La croce di Lorena

Very effective American propaganda piece made in the beginning of the war and centered around a couple of handfuls of French soldiers capitulating at Marshall Pétain's order and being made prisoners of war in the German part of Alsace.

Director Tay Garnett was an acknowledged master of light and shadow, and not just in the cinematographic sense. Lots of issues are at stake here, and although all the characters are somewhat larger than life, the hesitant lawyer, wonderfully, luminously played by Jean-Pierre Aumont, and the cabdriver, acted by a young, doe-eyed Gene Kelly, both help to give human texture to the admittedly rather formulaic plotline, and neither is a hero in the textbook Hollywood sense. The most interesting conflict in the film would be how to deal with the Hume Cronyn character, a French soldier who sympathizes with the Nazis and serves as a translater / snitch in the POW camp. Should he be killed without a trial, or would that, even in wartime, be a violation of basic French principles of jurisprudence and democracy?

'The Cross of Lorraine' is a very, very good film and a far cry from American WW2 movies we see today, they are all much more banal and onesided.

The film was obviously inspired by Jean Renoir's ultimate antiwar movie, 'The Grand Illusion', and in its turn inspired Stuart Rosenberg's tough prison movie 'Cool Hand Luke'.

A story of courage and defiance of the French people following their surrender to the Germans in 1940.

French soldiers who surrendered are duped by the Germans and are instead taken to a prison of war camp where they are subjected to the most terrible conditions.

Gene Kelly, in a non-singing role, is one such soldier. Punished for hitting German soldiers he is locked in solitary confinement.

In his brief appearance as a priest, Cedric Hardwicke shines as a brave, defiant messenger of the Lord. He pays the ultimate price for attempting to conduct a religious service for someone shot trying to escape.

There is also treachery and collaboration on the part of Hume Cronyn, a prisoner who because he could speak German was made an interpreter by the latter and apparently this went to his head. He also pays the ultimate price as in the ironic case of Peter Lorre, a German soldier caught up in an escape attempt and mistakenly killed by his fellow Nazis.

The ending shows the determination and courage of a local village. This film is a tribute to such people.

If you thought World War II Hollywood war movies were all sweetness and Casablanca fans, just wait till you see this gut-wrenching little propaganda piece, which must have come out the week the censors were all in Palm Springs. Perhaps the most realistic Hollywood portrayal of life as a prisoner of the Nazis until "Schindler's List," it's also quite intelligent and extraordinarily well-played by an excellent cast. You don't know the meaning of shock until you've seen Gene Kelly spit a huge gob of real sputum onto Peter Lorre's face--and then wait till you see what comes next. It's not Captain Renault and the roulette table, dearie.

The Cross of Lorraine is directed by Tay Garnett {The Postman Always Rings Twice/A Connecticut Yankee in King Arthur's Court} & it stars Jean-Pierre Aumont and Gene Kelly and was adapted from Hans Habe's novel A Thousand Shall Fall. The story is about French prisoners of war held by the Germans in World War II.

Yep, sure enough it's a propaganda piece, yep, sure enough it's low on budget, and, yep, the outcome will hold no surprises for anyone aware of propaganda based cinema. But don't let that in any way detract from what a tightly scripted and acted picture this is. Coming as it did in 1943 one could be forgiven for expecting a watered down tale of prisoners under duress; rising up and flipping the bird to those dam dirty Nazis. Yet, and with much thanks, we get a gritty and often brutal movie that's not afraid to call it as it sees it. The war, in case anyone was asleep during history class, was very much a case of the good against the bad and the makers here only reiterate that basic fact. With a couple of scenes memorable and worth the patience that is required to roll along with the predominantly dialogue driven tale.

Backing up Kelly & Aumont are Peter Lorre, Cedric Hardwicke, Hume Cronyn & Wallace Ford. Which alone speaks volumes as to why this is a nifty little treasure yearning to be dug out by other film fans. But this also has a good print which is devoid of fractures and makes for an easy on the eye experience. A film like this now would most likely be laughed out of the studio executive offices, but this is 1943, a troubled time, and this is a fine movie that certainly has enough intelligence and spunk to stop it getting weighed down by flag waving histrionics. 7/10

Basically the story of the French resistance during the early '40s when the Nazis overtook France, THE CROSS OF LORRAINE is a forerunner of films like STALAG 17, but without the humor. Instead, it's a straightforward dramatic tale of the harsh treatment meted out to the French POWs in a German prison camp.

There are no real surprises in the plot--you know from the beginning that there will be an escape plan being hatched by JEAN PIERRE AUMONT, who takes over when the former translator/informer HUME CRONYN meets his fate at the hands of prisoners. Aumont and GENE KELLY have the leading male roles and both give earnest performances in this gritty drama directed by Tay Garnett.

Although it appears to be a low-budget film, there's a splendid supporting cast including SIR CEDRIC HARDWICKE, RICHARD WHORF, PETER LORRE (as a despicable German sergeant), WALLACE FORD and Joseph CALLEIA.

Film is engrossing all the way through but suffers from an ending that pushes the propaganda envelope too far as the French resistance overcomes the Nazi recruiters while Aumont and Kelly take aim with machine guns to help destroy a bunch of bad Nazis.

Summing up: A flag waving tribute to the French resistance, it's well done for most of the way but that ending is too over-the-top to be taken seriously.