La femmina dei porti

Bluff Richard Dix is the best diver in the Navy's submarine service. Womanizing Chester Morris is his best buddy. Dix is assigned to teaching recruits how to dive, and while he's in San Diego he quickly acquires a house, and a wife: taxi-dancer Dolores Del Rio. Before they can celebrate their marriage, Dix is called back to active duty. Del Rio goes back to taxi-dancing, where she meets Morris. Then Dix comes home.

The movie is neatly divided into three parts: Dix settling into his home and being played for a sucker by Del Rio; Morris and Del Rio; and the final third, in which the submarine Morris goes to the bottom, and the only man who can save the crew is the angry Dix. It's an attempt to combine the two-buddies-and-a-golddigger plot with the submarine rescue story which Columbia had been doing at least since Frank Capra directed SUBMARINE nine years earlier. While the three leads are, as you might expect, terrific, the seam connecting the two types of story shows. Del Rio was a terrific actress, but the role as written is completely unsympathetic, and director Erle Kenton was not the man to bring out the subtleties that might have made this more than a programmer.