Aggiungi una trama nella tua linguaA serious case of emotional neglect brings door-to-door Christmas cards salesmen, Stan and Ollie, at the house of an inconsolable wife who is convinced that her artist husband doesn't love h... Leggi tuttoA serious case of emotional neglect brings door-to-door Christmas cards salesmen, Stan and Ollie, at the house of an inconsolable wife who is convinced that her artist husband doesn't love her anymore.A serious case of emotional neglect brings door-to-door Christmas cards salesmen, Stan and Ollie, at the house of an inconsolable wife who is convinced that her artist husband doesn't love her anymore.
- Regia
- Sceneggiatura
- Star
- Cafe patron having portrait drawn
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- Nose-Blowing Boarder
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- Policeman
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- Policeman
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- Waiter at Café des Artistes
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- Bartender at Café des Artistes
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Recensioni in evidenza
The story is a bit daft, and it's true that this isn't one of Stan & Ollie's stronger shorts, but those two only have to appear on screen to make us smile. They sell greeting cards in this one, and Stan is the writer of such gems as 'A Merry Christmas, husband, a happy New Years nigh, I wish you Easter Greetings, hooray for the fourth of July.' 'We call that our four-in-one,' Ollie advises the unhappy wife.
This was a good switch for Stan and Ollie, and with Charles Middleton playing the "deadly serious" husband, who happens to know how to use a gun! Middleton was always a fun bad guy for Laurel and Hardy, usually playing a bitter, revengeful chap, ready to strangle them. In one goofy bit, Hardy phones him and lets the insults fly, followed by Stan, prompting Middleton to hang up and declare he'll kill them both, the sooner the better!
By the way, Mae Busch never looked lovelier, and exceptionally well dressed, as opposed to her usual exasperated housewife roles opposite Hardy. Not to forget she was a leading dramatic actress in silent films. Arthur Houseman is again cast as a loony drunk (with an ice pack on his noggin), one of the boys customers, probably the best actor ever to play such a role.
The bedroom scene with the cops carrying Stan and Ollie (who drank too much also) into Mae's room ---before her husband arrives --is outrageous. This short was originally computerized colored for vhs with a few other L & H films.
Note that some of Laurel and Hardy's short films are on European dvds that will not play on U. S. made dvd and blu ray players. Be sure to check where the box set was produced.
*** (out of 4)
Laurel and Hardy are card salesmen who meet a woman who feels neglected by her husband. In order to make her husband jealous Hardy agrees to play the part of her lover but when the husband catches them he challenges Hardy to a duel. Several hysterical scenes are here including the kiss between the woman and Laurel and another wonderful segment involving a drunk who makes matters even worse.
Bohemian Girl, The (1936)
*** (out of 4)
Laurel and Hardy end up taking care of a six year old girl not knowing she's really a princess. This isn't the best L&H feature out there but there's enough smiles and laughs to make it worth viewing once. I doubt I'd ever watch this one again but the potato scene with Laurel is hilarious as is the wine drinking scene. The film really picks up towards the end. Thelma Todd's final film.
Didn't find 'The Fixer Uppers' one of the duo's best, one of their lesser ones actually from this period from personal opinion. In a filmography that was mostly solid to classic (only '45 Minutes from Hollywood' misfired for me but that was very early on when their partnership and style hadn't formed or evolved and when Hardy especially was not being used well), nonetheless it is still good and has much of what makes Laurel and Hardy's work as appealing as it is.
'The Fixer Uppers' story is threadbare and more problematic is how daftly credibility-straining and heavy in coincidence it is.
Also found it a bit of a slow-starter with a draggy first third where there is a little too much talk for my liking.
However, 'The Fixer Uppers' is nonetheless very funny, especially the boys' reactions (notably Hardy's). It is rarely dull, going at a snappy pace, and there is energy in the slapstick and sly wit, silly and typical of the duo but in an endearing and entertaining way. The second half is much better, livelier in pace and chockfull of beautifully timed gags and wit.
Both Laurel and Hardy are on top form, especially Laurel. They are equally funny with impeccable comic timing physically and verbally, this is not a case of one being funnier and having more screen time than the other (in their early efforts Laurel tended to be funnier and better used). Their chemistry is legendary for a reason and it is obvious here. The supporting cast are up to their level, as scene stealing as Arthur Houseman is as a drunk and amusing Mae Busch is it is fearsome Charles Middleton who comes off the best. 'The Fixer Uppers' visually looks good and the direction is never too busy or static.
In summary, good but not great. 7/10 Bethany Cox
It's a very late short for the Boys, filled with nonsense and sight gags, and Arthur Housman doing his drunk act. It's also the last short that longtime Roach stalwart, Noah Young would appear in with Stan and Ollie.
Lo sapevi?
- QuizNear the end, when Stan and Ollie are back in Pierre's studio, viewers can see that he repeatedly slashed the painting of his wife.
- BlooperPart of Arthur Housman's costume (a fur coat) is visible through the window of the café as he is waiting for his cue.
- Citazioni
Stanley: Did you ever have a mother?
The Drunk: Oh! Now, you hit me.
Oliver: That's fine. We have one here dedicated to mothers. May I read it to you?
The Drunk: Read it.
Oliver: [reading the greeting card] "Merry Christmas, Mother, Merry Christmas Ma, Hi! Mommy Mommy, And a Hot-Cha-Cha"
The Drunk: A beautiful thought.
- Versioni alternativeAlso available in a computer colorized version.
- ConnessioniFeatured in Intensive Care (1991)
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- The Fixer Uppers
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- Tempo di esecuzione20 minuti
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- 1.37 : 1