I prigionieri dell'oceano

"Lifeboat" is an excellent film. It is a great achievement by Alfred Hitchcock that he could create a film set on only a lifeboat interesting for its duration. Hitchcock had a knack for experimental films, such as "Rope", which seems to be one continuous shot, and "Rear Window", which features one small apartment and a man in a wheel chair. With so little, he is always able to do so much.

In "Lifeboat", we start out with the sinking of a ship and people gathering on the lifeboat. It's really that simple. This is a character driven film. There are no lush chase sequences, there are no gunfights, there is no mystery. Nope, its all about how this collection of characters interact with each other. Its a study of how difference of opinion can creat tensions, and how people can deal with those tensions. Its really fascinating to watch, and when its all said and done, you get the impression that it wasn't just an experiment, but that it had something to say, and it did.

The only slight flaw in the film is that we don't really get a sense of how long(exactly)they've been at sea. I "Cast Away" we saw Tom Hanks lost a considerable amount of weight and grow a considerable amount of hair. Well, that is the one thing you don't see with this movie. Its really a minor quibble anyway because it doesn't diminish the entertainment value at all.

Hitchcock was the master of suspense, but he was never afraid to try other things, from screwball comedy(Mr. and Mrs.Smith) to psychological thrillers(Vertigo). This film is definitely one of his best and most interesting experiments. 9 out of 10.

Hitchcock made a lot of great films, many of which have been met with the acclaim that they rightly deserve. Lifeboat deserves a lot of acclaim, yet its lesser-known status doesn't allow justice in that respect. This film represents one of Hitchcock's major successes in scene setting and drawing the audience into the story. The way that Hitchcock uses his camera aboard the lifeboat is amazing, as by keeping the action on the claustrophobic craft, the great director ensures that his audience is always plugged into the plight of his characters; which helps the film no end when it comes to the story, as we know their situation at all times. In fact, it's amazing just how well Hitchcock does do this; while they were starving, I was too! The plot is simple, yet a great base for a wartime thriller. We follow the surviving members of a crew from a ship that was bombed by a German U-Boat. They're crammed onto a small lifeboat, but there's one survivor that isn't quite welcome. His name is Willy, and he's a survivor of the U-Boat that sank the ill-fated ship.

Given the time when this was made (towards the end of World War 2), it's hardly surprising that it's filled with propaganda. Usually, this annoys me; but here it's done really well, and the propaganda is actually worked into the story instead of just being there to rally the allied population at the time. Hitchcock turns this into a twist, and the way that he parodies the war on the whole on just a small lifeboat in the middle of the big ocean is great. The entire film takes place on just one single set. The action never leaves the lifeboat (aside from to pan around the surrounding area), but Hitchcock uses this to his advantage. The lack of locations really enforces the crew's isolation. The acting is melodramatic in typical forties fashion; but all of the cast members do well in their roles. Tallulah Bankhead takes the lead role and really is the linchpin of the movie. She is joined by the likes of William Bendix, Walter Slezak and John Hodiak, who give great turns despite not being A-class actors. Overall, this is a Hitchcock film that I would say is just as important to see as the likes of Rear Window and Strangers on a Train. This is Hitchcock at his best, and the film is a great ninety-five minutes to boot. Don't miss this one!

One of the things that made Hitchcock great was his willingness to experiment, rather than just sticking with a proven formula all of the time. While not all of his experimental movies measure up to his greatest achievements, they're always worth watching, and "Lifeboat" is much more than just watchable. It's a tense drama that combines psychology and action in an efficient and memorable style.

This is quite an interesting movie in several respects, and not least for the ways that Hitchcock squeezes so much out of one single setting. Into the simple "Lifeboat" setting, he puts lots of details that are both interesting and appropriate. The characters are interesting and believable, and most of all, the story is full of both suspense and substance. As an extra bonus, there is one of Hitchcock's most creative cameo appearances.

Aside from the technical features, it is also noteworthy to see the ways that the characters are portrayed, with the contrasts among them perhaps a bit stylized at times, but done so as to make some important points. The cast does a good job in making each of the characters come to life, and all of them get a chance to have some good moments. It all fits together to make an unusual movie that is well worth watching.

'Lifeboat' must be extremely high on the list of THE most underrated Alfred Hitchcock movies! I very rarely hear anyone talk about this little gem, which is a damn shame as it is as good as many of Hitch's better known films. The plot is simple but the film makes the most of it with inventive direction, a strong script, and an interesting ensemble cast, most of whom are very good. I believe that Tallulah Bankhead irritates many people but I thought she was effective enough and well cast. I must say I was much more interested in Walter Slezak who played the Nazi and John Hodiak the tattooed tough guy. Both were excellent performances that really added to my enjoyment of the movie. Anybody who likes Hitchcock who hasn't seen 'Lifeboat' is in for a treat. Don't overlook this one. It's dated in some ways sure, but still much more entertaining than 90% of today's so-called thrillers. I strongly recommend it.

Ms. Bankhead's performance is amazing in this compelling film. In the first scene we are shown astounding destruction at sea from a capsized ship until the camera pans over to a lifeboat where the lone, well-coiffured, mink-draped, all made-up Tallulah is sitting, cross-legged, smoking a cigarette. Then we are shown a close-up of her leg. There's a run in her stocking! She looks more annoyed at that than all the carnage surrounding her! Later on, with more survivors on board and in danger of starving, she worries about how she looks and applies more lipstick! Oh Darling! This is classic cinema and one of the few films of this great lady (she was mostly on stage). John Hodiak (very handsome) is her enemy (at first), while Walter Slezak, Hume Cronin, William Bendix and the others ably support. An astonishing Alfred Hitchcock film.