Carnet di ballo

This is one of the quintessential films of the classic age of French cinema. One just has to look at the credits: directed by Duvivier, with Fernandel, Baur, Jouvet (one of his best roles), Marie Bell, Francoise Rosay... all of them at the peak of their form. And held together musically by Jaubert's haunting theme melody, which I can still hum in the nostalgia cupboard of my memory fifty years after I first heard it.

The story is slight. Actually it is a series of vignettes, strung together by the bittersweet pilgrimage of a woman who sets out to find again the men who signed her first dance card. But that is just a pretext for a marvelous set of character sketches played by a marvelous cast of character actors served by a great character director.

J'adore Ce film! But "Christine"? Where did that come from? I've only ever known it as Un Carnet DE Bal, with Valse Gris permanently etched into my mind.

I saw it first around 1941 when I was 14, during the war, at the long lamented Academy cinema on London's Oxford Street. It turned up there periodically, along with La Femme Du Boulanger, Le Jour SE Leve, The Strange Case of David Gray (a renamed Vampyr), La Fin Du Jour, and some other prewar classics. Great stuff for a schoolboy! Previously I've had it on a censored Korean DVD (the Marseilles sequence had been removed) but now,happily,it's available complete as a gloriously restored Bluray. Gaumont,you have our huge thanks!

It's a magnificent film, a bit wordy perhaps here and there but they're good French words. It's a lasting achievement by a superb cast and crew at the top of their game.

And with great respect let's give thought to Harry Baur and Robert Lynen (Duvivier's Poil de Carotte), both murdered by the Nazis during the occupation.

"Un Carnet de Bal" is a poem made movie. Like Christine, everybody had gone into his past, looking for the point of break, which decided one way, in order to rectify ours errors.

Finally, "Un Carnet de Bal" is a film for all the time.

i saw this film for the first time 1946, and was completely spellbound. last time i saw this film beginning of March 2003. the magic was still there. i understood the film much better,enjoed it more. Who can ever forget the haunting melody of the walz or the final episode with Fernandel.

Newly widowed Marie Bell (Christine) is clearing out her house when she chances upon her dance-card from her first ball which she attended when she was 16. She is feeling nostalgic and determines to track down each name on the card to see how they are doing in life. Who knows, maybe a love will rekindle?

The film is a series of set pieces as Marie sets about her mission and each name on the card is given a short section. This made the film tolerable to watch as beforehand I was thinking to myself "Oh my goodness, this film is almost 2 and a half hours long!" Well, it doesn't seem like it and that is a credit to the director and the actors and actresses involved. In fact, the film is constantly entertaining even if it does focus on some downbeat situations. You can definitely relate to these people. My favourite story is the one that concerns the priest as it shows how life can move on from sadness in a positive way. I do have 1 question, though - what is that ending about!!? Is that a blossoming romance!!?

In real life, sentimental reflections just make me sad so I don't see the point but this film is worth a watch even if the topic is somewhat asking for trouble. I googled a friend when I was reminiscing of past times and found out that he had become a Hollywood stuntman and had jumped from a plane but his parachute failed to open. Miraculously, he survived as some tree branches broke his fall. He broke every bone in his body and his memory has been affected. I wish I hadn't looked him up! This film is a bit like that but more fun.