  • 1h 40min
VALUTAZIONE IMDb
7,9/10
94.247
LA TUA VALUTAZIONE
Fay Wray and King Kong in King Kong (1933)
Trailer for the original, classic film
Riproduci trailer1:32
1 video
99+ foto
AvventuraAvventura con dinosauriAvventura epicaAvventura nella giunglaAvventura urbanaHorror mostruosoOrrore

Una troupe cinematografica scopre una scimmia colossale che è interessata alla loro stella bionda. Viene quindi catturato e riportato a New York City per una mostra pubblica.Una troupe cinematografica scopre una scimmia colossale che è interessata alla loro stella bionda. Viene quindi catturato e riportato a New York City per una mostra pubblica.Una troupe cinematografica scopre una scimmia colossale che è interessata alla loro stella bionda. Viene quindi catturato e riportato a New York City per una mostra pubblica.

  • Regia
    • Merian C. Cooper
    • Ernest B. Schoedsack
  • Sceneggiatura
    • James Ashmore Creelman
    • Ruth Rose
    • Merian C. Cooper
  • Star
    • Fay Wray
    • Robert Armstrong
    • Bruce Cabot
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    94.247
    LA TUA VALUTAZIONE
    • Regia
      • Merian C. Cooper
      • Ernest B. Schoedsack
    • Sceneggiatura
      • James Ashmore Creelman
      • Ruth Rose
      • Merian C. Cooper
    • Star
      • Fay Wray
      • Robert Armstrong
      • Bruce Cabot
    • 614Recensioni degli utenti
    • 205Recensioni della critica
    • 92Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie e 8 candidature totali

    Video1

    King Kong
    Trailer 1:32
    King Kong

    Foto262

    Visualizza poster
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    + 256
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    Interpreti principali99+

    Modifica
    Fay Wray
    Fay Wray
    • Ann Darrow
    Robert Armstrong
    Robert Armstrong
    • Carl Denham
    Bruce Cabot
    Bruce Cabot
    • Jack Driscoll
    Frank Reicher
    Frank Reicher
    • Capt. Englehorn
    Sam Hardy
    Sam Hardy
    • Charles Weston
    Noble Johnson
    Noble Johnson
    • Native Chief
    Steve Clemente
    Steve Clemente
    • Witch King
    • (as Steve Clemento)
    James Flavin
    James Flavin
    • Second Mate Briggs
    Walter Ackerman
    • Reporter
    • (non citato nei titoli originali)
    James Adamson
    • Native Child
    • (non citato nei titoli originali)
    Van Alder
    • Member of Ship's Crew
    • (non citato nei titoli originali)
    Ed Allen
    • Native
    • (non citato nei titoli originali)
    Etta Mae Allen
    • Native
    • (non citato nei titoli originali)
    Frank Angel
    • Reporter
    • (non citato nei titoli originali)
    Roscoe Ates
    Roscoe Ates
    • Press Photographer
    • (non citato nei titoli originali)
    Ralph Bard
    • Member of Ship's Crew
    • (non citato nei titoli originali)
    Reginald Barlow
    Reginald Barlow
    • Ship's Engineer
    • (non citato nei titoli originali)
    Leo Beard
    • Member of Ship's Crew
    • (non citato nei titoli originali)
    • Regia
      • Merian C. Cooper
      • Ernest B. Schoedsack
    • Sceneggiatura
      • James Ashmore Creelman
      • Ruth Rose
      • Merian C. Cooper
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti614

    7,994.2K
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    Recensioni in evidenza

    baz-15

    Holy Mackerel, what a show!

    I could never tire of this movie, i've seen it so many times and always watch it when it's on tv-in fact i watched it just a week ago! It's one of those films that is rewatchable countless times, like many other 'monster' movies. But this is the best 'monster' movie , it is so well made-it is a masterpiece. Everything is right-the effects,the photography,the score,pacing,continuity. My favourite part would be the big middle chunk on the island. Ann captured-natives dance-a sacrifice to kong-rescue mission-defeat of stegasoraus-swamp adventure-swamp escape-log catastrophe-trex battle-snake creature fight-pterydactil disposal-rescue/escape-kong wrecks village-gas bomb. There is almost no let up in the action in this sequence. I have seen two versions of the film though. One was cut, the other wasn't. Some scenes that were cut: kong pulls a native out of his hut and stomps him into the mud. Brilliant. Also the bits when kong chews a native, and when he chews on a new yorker. And when he throws a woman down from a scraper into the street. Needless cutting in my book. A lot of people complain about the acting. The acting is swell. Robert Armstrong is perfect as the over enthusiastic director who is completely responsible for the deaths of hundreds of innocent people but has absolutely no scruples about it. He provides the silent chuckles of the movie e.g my one line summary is actually what denham says when he sees the savages and their dancing. And Bruce Cabot to Fay Wray: ' hey, i guess i love you!' in a moment of clarity. Overall a smashing film with a great climax. And kong is supposed to have the hots for fay wray too when he plays with her and her clothes
    9ccthemovieman-1

    The First King Kong Still Going Strong

    With the recent DVD release of this film, and the latest version on the big screen being released two days from this writing, I hope more people take the opportunity to check this movie out, the original King Kong, if they've never seen it.

    This movie must have been astounding to the people watching it over 70 years ago. I doubt they'd ever seen anything like this, action-wise, and monster-wise. It is still fascinating today, even with the great advancements in special effects.

    Most action films from the classic years, from 1920 to the late 1960s had corny mostly unrealistic special effects but this film still holds up, extraordinarily so considering its age. The film also had a tremendous amount of action. Young people today are usually bored watching old black-and-white movies but they wouldn't be bored with this one. Once the "girl," Fay Wray gets captured by King Kong, the rest of the movie is one long action scene.

    Kong was not the only beast in the movie, either, which surprised me the first time I ever saw this. Protecting Wray, Kong battles a dinosaur, a giant snake, a giant bird and then human beings firing bullets and bombs at him.

    Wray also was fun to watch, but I''m a male so a pretty woman like her - shockingly exposing her breasts in one scene, too - makes it easier to enjoy the film. Her screaming, however, can get on your nerves. She must have been hoarse for a month after filming this movie.

    Robert Armstrong, as the film director, and Bruce Cabot, as the ship crewman and Wray''s rescuer, also are interesting to watch and hear. As I said, once the action kicks in, the his a very entertaining movie and impossible to put down.
    barnabyrudge

    They weren't just making a film when they made this one.... they were inventing rules and ideas that would be followed for decades to come.

    How many films can truly be said to be definitive? The answer is probably "not many", but the original 1933 version of King Kong is certainly one of them. For its time, every aspect is innovative. First-of-their-kind special effects, first-of-its-kind plot, famous performances and a final sequence that remains unequalled as an eye-popping cinematic experience. The quality of cinematography and visual trickery has progressed a long way since 1933 - so the special effects obviously look rather primitive to 21st Century eyes - but anyone with a shred of common sense will still be astounded by what they see. This is movie history in the making. Had this never been made, the whole history of films may have taken a different course.

    Ace film director Carl Denham (Robert Armstrong) hires an unemployed, attractive New York woman Ann Darrow (Fay Wray) to star in his new picture. He takes her by boat to remote Skull Island where, according to legend, there lives an awesome god-like beast named Kong. Denham's plan is to shoot a variation of the Beauty and the Beast story, using Ann as his beauty and Kong as his beast. Everyone involved gets more than they bargained for when Ann is kidnapped by the island natives and offered as a sacrifice to Kong. She is kidnapped by a gigantic prehistoric ape and saved only by the courage of ship's mate Jack Driscoll (Bruce Cabot). But Denham has one more trick up his sleeve when he captures Kong and takes the beast back to New York. You don't really think those chains will hold him, do you?

    Virtually every monster movie ever made owes something to King Kong - even colossal modern hits like Jurassic Park, The Lost World and Godzilla (not to mention thousands of small scale homages such as The Land Unknown and Gorgo). It is arguably the most influential film of all-time. I genuinely envy people who were lucky enough to experience this film during its 1933 opening week - what must they have thought? Did they realize they were witnessing something utterly extraordinary? I could go on all day giving reasons why you should see it, but it would be pointless. It can all be summed up in one sentence: if you have even the slightest interest in movies SEE THIS FILM!
    boris-26

    Some aspects of KING KONG people forget.

    First, the 1933 version of KING KONG, is for me, the greatest fantasy film ever made. Sure, there are fantasy films with far better special effects (THE MATRIX, JURASSIC PARK) better acting (the acting here is of the period!) but KING KONG is a film of tremendous excitement. The suspense, pacing, sensuality, violence all adds up to a blood pumping experience. We all read about the film's history, being made, released, censored, restored, and how it's been picked to itsy-bits by every arm-chair film "expert".

    What very few film-makers have focused on is the film-making itself in KING KONG. It has superb build-up. We are wondering what is on the island as we approach it. Then we wonder what is behind the wall on the island. Then we wonder what gigantic beast is sharing that frightening jungle with the rescuers, trying to save Fay Wray. The film is faultlessly edited. Many scenes begin or end with people running for their lives. Unneeded scenes just don't exsist (we go from Kong knocked out on Skull Island to his Broadway debut. We don't need to see what happens inbetween!) then there's Max Steiner's perfect music score. Before KONG, most music scores were borrowed snippets of classical or popular themes, but Steiner's score follows the action to an inch! Also, he does a great number of abstract musical strokes (I.e the clash of drums when Kong beats the giant snake to it's death. The lovely string piece that jumps to pulsating chase music in a milli-second.) When I hear of a friend say they never saw this film, it's like hearing a child say they never had ice cream. Long Live Kong!
    10jon-larsen

    King Kong - One small step for man. One giant leap for film making!

    It's a shame that young people these days, don't know how to enjoy a black & white movie! I'm 14, and I love black & white movies. We saw this movie at school, and everyone hated it. They said it sucked, because it was in black & white, and the effects were hilariously bad!

    I disagreed!

    This movie is nearly 80 years old, and it's still a hit!

    The cinematography is incredibly beautiful. One of the greatest shots of all time is when Kong is on the top of the building!

    The acting is fine.

    The story is great, but my friends found it stupid. They thought it was unrealistic because there were dinosaurs and a giant gorilla on the island etc.

    This movie is entertaining throughout the whole movie! Most black & whites movies got a lot of dialog and long scenes with no editing, but not in this one! There are plenty of scenes in this movie where there are no dialog, but great editing and entertainment!

    The effects are so fantastic! Young people may find Kong hilarious when they see a close-up picture of him. But I was absolutely blown away! Imagine that you're in 1933. You go to the movies and you've never seen something like this before!

    King Kong is a one small step for man. One giant leap for film making!

    10/10

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Merian C. Cooper's first vision for the film was of a giant ape on top of the world's tallest building, fighting airplanes. He worked backward from there to develop the rest of the story.
    • Blooper
      (at around 1h 14 mins) A Skull Island resident jumps from a hut and falls beside a domed chicken cage, which then hinges backwards and catches the actor's wig, taking it off his head, and remaining on top of the cage.
    • Citazioni

      [last lines]

      Police Lieutenant: Well, Denham, the airplanes got him.

      Carl Denham: Oh no, it wasn't the airplanes. It was beauty killed the beast.

    • Curiosità sui crediti
      Opening Card: And the prophet said: "And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead." Old Arabian Proverb
    • Versioni alternative
      On November 22, 2005, Turner Classic Movies premiered a version with a four minute overture added. This increased the run time to slightly over 104 minutes. This is also the U.S. two-disc DVD collector's edition version. Note, however, that the overture was not part of the film's original exhibition. According to John Morgan's notes on the score's re-construction, the overture was not written by Max Steiner. Morgan writes, "Another rumor has recently surfaced that Steiner composed an Overture for the film's world premiere opening in 1933 - there was even a recent recording claiming to be this long-lost Overture. Hearing the recorded "proof" of this Overture confirmed our suspicions: it was merely those same few acetates that have been floating around for years, professionally edited into a short Suite and called an Overture. In conversations I had with people who attended and remembered this opening, there was no music from the film used in any of these shows." Source: John Morgan, "Reconstruction Notes by John Morgan," Steiner: King Kong. Marco Polo (8.223763), 1997, pg. 21 (near bottom).
    • Connessioni
      Edited into The Ghost Ship (1943)
    • Colonne sonore
      St. Louis Blues
      (1914) (uncredited)

      Music by W.C. Handy

      Whistled by Robert Armstrong

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    Dettagli

    Modifica
    • Data di uscita
      • 2 dicembre 1933 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • King Ape
    • Luoghi delle riprese
      • San Pedro Harbor, Long Beach, California, Stati Uniti
    • Azienda produttrice
      • RKO Radio Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 670.000 USD (previsto)
    • Lordo in tutto il mondo
      • 1181 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 40min(100 min)
    • Colore
      • Black and White(original release)
      • Black and White

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