La scala a chiocciola

This is a terrific thriller, made just the way that thrillers should be done, with nicely crafted tension, atmospheric setting, and plenty of strange and mysterious characters. Adding in the excellent leading performance by Dorothy McGuire makes it a top-notch picture.

From the very beginning, the suspense begins to build, while at the same time McGuire's character Helen immediately attracts and holds the audience's concern and sympathy. The combination works very well, and while you're never sure what else is going on, or which of the other characters can be trusted, you know that Helen is in danger and that you care about her.

The rest of the cast are all nicely matched with their characters, and do a fine job of bringing them to life. Some of the plot developments probably would prove somewhat implausible if analyzed carefully, but the story and atmosphere are crafted so effectively that you never notice while watching.

Anyone who enjoys classic thrillers should make sure to see "The Spiral Staircase".

In the beginning of the Twentieth Century, a serial-killer is terrorizing a small town, killing women with imperfections. In the Warren manor, the mute servant Helen (Dorothy McGuire) nurses Mrs. Warren (Ethel Barrymore) who is terminal in bed. The newcomer Dr. Parry (Kent Smith) falls in love for Helen and has the intention to take her to specialists in Boston for treatment for recovering her voice and marry her. When the reckless Steve Warren (Gordon Oliver) arrives from Europe, he stays in the mansion with his mother and his stepbrother Professor Albert Warren (George Brent) and has a brief affair with Albert's assistant Blanche (Rhonda Fleming). When a crippled woman is killed in the town, Mrs. Warren advises Helen to leave the house immediately since she is in danger. When a murder occurs in the mansion, Helen does not know who is trustful to help her to call Dr. Parry to rescue her.

"The Spiral Staircase" is a suspenseful stylish movie, with a magnificent black and white cinematography that follows the German Expressionism and wonderful set decoration in Victorian style. It is impressive the use of shadows and lights in many unforgettable scenes, like for example Blanche in the basement or Helen in the spiral staircase. The beginning is an awesome tribute to the earlier days of the cinema. The performances are excellent and it is impossible to individually highlight any actor or actress. The plot keeps the tension until the very end in this great movie. My vote is eight.

Title (Brazil): "Silêncio nas Trevas" ("Silence in the Darkness")

The Spiral Staircase is one of the most eerie and atmospheric films that I have ever had the pleasure of seeing. The entire movie gives off a sense of malice throughout, and the use of music here is some of the best I've ever seen in a movie. The film's plot follows a series of murders, of which all the victims are people with imperfections. Our hero is Helen; a young mute girl that works as a nurse for Mrs Warren, an old lady that lives in a big house. Aside from the old lady, also living in the house are her two sons; Albert and Steven, along with a few other people such as the maid. As the murders are being committed on imperfect women, the old lady becomes concerned for her mute nurse and begs her to leave. When another murder is committed in the house, the danger that the young girl is in becomes more apparent.

The first thing you will notice about this hidden gem is it's striking cinematography and lush settings. The film is very Gothic, and that gives it a very foreboding atmosphere. This is without doubt the best things about the film; in a dark thriller such as this, the atmosphere is always important, and as I said; this film has plenty. The film also features a lot of intrigue. As it has many characters that could be suspects, it leaves you guessing. Playing it's cards very close to it's chest, we don't find out who is the murderer until the very last minute.

The cast of The Spiral Staircase don't excel individually, but they come together very well as an ensemble. Most of them would never make another notable movie, although the majority have rather large filmographies. Robert Siodmak takes the directors chair, and he should be commended for his work. His use of the camera is excellent; the film features numerous close-ups, and when coupled with the haunting music; it makes for a great eeriness. There is one sequence in particular where the killer is watching his would-be victim from some bushes in the rain, and that with the haunting music in the background is altogether one of the most frightening sequences ever filmed. Cinematic perfection.

It's 1916 and a rash of women being killed who are 'imperfect' in the eyes of the killer whomever it is have both Dr. Kent Smith and bedridden dowager Ethel Barrymore concerned for the life of Dorothy McGuire, a beautiful, but mute servant girl in her house.

There's not much mystery to this film, it's not hard to guess the identity of the perpetrator, given the limited number in the cast. But The Spiral Staircase is one of the most atmospheric films ever done. Director Robert Siodmark made terrific use of the Victorian era set of the Warren house where 90% of the film is done. The centerpiece of course being The Spiral Staircase.

Two years before a deaf mute act won Jane Wyman an Academy Award, a lot of people, me included, felt Dorothy McGuire should have at least gotten a nomination for her role. She conveys so much in her portrayal, the meekness of her character and the gradual overwhelming fear that takes over her as she senses danger. Worse even when she fixes on the wrong individual as her menace.

Ethel Barrymore got an Academy Award nomination for Best Supporting Actress as the crotchety old woman who was in McGuire's keeping. But Ethel had won the same Oscar back in 1944 for None But The Lonely Heart. She lost in the finals to Anne Baxter for The Razor's Edge.

George Brent, Gordon Oliver, Rhys Williams, Rhonda Fleming, and Elsa Lanchester round out a good cast in one of the best atmospheric thrillers ever put on film.

THE SPIRAL STAIRCASE is one of the best known in the "old dark house" genre. These films typically feature a disparate group of characters who inevitably find themselves alone and trapped within a huge, rambling and spooky old house on the night of a storm, with a killer amongst them. What's notable about this outing is just how stylish it is: the story is nothing special, but the style makes it.

The story features a black-gloved killer (complete with POV shots) who hides in wardrobes and stalks his young, female victims and strangles them. In one of the movie's most infamous shots, the viewer sees a victim from the killer's point of view, and she's missing her mouth; symptomatic of his disturbed mind, and highly eerie with it. The whodunit aspect of the storyline is played up strongly, with some red herrings thrown into the mix, although it's pretty easy for a modern viewer to guess the identity of the murderer.

THE SPIRAL STAIRCASE features some decent performances, particularly from Dorothy McGuire, playing (unusually) a leading role as a mute. That the viewer becomes accustomed to her muteness and, eventually, even forgets about it is testament to her performance. Elsewhere in the cast, there's a barnstorming turn from grand old dame Ethel Barrymore who rules the roost from her deathbed, and a nicely comic performance from the BRIDE OF FRANKENSTEIN herself, Elsa Lanchester, as a drunk cook.

In the end, the film works because of the visual flourishes. As in a film noir, there's a lot of creeping about in the shadows, and silhouettes of various things and people play a big part. The emphasis on a deranged killer is a neat precursor to the later gialli and slasher films of the '70s and '80s, and there's little padding on the bare bones of the narrative. It's a good 'un.