Kentucky

Tarnation, that Loretta Young is a mighty purty filly, and she darn near always wears a fetchin' ribbon, or sprig o' ivy, in her hair t' show off this here newfangled Technicolor process, y'all. But warn't thar a War Between the States? No'm. Tha's why ya still got yer two kinds o' nigra. First, thar's yer field nigra -- when he's not happy 'n' singin' like a chil', he's lazy 'n' stealin'. Then thar's yer house nigras -- a right reg'lar passel o' Uncle Toms 'n' Aunt Jemimas.

Surely this is not intended to represent the reality of Kentucky in 1938? Which century is this supposed to be? Blacks in the '30's had good reason to be concerned about how they were portrayed in Hollywood films. Then there's the whole silliness of the film's basic premise -- feudin', mansion-dwelling, horse-breeding aristocrats. And I certainly don't want to hear "My Old Kentucky Home" again any time soon.

In spite of everything, this corn pone still managed to make for an entertaining horseracing yarn however. Yes'm, it did.

Moroni Olsen plays his usual stalwart patriarch, and Walter Brennan is convincingly cussed 'n' ornery.

There is an unusual documentary sequence in mid-film showing and extolling the great racehorses of Kentucky, Man-O'-War included. And all in glorious early Technicolor.

Directed by David Butler, it tells the story of two families who held a hatred for generations: the Goodwins and the Dillons. The niece of the former and the son of the latter are united by the love of horse racing, they try to erase the past between their relatives but they do not succeed, generating a dispute with the heads of each house.

At least that's the idea, but reading reviews I found myself in the same situation as everyone. I thought it was a love story with a lot of drama and it ended up being a horse racing movie with an incoherent secondary romance.

It is entertaining and passes fast but it does not mean that its focus is unclear. The characters that should have been the main characters, Loretta Young and Richard Greene, were very flat, especially the first one which seems to always be in the same mood despite all the misfortunes that happen to her during. Both their relationship and the outcome of the betrayal unravel and it is not understood what Greene did wrong or what Loretta did not really know. Undoubtedly the one who knew how to take advantage of it and take over the screen was Walter Brennan, who with his stubborn and curmudgeonly character becomes the funniest, most dynamic and natural part of the film. This role was his second win at the Oscars in 1939 for 'Best Supporting Actor', deserved.

Loretta Young, Richard Greene and Walter Brennan star in "Kentucky," a 1938 film about a longstanding dispute between two families, horses and the Kentucky Derby. Well directed by David Butler, the film was made in beautiful color.

The film begins during the Civil War, when young Peter watches as the Yankees take the thoroughbred horses from the Goodwin farm and kill his father when he tries to stop them. He never forgets that the Yankee Dillon family is responsible and 75 years later (as Walter Brennan) still hasn't forgiven them. Now in his 80s, he lives with his son, his wife and daughter on the farm where they train and breed thoroughbreds. The farm is in trouble, and when his son can't get a loan from the bank (presided over by his Dillon contemporary), he dies, leaving Sally (Young) his heir. Everything is sold off except for one horse, which is ruined for racing one night when Sally has to ride in the rain to get a doctor for her mother - the road is blocked by a tree so she can't drive. However, due to a bet Dillon and Goodwin made, Dillon has written a note offering any two-year old on his farm to Goodwin. Sally claims the horse for her father, a horse chosen by Uncle Peter. The younger Dillon (Greene), angry with his family, gives Sally a false name and offers to train the horse for her. The two fall in love.

Were it not for World War II, Richard Greene today might be on the list of stars of the classic era. He was getting the star buildup by 20th Century Fox and would have been a rival for Tyrone Power, but when war broke out in England, he returned to serve his country, losing all his career momentum. With his wavy black hair, widow's peak and dazzling smile, the handsome Greene resembles Robert Taylor in this film and is a good pairing with the beautiful Loretta Young. The great performance comes from Walter Brennan. Someone posted that he was 38 playing a man in his 60s. No, he wasn't. The film clearly states that it's 75 years since the Civil War, making Uncle Peter, who was about 10 when the soldiers arrived, nearer to 85. Brennan pulls it off. He won an Oscar for his performance. The film boasts some exciting racing scenes as well as a good story.

Brennan gives a great performance, and the romantic stars are attractive, but the true stars of "Kentucky" are the most magnificent horses you've ever seen. Although the trivia section of IMDb doesn't state it, those horses must have come from some thoroughbred farm. It's not only horses, but beautiful foals and colts. If you like horses, this movie is a no-miss. The animals are jaw-dropping, even better looking than Richard Greene and Loretta Young.

The Yankee ransacking prelude more or less spells out the eventuality that years later Young is going to fall for Greene and that their respective families are going to trample the path of true love. Quite literally, as the updated story is now played out against a bluegrass background.

Get yourself into Hollywood mode and dispense with the logistics of script and story, and instead enjoy everything else. The performances, even though they embody strictly cliché and (predictably racial) caricature, are still marvellous for those who love a Fox-style wallow - Brennan won that year's Best Supporting Actor Oscar. The film is generally well and pacily edited, and the racing sequences are particularly exciting.

The real star of this show though, for me, was the sublime photography which I can honestly say offered the most richest and well-preserved example of pre-40s 3-strip Technicolor I have so far seen. Even after more than 50 years, its luminescence (at least in this Channel 4 print) was breathtakingly striking and full of lustre, with yellow in particular registering far more strongly than I have previously seen in a 30s Technicolor movie, and natural outdoor verdance looking as if it had been sprayed with kiwi fruit dye. No doubt deployed deliberately to enhance the otherwise routine nature of the story, it would still take a considerable kick of horsepower to elevate the film to the grandeur of, say, 'Gone With The Wind', to which it bears more than a passing dramatic resemblance.

Kentucky (1938)

*** (out of 4)

Fun film involves two horse racing families from Kentucky who have been doing battle since the start of the Civil War and it continues to the current times. Eventually opposite family members Loretta Young and Richard Greene fall in love just as the Kentucky Derby comes around where Greene tries to prove himself as a horse trainer. I was surprised to see how enjoyable thing film was and one of the big benefits is the Technicolor used in the film. These early Technicolor films are often hit and miss on how well they look but this film here is quite beautiful to look at. It's certainly one of the best looking early Technicolor films that I've seen from this period. Another nice thing are the performances, which are all a lot of fun. Neither Young nor Greene speak with a southern accent, although the screenplay gives a reason for Greene not doing so. Even with the accents being wrong, both work incredibly well together and this here helps the love story (and the fighting moments). Walter Brennan won the Best Supporting Actor Oscar and he gives a fun, if over the top, performance. His redneck antics are pretty over the top but it's still fun and keeps the film moving with some nice laughs. Being from Kentucky it was great seeing how Churchill Downs looked back then as well. The stereotypes of the black servants in the film might offend some as they all come off rather dumb but so do the Southern characters.