In una locanda aperta solo durante le vacanze, un ballerino ed un cantante competono per le attenzioni di una bella ragazzaIn una locanda aperta solo durante le vacanze, un ballerino ed un cantante competono per le attenzioni di una bella ragazzaIn una locanda aperta solo durante le vacanze, un ballerino ed un cantante competono per le attenzioni di una bella ragazza
- Vincitore di 1 Oscar
- 3 vittorie e 2 candidature totali
Bob Crosby Orchestra
- Orchestra
- (as Bob Crosby's Band)
Edward Arnold Jr.
- Second Dancer Ted Bumps Into
- (non citato nei titoli originali)
Loretta Barnett
- Dancer
- (non citato nei titoli originali)
Muriel Barr
- Dancer
- (non citato nei titoli originali)
Harry Barris
- Midnight Club Orchestra Leader
- (non citato nei titoli originali)
Patsy Bedell
- Dancer
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe Connecticut inn set for this film was reused by Paramount 12 years later as a Vermont inn for the musical Bianco Natale (1954), also starring Bing Crosby, and again with songs composed by Irving Berlin.
- BlooperThe telegram that Ted Hanover receives from Jim Hardy on Christmas Eve is dated December 25th.
- Citazioni
Linda Mason: My father was a lot like you, just a man with a family. Never amounted to much, didn't care. But as long as he was alive, we always had plenty to eat and clothes to keep us warm.
Jim Hardy: Were you happy?
Linda Mason: Yes.
Jim Hardy: Then your father was a very successful man.
- Curiosità sui creditiIn the opening titles the main credits for Irving Berlin as composer and lyricist, and Mark Sandrich as producer and director, are each facsimiles of their genuine signatures.
- Versioni alternativeIn 2008, the film was restored and colorized by Legend Films.
- ConnessioniFeatured in Concept (1964)
- Colonne sonoreI'll Capture Your Heart Singing
(uncredited)
Written by Irving Berlin
Played by the Bob Crosby Orchestra
Performed by Fred Astaire, Bing Crosby, and Virginia Dale at the nightclub
Reprised at the end at the Holiday Inn with these three and Marjorie Reynolds
Recensione in evidenza
It is amazing how much the world has changed in the last 58 years. 58 years? Yes!
Reviewers who fault this movie for it's patriotism and display of martial force in the midst of a "holiday" movie are obviously too young to know what the world was like when this was made. It was a time of greater innocence, greater danger and greater racial discrimination. The innocence was that of the children and the general public who could take a "standard Hollywood plot" at face value. It was a time of danger, not necessarily from within society itself (as now when crime makes streets unsafe) but from the outside with dictators killing millions while they battle for world domination. Those tanks and planes WERE freedom. Without them we would be yelling "Seig Heil" today and would not have the right to critique a simple movie. The State would have made it for you and "you Will like it"!
As the "black face" routine was showing I turned to my family and said that I was sure that despite the "classic" status of this film there were probably a lot of people wincing as they watched Bing Crosby with burnt cork all over him.
I'm sure that before he died Bing too winced a little bit at that number, but taken in the context of history it was to be expected. Al Jolson made a career of blackface and never regretted it for a minute. Most of the American population accepted that that's "the way it is". Only in the last 40 years have we learned that's NOT the way it is.
Things change and it's understandable that after almost 60 years certain depictions of society as it existed then would be out of place today. 20 years ago the movie was popular but the music was certainly out of style. With the resurgence of the "big band sound" in the last 5-10 years people are noticing that Bob Crosby and the Bobcats were participants. No doubt a certain amount of nepotism existed, but Bob Crosby was not Billy Carter to Bing's Jimmy Carter. (Anyone under 20 can now run and look up Jimmy and Billy Carter.) Bob Crosby achieved a certain amount of star status with some of his recordings. He had 4 chart topping hits and led bands for almost 50 years. He was always eclipsed by his older brother, but then Bing Crosby was THE biggest star of that time, at least among singers.
Bob's music was a Dixieland style and it lent a lightness to the big band orchestrations of Irving Berlin's songs that might have otherwise made the music ponderous, too much so for this light comedy at least.
Remember, finally that when Holiday Inn came out we were losing WW2. The Pacific was a Japanese ocean, the Atlantic was virtually controlled by German U-Boats and Allied ships were being sunk within sight of American cities. The Axis also controlled all of Europe and the Russians were being rolled back into their own homeland.
Holiday Inn was escapist entertainment from this bleak reality and it is understandable if some martial patriotism was included to hearten the home front.
For 90% of the U.S., snow at Christmas is the exception rather than the rule, but the emotions expressed by the song White Christmas hit exactly the feelings of millions of soldiers taken from their homes to fight a war. If Holiday Inn did nothing else, it gave Americans something to believe in and remember when things were at their darkest.
"May your days be merry and bright, and may all your Christmases be White."
Reviewers who fault this movie for it's patriotism and display of martial force in the midst of a "holiday" movie are obviously too young to know what the world was like when this was made. It was a time of greater innocence, greater danger and greater racial discrimination. The innocence was that of the children and the general public who could take a "standard Hollywood plot" at face value. It was a time of danger, not necessarily from within society itself (as now when crime makes streets unsafe) but from the outside with dictators killing millions while they battle for world domination. Those tanks and planes WERE freedom. Without them we would be yelling "Seig Heil" today and would not have the right to critique a simple movie. The State would have made it for you and "you Will like it"!
As the "black face" routine was showing I turned to my family and said that I was sure that despite the "classic" status of this film there were probably a lot of people wincing as they watched Bing Crosby with burnt cork all over him.
I'm sure that before he died Bing too winced a little bit at that number, but taken in the context of history it was to be expected. Al Jolson made a career of blackface and never regretted it for a minute. Most of the American population accepted that that's "the way it is". Only in the last 40 years have we learned that's NOT the way it is.
Things change and it's understandable that after almost 60 years certain depictions of society as it existed then would be out of place today. 20 years ago the movie was popular but the music was certainly out of style. With the resurgence of the "big band sound" in the last 5-10 years people are noticing that Bob Crosby and the Bobcats were participants. No doubt a certain amount of nepotism existed, but Bob Crosby was not Billy Carter to Bing's Jimmy Carter. (Anyone under 20 can now run and look up Jimmy and Billy Carter.) Bob Crosby achieved a certain amount of star status with some of his recordings. He had 4 chart topping hits and led bands for almost 50 years. He was always eclipsed by his older brother, but then Bing Crosby was THE biggest star of that time, at least among singers.
Bob's music was a Dixieland style and it lent a lightness to the big band orchestrations of Irving Berlin's songs that might have otherwise made the music ponderous, too much so for this light comedy at least.
Remember, finally that when Holiday Inn came out we were losing WW2. The Pacific was a Japanese ocean, the Atlantic was virtually controlled by German U-Boats and Allied ships were being sunk within sight of American cities. The Axis also controlled all of Europe and the Russians were being rolled back into their own homeland.
Holiday Inn was escapist entertainment from this bleak reality and it is understandable if some martial patriotism was included to hearten the home front.
For 90% of the U.S., snow at Christmas is the exception rather than the rule, but the emotions expressed by the song White Christmas hit exactly the feelings of millions of soldiers taken from their homes to fight a war. If Holiday Inn did nothing else, it gave Americans something to believe in and remember when things were at their darkest.
"May your days be merry and bright, and may all your Christmases be White."
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Holiday Movie Posters We Love
Holiday Movie Posters We Love
We've rounded up some of our favorite posters for holiday movies over the years. Which ones are you favorites?
Dettagli
Botteghino
- Budget
- 3.200.000 USD (previsto)
- Lordo in tutto il mondo
- 80 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Proporzioni
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was La taverna dell'allegria (1942) officially released in India in English?
Rispondi