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Aggiungi una trama nella tua linguaSuperman versus a fanatical extortionist with an earthquake machine.Superman versus a fanatical extortionist with an earthquake machine.Superman versus a fanatical extortionist with an earthquake machine.
- Regia
- Sceneggiatura
- Star
Bud Collyer
- Clark Kent
- (voce)
- (non citato nei titoli originali)
- …
Joan Alexander
- Lois Lane
- (voce)
- (non citato nei titoli originali)
Jackson Beck
- Narrator
- (voce)
- (non citato nei titoli originali)
- …
Julian Noa
- Perry White
- (voce)
- (non citato nei titoli originali)
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Recensioni in evidenza
Fighting Evil With Superman
A Native American Scientist demands the return of Manhattan (Metropolis) to his people. Rebuffed, he unleashes an ELECTRIC EARTHQUAKE to destroy the city. With intrepid reporter Lois Lane his prisoner, and destruction mounting, it sure looks like a job for Superman.
This was another in the series of excellent cartoons Max Fleischer produced for Paramount Studio. They feature great animation and taut, fast-moving plots. Meant to be shown in movie theaters, they are miles ahead of their Saturday Morning counterparts. Bud Collyer is the voice of Superman; Joan Alexander does the honors for Lois Lane.
This was another in the series of excellent cartoons Max Fleischer produced for Paramount Studio. They feature great animation and taut, fast-moving plots. Meant to be shown in movie theaters, they are miles ahead of their Saturday Morning counterparts. Bud Collyer is the voice of Superman; Joan Alexander does the honors for Lois Lane.
6tavm
Electric Earthquake is another Superman cartoon made by Max and Dave Fleischer
This Superman cartoon, the seventh by Max and Dave Fleischer, has the politically-incorrect story of an American Indian (or Native American) claiming to speak for his people when he tells Clark Kent, Lois Lane, and Perry White to give Manhatten back to his people and those three refusing (what can they do anyway, they're only reporters!). So he threatens them though Perry doesn't believe him so Lois sneaks away to where this man has his hideout while Clark changes into Superman...Plenty of exciting animated scenes of the title disaster not to mention Supes doing what he does to save the day though it's now par for the course that Lois will be in yet another compromising position with the Man of Steel rescuing her. And really, that villain is willing to destroy his land if his demands aren't met? Talk about inconsistent characterization! Still, Electric Earthquake is worth a look for those exciting scenes of destruction as implied by the title.
Finally, a Superman cartoon that I liked.
I have seen most of the Superman cartoons made by the Fleischer Brothers for Paramount during the 1940s. Unfortanately, I have never particularly enjoyed them...that is up until now. "Electric Earthquake" brings the cartoon series an interesting villain--one you have a hard time completely hating.
The film begins with a Native American genius planting some sort of electrodes emanating from his underwater lair to Manhattan island. Then, he comes to the surface and announces that the government MUST give the island back to the natives or else! Well, they don't listen and soon he unleashes a wave of electric terror--causing the island to explode bit by bit. Not at all surprisingly, Lois gets caught up in all this and is taken prisoner. And, predictably, Superman comes to the rescue.
As I mentioned above, I liked this one because the story was strong--something not true for most of the other stories in the series. It was very interesting and kept my interest throughout--though I think it's the only time home for Superman was New York and not Metropolis!
The film begins with a Native American genius planting some sort of electrodes emanating from his underwater lair to Manhattan island. Then, he comes to the surface and announces that the government MUST give the island back to the natives or else! Well, they don't listen and soon he unleashes a wave of electric terror--causing the island to explode bit by bit. Not at all surprisingly, Lois gets caught up in all this and is taken prisoner. And, predictably, Superman comes to the rescue.
As I mentioned above, I liked this one because the story was strong--something not true for most of the other stories in the series. It was very interesting and kept my interest throughout--though I think it's the only time home for Superman was New York and not Metropolis!
Failing to light a spark...
I have to say that so far, as part of sitting through watching the old 1940 "Superman" short animated features, then "Electric Earthquake" was sort of bland and mediocre.
The storyline in "Electric Earthquake", as written by Seymour Kneitel and Izzy Sparber, was a rather mundane foray into the otherwise thrilling and action-packed universe of "Superman". Sure, it felt and looked like something that belonged in the "Superman" animated franchise, but I just didn't find the narrative here particularly entertaining or thrilling.
The art and animation was good, just as in the many other short animated "Superman" features from the 1940s.
Watchable for what it was, director Dave Fleischer and Steve Muffati's 1942 "Electric Earthquake" felt a bit forced and bland.
My rating of "Electric Earthquake" lands on a five out of ten stars.
The storyline in "Electric Earthquake", as written by Seymour Kneitel and Izzy Sparber, was a rather mundane foray into the otherwise thrilling and action-packed universe of "Superman". Sure, it felt and looked like something that belonged in the "Superman" animated franchise, but I just didn't find the narrative here particularly entertaining or thrilling.
The art and animation was good, just as in the many other short animated "Superman" features from the 1940s.
Watchable for what it was, director Dave Fleischer and Steve Muffati's 1942 "Electric Earthquake" felt a bit forced and bland.
My rating of "Electric Earthquake" lands on a five out of ten stars.
Excellent
I love the Fleischer Superman cartoons. The animation is smooth and fluid with vivid colors. The distinct art-deco style, vintage science fiction imagery, and use of noirish shadows gave them a look unlike any other cartoons. The music and voice work is superb. They're fun, accessible, enduring animation classics.
The seventh in the series is one of the best and most interesting. A Native American scientist demands the return of Manhattan to his people. Everybody but Lois Lane believes his threats to be empty. Lois sneaks onto the guy's motorboat and follows him back to his secret lair, which is a very cool underwater laboratory. After the scientist straps Lois into a chair ready-made to keep someone prisoner, he begins to unleash his earthquake device on the city. He has large electric cables connected to the bedrock of Manhattan island and, when he sends electric surges through the cables, he causes earthquakes. This results in some exciting scenes. Superman is quickly on the job and into the water, where he discovers the cables and proceeds to try to undo them. This proves harder than it looks. The rest of the cartoon is fun, non-stop action as Supes tries to save the city from the earthquake machine.
This is a great cartoon. The plot is a little more detailed than the average entry in the series and the villain is very unique. It's also interesting that the city is explicitly referred to as the real place of Manhattan, as opposed to the fictional city of Metropolis where Superman's adventures usually take place.
The seventh in the series is one of the best and most interesting. A Native American scientist demands the return of Manhattan to his people. Everybody but Lois Lane believes his threats to be empty. Lois sneaks onto the guy's motorboat and follows him back to his secret lair, which is a very cool underwater laboratory. After the scientist straps Lois into a chair ready-made to keep someone prisoner, he begins to unleash his earthquake device on the city. He has large electric cables connected to the bedrock of Manhattan island and, when he sends electric surges through the cables, he causes earthquakes. This results in some exciting scenes. Superman is quickly on the job and into the water, where he discovers the cables and proceeds to try to undo them. This proves harder than it looks. The rest of the cartoon is fun, non-stop action as Supes tries to save the city from the earthquake machine.
This is a great cartoon. The plot is a little more detailed than the average entry in the series and the villain is very unique. It's also interesting that the city is explicitly referred to as the real place of Manhattan, as opposed to the fictional city of Metropolis where Superman's adventures usually take place.
Lo sapevi?
- QuizUnlike the other Superman cartoons, this film has the characters and the Daily Planet set explicitly in New York City, rather than in the City of Metropolis.
- Citazioni
[first lines]
Voices: Up in the sky, look! It's a bird! It's a plane! It's Superman!
Narrator: Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound, this amazing stranger from the planet Krypton, The Man of Steel: Superman! Possessing remarkable physical strength, Superman fights a never-ending battle for truth and justice, disguised as a mild-mannered newspaper reporter, Clark Kent.
- Curiosità sui creditiThe episodic title of 'Electric Earthquake' begins to shake, causing it to crumble and the letter Q falls apart in half.
- ConnessioniFeatured in Troldspejlet: Episodio #6.9 (1992)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Terremoto eléctrico
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 9min
- Mix di suoni
- Proporzioni
- 1.37 : 1
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