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13 Rue Madeleine (1947)

This movie starts slowly and gets gradually better as it goes, until a gripping final half hour and a shocking, dramatic ending. So it's worth the ride, and worth seeing James Cagney who is at the top of his game here (he is about to make his masterpiece, White Heat, after 15 years of gangster portrayals.) Of course here his tough guy persona is put to use for the good of us all, a patriot training a group of high level war time spies. The Nazis are brutal, and World War II is unrelenting, so even this highly skilled people die. It's a reminder how tragic the war was. It is made to be exciting and even fascinating, but most of all dangerous.

Though purely fiction, for legal reasons (the pre-CIA OSS spy organization didn't want too much revealed in the movie), the filming is meant to seem realistic in a documentary way, and it begins with an authoritative voice-over and what looks like some vintage footage. This "information" is given for too long a time, and if you are not a war expert, or even know what WWII was all about, this will be too gripping. But eventually the leads all start to take on real roles, and they move from their training in the U.S. (it was filmed in Quebec City, actually), to behind enemy lines. This is then really great stuff.

Director Henry Hathaway followed this same format (even with the title) in the 1945 The House on 92nd Street and it has some of the same flaws, and the same kind of superb second half. And a year later he did a third in the same mode, Call Northside 777. It was a successful formula for a public learning about its own federal level spy and police forces, Hathaway was a really good director, and we all wish he had taken these films in the direction of Kiss of Death, which is a gem, but he didn't, probably because of producers with ideas of their own, and so we have this trio of offbeat films with only parts that are amazing. Which isn't so bad.

O.S.S. agents are in training for work behind enemy lines in WWII. Upon receiving his latest batch of trainees, training leader Bob Sharkey is informed one of the rookies is actually a German mole. Letting the mole continue thinking he is undetected, Sharkey feeds the mole false information about important upcoming operations. But as Sharkey arranges his agents missions, and that of the mole, things go wrong and Sharkey himself must go into occupied France and risk the wrath of the Gestapo at 13 Rue Madeleine.

13 Rue Madeleine is a very efficient and enjoyable War/Spy/Thriller, it's directed by multi genre helmsman Henry Hathaway and stars acting legend James Cagney as Sharkey. Tho playing a tough guy, this is quite far removed from the sort of roles that defined Cagney's career, he's ably supported by Richard Conte and Walter Abel, but in all honesty it's Cagney's film all the way. As many other reviewers have mentioned, the majority of the picture feels like a documentary, or more a sort of public service explanation on the History Channel, not a bad thing exactly, but the dulcet narration is something I personally could have done without. However once the picture nicely turns its attention to the crucial mission, things start heating up and the film becomes a film in the truer sense of the word. We are fully engaged with the central characters having been with them thru Sharkey's training school, and as the (fabulous) ending draws closer, it's hoped that the majority of viewers are as involved with the plot as I personally was. Because then when the end does come, it impacts the way the makers hoped it would.

A very commendable picture and certainly recommended to fans of Cagney, Conte and this type of movie. 7/10

It gets off to a terrible start. An off-screen narrator, in a strict, authoritarian tone, announces to us lowly viewers that the film is a "tribute to the accomplishments by the U.S. Army Intelligence in WWII". Beyond this dreadful introduction, however, a credible story about American espionage, wrapped in a high quality cinematic package, provides viewers with a worthwhile payoff.

Bob Sharkey (James Cagney) trains young men and women to be American secret agents. These "077 candidates" go through tough physical and mental tests. Candidates who succeed are then sent on military intelligence assignments overseas. But one of those being trained by Sharkey is a German mole, working for Hitler.

In the film's first half, Sharkey finds the mole. The second half plot follows Sharkey's efforts both to deactivate the mole, and to find a man named Duclois, the builder of a German rocket depot, a facility constructed to launch bombs against England, and located in Nazi-occupied France. The mole, headquartered in an imposing building at 13 Rue Madeleine in the French port city of Le Havre, cleverly makes Sharkey's double mission difficult. And the film ends with a riveting climax that is surprisingly realistic for a 1940's film.

Cagney gives a really good performance. The film's screenplay allows for sufficient character development, unusual for WWII films. And with tight editing, the plot zips along at a fast pace, covering a lot of story material, so that viewers need to pay attention or risk missing important plot details.

Except for that awful prologue, everything about "13 Rue Madeleine" is high quality: the costumes, the dialogue, the B&W cinematography, and especially the acting and the editing. Director Henry Hathaway even uses authentic locales, further elevating the film's overall quality.

As a WWII espionage thriller, I cannot think of a better film than "13 Rue Madeleine".

I liked this movie. The plot concerns James Cagney as an OSS Type agent (I believed that for some reason the producers of this movie could not actually reference the term OSS). Cagney is one of the chief instructors in a US spy school (all the action happens in World War Two). Cagney finds out there is a top German agent going through this school. Cagney decides to let the German agent finished the training course and let him (German agent) parachute into occupied France (so the enemy agent will give the Germans false information). All this happens shortly before D-Day. However, the operation goes sour and Cagney has to parachute in to try to save the day.

I won't comment anymore on the plot as to not spoil the movie.

Probably the best World War Two spy/counterspy movies I have seen. I rate it high marks, very high marks indeed.

Very interesting war drama starring James Cagney as a secret agent that has to infiltrate Nazi headquarters and double cross an enemy spy that has slipped into his own unit. The discovery of a German missile site location is the main objective. Cagney is air lifted into France and has trouble convincing French freedom fighters that he is there to loosen the Nazi strangle hold.

The cast is full of fine players: Richard Conte, Sam Jaffe, E.G. Marshall, Red Buttons, Karl Malden, Roland Winters and the lovely Annabella.

A great black and white flick evocative of the 40s. Catch it on AMC.