The House of Fear

Theatre actor John Woodford (Donald Douglas) dies suddenly while on stage, and his body mysteriously goes missing shortly thereafter. The actor's ghost is rumoured to haunt the theatre, and the place closes down.

To try and solve the mystery, police detective McHugh (William Gargan) poses as a producer who wants to reopen the theatre, putting on Woodford's last play, 'Dangerous Currents', with the same cast members.

Mysterious notes, purportedly written by Woodford, warn the cast not to go ahead with the play, and leading man Carleton (Walter Woolf King) is found dead. The play goes ahead, however, McHugh determined to catch the killer.

A creaky whodunit with plenty of suspects, The House of Fear is like a live-action Scooby Doo episode, with the detective discovering clues along the way that help him to solve the crime. And like a Scooby Doo episode, any seemingly supernatural occurrences are explained away, with the villain chased, caught and unmasked in the final act, an outpouring of convoluted exposition explaining their motive and modus operandi.

It's all a bit too talky to be wholly entertaining, but at just over an hour, the pace is fairly brisk and there are some fun performances (Dorothy Arnold is great as gold-digger actress Gloria DeVere), although the obligatory comic relief -- El Brendel as stagehand Jeff -- is thoroughly irritating.

After an actor is killed during the middle of a play the theatre is closed. A year later a young producer (who happens to be a detective going undercover to find out what happened to the dead actor whose body disappeared ) re-assembles the cast and re-opens the theatre (the theater is now reported to be haunted by the ghost of the murdered actor), intending to the stage the same play performed on the night of the murder.

He has a hunch that the killer will show his hand. He does just that as yet another actor is murdered by mysterious means.

Threatening letters, suddenly darkness, secret passages, a motley group of suspects, and murder - this is a fun mystery film featuring an energetic cast, enough things happening to keep you entertained, and the actual theatre is beautifully shot; there's a nice reveal of the murderer at the end. The dialogue is quite witty.

An actor, John Woodford, dies on-stage during a performance of a play. His body is taken to his dressing room, where it disappears. The theatre is closed for over a year, and rumors that Woodford's ghost haunts it spread all over Broadway.

A detective (posing as a producer) rents the theatre and attempts to present the same play, but all sorts of "ghostly occurences" happen to try to thwart his plans. (Woodford's voice coming over a dead telephone, his face appearing on the pitch-dark stage during a police vigil, more murders, mysterious notes from the "dead man", etc).

All-in-all, a "different" mystery with good acting; if you watch the film intently, you can figure out who the murderer is (but, it's DIFFICULT!). Highly recommended. (btw....this film has NOTHING to do with the Sherlock Holmes film of the same name).

This film adds nothing more to the hundreds of others which had been made during the thirties and forties: mystery stories taking place in a mansion, or simply on a room, all very talkative, tales that could be made for stageplays. Not necessarily movie theaters. OK, this one may be a little above average, there is a ppretty good suspense, and it is not too long to endure. That's not my stuff, my cup of tea and I made an effort. I don't regret it. Director Joe May gave us INVISIBLE MAN RETURNS and also HOUSE OF SEVEN GABLES. Joe May was a film maker from Germany, and I suppose that explains thee good directing skills which are obvious here.

Universal's 1929 part-talkie "The Last Warning," the last film for director Paul Leni (1927's silent "The Cat and the Canary") was long thought to be a lost film, and while it remains superior to this 1939 remake, "The House of Fear," the latter need not lower its head in shame. Actor John Woodford (Donald Douglas) dies during his latest performance of the play "Dangerous Currents," in the very theatre named for Woodford himself. The police assume it's just a publicity stunt when the body disappears from Woodford's dressing room, and the case remains open for 2 years, with no solution and no corpse. Arthur McHugh (William Gargan), a detective posing as a Broadway producer, decides to bring together the original cast to repeat their performance of "Dangerous Currents," despite the rumors that the theatre is haunted by Woodford's ghost, who communicates with McHugh through a dead phone line. Also, there is one supremely eerie encounter with a spectre in the darkened theatre, and this too cannot be explained away, so there may actually be a genuine haunting. Both actresses stand out: lovely Irene Hervey (who starred in Lugosi's 1942 "Night Monster") plays Woodford's leading lady, and Dorothy Arnold (who co-starred with Lugosi in the 1939 serial "The Phantom Creeps") is the sluttish golddigger. Fast paced, many twists and turns, and consistently witty dialogue (especially Alan Dinehart); a vastly underrated Universal mystery which is too often confused with the studio's 1945 Sherlock Holmes release, plus its 'Crime Club' series, a total of 7 features that ran from 1937-1939. German director Joe May would follow this with "The Invisible Man Returns" and "The House of the Seven Gables," both 1940 releases featuring Vincent Price. "The House of Fear" made three appearances on Pittsburgh's Chiller Theater: March 22 1975 (between "The Ghost of Frankenstein" and "Horror Island"), Dec 17 1977 (following "Cult of the Cobra"), and July 2 1983 (solo).