La terribile armata

...which isn't a wonder since this movie was directed by billy wilder. compared with the newest clone of this from 2001, it is quite simple to see, that one very important point for understanding the story is that it takes place in the 1920s/1930s when the story was written. the 2001 version takes place now, which makes it boring. it just looks like a copy. so go and get a hand at this masterpiece.

I was 10 years old when the 1964 version of Emil and the Detectives came out. I loved that movie. I even had a recording of the soundtrack that I played over and over again when I was alone.

Then, just last night, I happened to catch an interview with Billy Wilder on television. It mentioned his early work on an "Emil and the Detectives". Today I sit astounded that there is not just one other earlier version of the film, but three earlier adaptations and one newer one (that I have found out about).

I like to think that I am a minor film buff, but this discovery that this film exists goes to show that the vast treasure of film worldwide is to be saved and cherished.

I can hardly wait in the coming years to try and see all of the versions and compare the great and heartwarming story.

The film-version of author Erich Kaestner's break-through children's book. "Emil" is in many ways a first. It lifted the young author out of obscurity and poverty to fame and fortune. It also gave screen-writer/director Billy Wilder his first of many critical and commercial successes. Kaester would go on to pen several other great children's books, including "Das doppelte Lottchen", which later inspired the Disney Classic "The Parent Trap", and Billy Wilder's very respectable resume needs no further comments.

The story was written for children during a time when poverty, violence and war has robbed many people of hope for a better future. A ruthless thief (Herr Grundeis) steals a small sum of money from a boy (Emil) on a train and is pursued by a group of "organized" children, who are determined to reunite the rightful owner and his money. The young "detectives" not only provide evidence of Emil's claim (causing the crook to instantly take flight) but also out-do the police in locating and bringing the thief to justice.

It's all for one and one for all, a feel good movie with a happy ending. David vs. Goliath or good against evil. In the Germany "between the two great wars" with political winds already forming the next set of very dark clouds, "Emil and the Detectives" was a welcomed holiday from all of the world's ills. For 70 minutes, the viewer could escape and root for the little kid who has been victimized, and to witness triumph of the human spirit. A treasure of the Old German Cinema. Highly recommended!

Emil from Neustadt travels to Berlin to visit his grandmother; he takes 140 Mark with him which his mother is sending. On the train, the money is stolen by another passenger. In Berlin, Emil pursues the thief and meets a gang of boys of his own age who help him. Eventually they recover the money; the thief - who turns out to be a bank robber to whom the police had been wanting to talk in any case - is arrested, and Emil gets a big reward.

The quality of the video I watched was awful: jerky, and the sound was so poor that the English subtitles were a real help. If this film has not yet been carefully restored, it ought to be. It is great. The child actors are wonderfully lively and natural, and Fritz Rasp gives a delightfully sinister performance as the thief. Inga Landgut is great as Emil's cousin Pony Hütchen (a nickname that refers to her funny little hat). The dialogues are equally good. You might think that children addressing each other as 'meine Herren' ('gentlemen') would sound unnatural, but they don't. That is evidently how children were talking c. 1930.

And that takes me to another great aspect of 'Emil und die Detektive': You get a glimpse of Germany in the brief period between the wars when conditions were more or less 'normal' by the standards of Western Europe and the US. That does not mean that there was no hardship. Emil's mother is clearly struggling as a hairdresser, and the 140 Mark she sends to his grandmother are probably about as much as she would make in a month. What I mean is normal in the sense that the militarism of imperial Germany had abated (even the constabler in Neustadt is reasonably friendly, despite his pre-WWI appearance) while marching hordes of brown shirts were not yet in evidence. When the film came out that was already about to change. Nine years later the actor playing Emil (Rolf Wenkhaus) would join the Luftwaffe; he was killed in action off the coast of Ireland in 1942. Most others did not survive the war either.

This is a children's movie with a tragic backstory. Only one of the seven boys with named characters survived WWII. The other six died in combat.