Caught Plastered

This may be one of the best of the Wheeler&Woolsey comedies. Their particular brand of broad comedy has regrettably gone out of style in the 21st century and their movies are seldom shown nowadays - except on good old reliable TCM. Like their other films it is loaded with puns and outlandish circumstances and you have to be a fan of that genre, or at least a fan of W&W.

No need to recap the plot, such as it is. It's the usual improbable scenario, this one about coming to the aid of an old lady with a failing drug store and turning it into a howling success. It features Jason Robards Sr. as the villain, who has an uncanny resemblance to his son, especially the voice and mannerisms. there are even a couple of tuneful but long forgotten songs. Whether you're a fan or not this is a good comedy in any era.

******** - Website no longer prints my star ratings.

I've seen two movies by this comedy team- one of which I enjoyed and the other I thought was terrible (CRACKED NUTS). CAUGHT PLASTERED is the one liked. There's tons of jokes and gags in this film, some are good for a few good laughs and some for a few groans. In fact, the boys play a couple of comics who failed in their routines and have been chased out of the theatre at numerous locations. So in this sense, I think the script acknowledges that these guys' comedy is not so great, but not bad enough to get some laughs. The story is fairly predictable. The down and out comedy performers out of money hopping trains stop in a town and find an old woman crying on a streetcar, because she's about to lose her drug store to the bank because of slow business. With nothing else to fall back on, the fast talking, cigar chomping, obnoxious Woolsey with this thick, round glasses and his baby faced parter, Wheeler, offer to help her get the drug store up and running again. Will they do this in enough time to save her from losing the store and saving her from having to spend the rest of her life in the "old ladies home?" You'll have to see for yourself. Much of the jokes centers around the boys interactions with the customers, many of which they, especially Woolsey, manage to offend and their getting duped by a crooked businessman/bootlegger (it's still prohibition in 1931)into selling "lemon soda". One of Woolsey's best lines, is "I think someone is passing the flask around here," when they're the ones serving the booze and they don't realize it. I can honestly say that I've never heard drunks singing "London Bridge is Falling Down" until I've seen this movie, but hey it was kind of funny. Dorothy Lee plays Wheeler's romantic interest in the movie and she is a little cutie, despite having a nasal voice. At times, they did get a little too dreamy eyed and sappy around each other, but not to the point of being too annoying. Overall, while I enjoyed this movie and the chemistry between Wheeler and Woolsey, I think their act was kind of second rate compared to others like the Marx Brothers. Still, this movie has the special early 1930s feel to it, is well written and doesn't move slowly like many early sound films, and is quite enjoyable. Check it out if you get the opportunity. 7/10

I have reviewed quite a few Wheeler and Woolsey films and, for the most part, I have been pretty tough on them. I have not particularly enjoyed most of the films, though there have been a few relatively bright spots in their otherwise bleak careers. However, with CAUGHT PLASTERED I have finally found them in a genuinely enjoyable film that I can heartily recommend. It was a very pleasant surprise, as the earlier films seemed to have too much singing and the later ones were just dull. This one works.

The film begins with the boys out of work. However, they things are even worse for a sweet old lady who they soon meet. It seems that her drug store is about to be taken away, as it's heavily in debt. Wheeler and Woolsey promise her they can turn things around and go to work for her. Shockingly, they do make a genuine success of the store--mostly because they did what makes most drug stores popular--they emphasized everything other than drugs! In fact, they don't even know how to fill out a prescription and in the one case where they actually get one, Woolsey runs to the nearest drug store to get it filled! While there is some singing in the film, it fits into the movie well and doesn't dominate. Wheeler sings a couple cute songs with Dorothy Lee, but they actually work well and are quite catchy. Also, a major plus in this film is that the team actually sticks with a plot!! In so many of their other films, the plot seems incidental...at best! Overall, the film is polished, funny and makes the best use of the team's talents. Who'd have thought that Wheeler and Woolsey could actually make a very good film?!

This was only the second Wheeler & Woolsey film I managed to watch when it aired on American Movie Classics back in the '90s (The first was Kentucky Kernels). All I remembered from back then was a duet of Wheeler and Dorothy Lee singing while the latter was drunk. This was made during both Prohibition and before the Production Code was strictly enforced so gags are depicted that probably would have not passed muster just a few years later. It's largely during the last 30 minutes that things really take a hilarious turn but there's plenty of amusing scenes throughout. So on that note, I recommend Caught Plastered.

A beautiful print for 1931. Dorothy Lee.gets drunk and sings with Bert in a musical moment of wonder. Wheeler was a genuine romantic lead opposite Lee with Woolsey as avuncular liaison to Mother whose business picks up with the right kind of medicine. There are no slow spots in the 69 minutes this takes. There are several laugh out loud moments. Amidst a stream of consciousness like "Those moth balls are no good. I've never hit a moth with one yet. Still I'm glad I didn't. Because if I did the moth would cry and I can't stand to see a moth ball." The comparison to Burns and Allen is closer than most. The cast is loaded with characters unburdened by Code limitations e.g. Woolsey hooks up briefly with a flirtatious book buyer whose prurient interest ultimately a book can't satisfy, as Woolsey explains to her, losing the customer.