VALUTAZIONE IMDb
6,7/10
8071
LA TUA VALUTAZIONE
Una donna in cerca della sorella scomparsa scopre un culto satanico nel Greenwich Village di New York e scopre che potrebbero essere coinvolti nella sua scomparsa.Una donna in cerca della sorella scomparsa scopre un culto satanico nel Greenwich Village di New York e scopre che potrebbero essere coinvolti nella sua scomparsa.Una donna in cerca della sorella scomparsa scopre un culto satanico nel Greenwich Village di New York e scopre che potrebbero essere coinvolti nella sua scomparsa.
- Premi
- 3 candidature
Joan Barclay
- Gladys
- (non citato nei titoli originali)
Patti Brill
- Minor Role
- (non citato nei titoli originali)
Wally Brown
- Durk
- (non citato nei titoli originali)
Feodor Chaliapin Jr.
- Leo
- (non citato nei titoli originali)
Wheaton Chambers
- Missing Girl's Father
- (non citato nei titoli originali)
James Conaty
- Party Guest
- (non citato nei titoli originali)
Edith Conrad
- Minor Role
- (non citato nei titoli originali)
Kernan Cripps
- Police Officer Danny
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizErford Gage, who played the poet Jason Hoag, enlisted in the U.S. Army in August 1943 (around the time this film was released) and was killed in action in the Phillipines in March 1945.
- BlooperThe opening text reads: "I run from death, and death meets me as fast, And all my pleasures are like yesterday." The movie attributes the quote to John Donne's Holy Sonnet #7. But it is actually from Holy Sonnet #1.
- Curiosità sui crediti[title after starting credits] I runne to death, and death meets me as fast, and all my pleasures are like yesterday. Holy sonnet #VII Jonne Donne
- Versioni alternativeExists in a computer-colorized version
- ConnessioniFeatured in Aweful Movies with Deadly Earnest: The Seventh Victim (1967)
- Colonne sonoreMay Heaven Forgive You
(uncredited)
From "Martha"
Music by Friedrich von Flotow
Arranged by Roy Webb
[The tune playing on the barrel organ as Mary goes to the Dante for the first time]
Recensione in evidenza
Schoolgirl Kim Hunter (Mary) is called to the office of the Headmistress Ottola Nesmith and told that she can no longer stay on as a pupil as her sister Jean Brooks (Jacqueline) has stopped paying her fees. More than that, Brooks seems to have gone missing. So, Hunter goes off to find her. But Brooks isn't so easy to locate.
This film leaves you with scenes stuck in your mind, so it's good from that perspective. It is also well shot with an eerie atmosphere. Scenes that stand out include the sequence with Hunter and a detective exploring an office at night and the subsequent spooky train ride, a shower scene that will make you think of "Psycho" (1960) and pretty much every scene with Brooks. Fancy a drink? – no thanks but the pressure is on. And how about that ending? Wow, pretty bleak stuff. Especially coming after what had me cringing as we watched God and the Bible being used as a tool to counter Satan and his ways in an extremely simplistic way.
Amo, Amas, Amat, Amamus, Amatis, Amant – remember your Latin from school? The 'ablative absolute' and the 'ut' clause (use the subjunctive). Quamquam. This film also throws in some Latin and I'm glad to hear it. It takes the viewer back to a time sadly long gone as we hear schoolgirls reciting the verb 'Amo' – to love. The day will come when a generation will watch this film and not understand what language it is.
The cast are OK with Jean Brooks standing out. Her look suggests she is leader of the occult movement rather than a victim of it. And all of her scenes are quality – some genuinely scary, and all unworldly because of her appearance. That ending with the neighbour comes as a shock and leaves an eerie memory that will have you thinking about how we view life. It's an interesting film and sad.
This film leaves you with scenes stuck in your mind, so it's good from that perspective. It is also well shot with an eerie atmosphere. Scenes that stand out include the sequence with Hunter and a detective exploring an office at night and the subsequent spooky train ride, a shower scene that will make you think of "Psycho" (1960) and pretty much every scene with Brooks. Fancy a drink? – no thanks but the pressure is on. And how about that ending? Wow, pretty bleak stuff. Especially coming after what had me cringing as we watched God and the Bible being used as a tool to counter Satan and his ways in an extremely simplistic way.
Amo, Amas, Amat, Amamus, Amatis, Amant – remember your Latin from school? The 'ablative absolute' and the 'ut' clause (use the subjunctive). Quamquam. This film also throws in some Latin and I'm glad to hear it. It takes the viewer back to a time sadly long gone as we hear schoolgirls reciting the verb 'Amo' – to love. The day will come when a generation will watch this film and not understand what language it is.
The cast are OK with Jean Brooks standing out. Her look suggests she is leader of the occult movement rather than a victim of it. And all of her scenes are quality – some genuinely scary, and all unworldly because of her appearance. That ending with the neighbour comes as a shock and leaves an eerie memory that will have you thinking about how we view life. It's an interesting film and sad.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- La séptima víctima
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 11 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was La settima vittima (1943) officially released in India in English?
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