Cinzia

ELIZABETH TAYLOR's fans are really the only ones who will find any reason to watch CYNTHIA, a sugar-coated confection about a sickly girl churned out by MGM for the fast developing teen who was turning into a woman almost overnight.

Here, at fifteen, she's still got a lot of her girlish charm, exhibits a modest singing voice (is that her???), and portrays a girl who's so fragile that her parents hold her back from doing anything more strenuous than going to the corner store.

Ironically, it foretells Liz's own lifelong struggle with illness. GEORGE MURPHY and MARY ASTOR are her rather stern but loving parents and JIMMY LYDON is the boyfriend who gives Taylor her first screen kiss. S.Z. SAKALL is her encouraging music teacher.

It's all very downbeat without a sense of humor, too straightforward in the telling for its own good. Unimaginative and more of a B-film than anything else.

If the one-sentence synopsis, "A sickly teenager wishes more than anything to be allowed to perform in the school play," doesn't grab you, don't pay it any attention. Watch Cynthia anyway. It's a delightful gem from Elizabeth Taylor's younger days, even earlier than Little Women! And speaking of Little Women, Mary Astor plays Liz's mother in this film as well. George Murphy plays her father, and S.Z. Sakall rounds out the cast as the school's lovable theater director.

At the start of the film, Mary and George are shown young and in love, and their adorable romance quickly blossoms into marriage. They have grand plans to live in Vienna and study music and medicine, but when Mary gets pregnant, their plans go on hold temporarily. Fifteen years later, they're stuck in the same small town, renting a house they can't afford, struggling to pay their daughter's outrageous doctor's bills on a one-income salary from George's work in a hardware store. The parents' part of the film is actually quite sad, as you feel their disappointment as well as their guilt whenever they resent their lost dreams. Both George and Mary give wonderful performances.

Because George and Mary are so three-dimensional, it's difficult to call Liz the gem of the film, but she really is. She's so delightful, innocent, charming, passionate, and frail, culminating in such a captivating performance it's absolutely impossible not to love her. And since it's so impossible not to love her, you understand why George bows and scrapes to his boss as well as his brother-in-law, the greedy Gene Lockhart who treats Liz during her countless illnesses. You understand every part of Mary's behavior, as she embodies every mother's journey in raising a teenaged daughter. In one scene, Liz comes home from her first date. Mary wants to revel in her daughter's happiness, but she also tries to instill responsibility, like taking better care of her dress or soaking in a hot bath so she won't catch cold.

Every part of this movie is a joy to watch, from the cute to the tragic. You'll reach for your handkerchief from time to time, and if you watch this with your kids or parents, you'll cry even more. Everyone gives strong performances, and I'm sure you'll find your favorite moments as I have. At the heart of it all is Elizabeth Taylor, so beautiful and yet so innocent and fresh, even though it's impossible she ever felt what her character went through in real life. How could the gorgeous Elizabeth Taylor know what it felt like to be ignored by all the boys in school, and then the thrilling joy at being allowed to go to her first dance? It's called acting, and she does it beautifully.

Elizabeth Taylor seemed to go almost overnight in films from child to voluptuous young woman. But in this nice low-budget (for MGM) movie, made when she was 15 at most, there is something of the sweetly awkward colt about her, in the title role. There are scenes in which she sort of oscillates between childhood and adulthood--the visual equivalent of an adolescent's voice cracking--and it was in this movie that she got her first screen kiss (from an engaging James Lydon).

It's a bittersweet movie, about the deferrals and compromises that one has to make in life--the parents who don't continue their higher education, the soldier who resumes his, the refugee professor. As Cynthia's mother, Mary Astor brings her usual warmth and common sense, and there are vague echoes of her questing, yearning character in "Dodsworth." Cynthia's illness is used as something of a metaphor for domestic discontent, and in view of Taylor's chronic health problems is a little unsettling in retrospect.

Elizabeth Taylor in the title role plays an overprotected 15-year-old who has lengthy bouts of illnesses seemingly due to a compromised immune system. She yearns to do normal teenage activities, but keeps having these setbacks related to her illness that constantly worry her parents (played by George Murphy and Mary Astor) and her doctor uncle (played by Gene Lockhart). Their strategy to prevent the illnesses from happening is to isolate her from her friends at school, have her come straight home, and forbid her from participating in school activities. Of course Cynthia is not going to be a wallflower forever, because this is a young Elizabeth Taylor here and the one thing she does not suffer from, even at 15, is awkward teenager syndrome compared to most. Noticing this right away is Ricky Latham (played by Jimmy Lydon, who was not the Zac Efron of the 40's, but somehow managed to play Taylor's love interest in "Life with Father" as well), who looks past the sicknesses and sees a beautiful, smart, charismatic young girl that just needs to get out of the house. Noticing this as well with jealousy is her cousin Fredonia (played by Carol Brannan), who has eyes on Ricky also, despite the fact she has a boyfriend of her own. Eventually, Cynthia's mother realizes that babying her will never teach her to overcome her problems, and hatches a plan with her daughter to get her to the Prom without Dad and Uncle knowing. Elizabeth Taylor shows her acting is beyond the capabilities of most other teenage actors of her day, but still displays the girlish charm of someone coming into her own. The movie has a fair amount of fretting and whining, but it does come out of it with some fine comedic scenes throughout the film and underrated performances from the supporting cast.

"Cynthia" is a must enjoyable and unusual film...and it gives you a chance to see Elizabeth Taylor receive her first onscreen kiss!

When the story begins, Larry and Louise (George Murphy and Mary Astor) fall in love and marry...and have so many wonderful dreams for their future. Sadly, however, they soon have a child...and the child is sickly. As Cynthia (Taylor) grows, her over-protective homelife begins to take its toll. Her uncle is a doctor and he insists on Cynthia living a very sheltered life...and Larry insists that they do whatever his brother-in-law says....even though he and his family are jerks. As for Louise, she is beginning to realize the damage being done to her daughter...as she's in high school and shouldn't miss the things normal kids do. Additionally, she is tired of seeing her husband behaving so spinelessly with his boss and brother-in-law...which creates a schism in the marriage. What's to come of all this? See the film.

"Cynthia" is a great example of the sort of sweet family picture MGM could make during its heyday. Excellent acting, music, direction and a sweet story elevate this 'average' film for the studio into something special.

By the way, IMDB noted it and I was surprised too to see Spring Byington playing a rather hateful person....quite unusual.