VALUTAZIONE IMDb
6,0/10
396
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTeen Sherry Williams dreams of a singing career and idolizes her sister Josephine, who performs in New York. Encouraged by false stories about her sister from a Broadway producer. when Sherr... Leggi tuttoTeen Sherry Williams dreams of a singing career and idolizes her sister Josephine, who performs in New York. Encouraged by false stories about her sister from a Broadway producer. when Sherry pays a surprise visit to New York.Teen Sherry Williams dreams of a singing career and idolizes her sister Josephine, who performs in New York. Encouraged by false stories about her sister from a Broadway producer. when Sherry pays a surprise visit to New York.
- Regia
- Sceneggiatura
- Star
Sunny Burkette
- Cathy Gahagan
- (non citato nei titoli originali)
Chester Conklin
- Passerby at Burlesque Theatre
- (non citato nei titoli originali)
Mike Donovan
- Burlesque House Patron
- (non citato nei titoli originali)
Christian Drake
- Jimmy Burns
- (non citato nei titoli originali)
Edward Earle
- Roberts - Butler
- (non citato nei titoli originali)
Bess Flowers
- Mrs. Hopkins
- (non citato nei titoli originali)
Jack Gargan
- Burlesque House Patron
- (non citato nei titoli originali)
Eddie Hall
- Marine Sergeant Dancing with Jo
- (non citato nei titoli originali)
Earle Hodgins
- Burlesque Barker
- (non citato nei titoli originali)
Recensioni in evidenza
This light musical is solid if nothing special, with a story, characters, and production that are all about average overall. The cast is probably the strongest part if it, with a young Jane Powell in the lead role.
The story concerns two sisters and their dreams of a career in show business. As the younger of the two, Powell's character wants to be a singer, and Powell is given several opportunities to perform. As her sister, Constance Moore has a simpler role, but she fulfills it adequately. Ralph Bellamy probably gives the best performance, and he is well-cast as a well-meaning, slightly befuddled Broadway producer. Arthur Treacher also pitches in playing Bellamy's butler.
Most of the rest of it is rather plain, although there are no real flaws. The story is purely lightweight, but it has enough to keep you watching, and the characters are just believable enough to make you care about them.
The story concerns two sisters and their dreams of a career in show business. As the younger of the two, Powell's character wants to be a singer, and Powell is given several opportunities to perform. As her sister, Constance Moore has a simpler role, but she fulfills it adequately. Ralph Bellamy probably gives the best performance, and he is well-cast as a well-meaning, slightly befuddled Broadway producer. Arthur Treacher also pitches in playing Bellamy's butler.
Most of the rest of it is rather plain, although there are no real flaws. The story is purely lightweight, but it has enough to keep you watching, and the characters are just believable enough to make you care about them.
Poor plot, dire music, amateurish dancing, but surprisingly likable overall! The screenplay is quite witty and the acting in the minor parts is excellent. Better directed and photographed than most musicals of this type the time passes quite nicely. Watch for amusing cameos by stalwarts Arthur Treacher and Louise Beavers. There are a number of glaring inconsistencies and holes in the plot. Morton Gould, surely the least charismatic band leader ever to star in and write the music for a musical, plays just the sort of dull symphonic schmaltz that is apparently holding back the prospects of Arthur Hale's new production, while Josephine's shocking burlesque act shows a great deal less leg than her interminable number in a legitimate play at the end of the film.
15-year-old Sherry Williams (Jane Powell) attends a private all-girls music school. She's very proud of her older sister Josephine (Constance Moore) whom Sherry believes is a very famous concert singer. Sherry heads to the city to track down her sister, only to learn that she's actually a burlesque queen known as "Bubbles Barton". Sherry's image of her sister is shattered, and Josephine and friend Arthur Hale (Ralph Bellamy) try to smooth things over. Also featuring Arthur Treacher, Louise Beavers, Ruth Tobey, and Morton Gould & His Orchestra.
This was the second film appearance for teen singing star Powell, and her first in a fictional role (she'd played herself in 1944's Song of the Open Road). She's cute and has screen presence, but she's also a bit rough, acting-wise, overdoing several scenes. But perhaps that was intended, as she's an emotional teenager. The songs are passable, if unmemorable. The burlesque setting, and some of the racy dialogue, shows that the production code boundaries were being pushed against, if ever so gently.
This was the second film appearance for teen singing star Powell, and her first in a fictional role (she'd played herself in 1944's Song of the Open Road). She's cute and has screen presence, but she's also a bit rough, acting-wise, overdoing several scenes. But perhaps that was intended, as she's an emotional teenager. The songs are passable, if unmemorable. The burlesque setting, and some of the racy dialogue, shows that the production code boundaries were being pushed against, if ever so gently.
Jane Powell thinks her sister, Constance Moore, is starring on Broadway. Producer Ralph Bellamy confirms this to her classmates at her posh school. When she goes to New York to visit, she discovers the truth: Miss Moore is starring in burlesque. Meanwhile, Bellamy is unable to cast his new show, a swing version of Strauss as arranged by Morton Gould.
Except for the burlesque connection -- alas, the camera cuts away before we get to see the good stuff -- this looks a lot like a Deanna Durbin musical from the late 1930s, with Miss Powell standing in for Miss Durbin. Miss Powell gets to sing a number of songs in a variety of styles, and Miss Moore cuts loose a couple of time, especially with the big finale, which is a lot of fun; the staging suggests R. Strauss' DIE FLEDERMAUS more than Johann Strauss, but that's fine. Miss Powell shortly went to MGM, where she played this sort of role for several years; Miss Moore appeared in several movies for a couple more years, often in a specialty number; and Bellamy made one more movie that year, then was not seen on the big screen for a decade.
It's the type of story that was often done better for Miss Durbin, and clearly didn't serve anyone's career. Director Arthur Lubin stages the musical numbers pretty stodgily; even if they are set in a theater stage or where Morton Gould's orchestra is playing, there's little sense of the visual fantasy that most movie musicals provided.
Except for the burlesque connection -- alas, the camera cuts away before we get to see the good stuff -- this looks a lot like a Deanna Durbin musical from the late 1930s, with Miss Powell standing in for Miss Durbin. Miss Powell gets to sing a number of songs in a variety of styles, and Miss Moore cuts loose a couple of time, especially with the big finale, which is a lot of fun; the staging suggests R. Strauss' DIE FLEDERMAUS more than Johann Strauss, but that's fine. Miss Powell shortly went to MGM, where she played this sort of role for several years; Miss Moore appeared in several movies for a couple more years, often in a specialty number; and Bellamy made one more movie that year, then was not seen on the big screen for a decade.
It's the type of story that was often done better for Miss Durbin, and clearly didn't serve anyone's career. Director Arthur Lubin stages the musical numbers pretty stodgily; even if they are set in a theater stage or where Morton Gould's orchestra is playing, there's little sense of the visual fantasy that most movie musicals provided.
Lo sapevi?
- QuizJane Powell wrote in her memoirs that Ralph Bellamy "said time and time again, 'That was the worst movie I ever made.' And I'm inclined to agree... I didn't know it wasn't a good film. I had a good time making it." Powell says Morton Gould was "miserable" during filming because he had never made a movie before and was very self conscious.
- ConnessioniEdited into Your Afternoon Movie: Delightfully Dangerous (2023)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Delightfully Dangerous
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 875.000 USD (previsto)
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Proporzioni
- 1.37 : 1
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