I ribelli dei sette mari

I had totally forgotten this adventure film made by the director of SINBAD THE SAILOR, another famous adventure film, but taking place in another period...Here, the story takes place in 1812 and the message is - what a surprise - a bit anti British, instead of being anti Nazi - or simply anti German. But the director Richard Wallace was a comedy film maker instead of action films and from time to time, we can feel it properly thru light touches that we would not have found in a Raoul Walsh or Michael Curtiz's film, for instance. But the most important, the action matter, are also effective and this all long the movie. I also forgot that Victor Mature had already begun in thee business in 1940, and in a lead role....

Kenneth Roberts, newspaperman and writer of some marvelous historical novels about early America, got lucky in 1940 when two of his best selling novels were adapted into film. The first was Northwest Passage which MGM gave the A treatment with Spencer Tracy. And then there was this film adaption of Captain Caution which takes place in the opening weeks of the War of 1812.

Roberts's novels are long and complex and I got the feeling that a lot of character development was sacrificed for action. Certainly the action sequences were well done and Victor Mature in one of his earliest films made a dashing hero. And the film got an Oscar nomination for Best Sound recording.

Yet things seemed to move a little too quick. MGM when dong Northwest Passage wisely decided the novel was too long to make an entire film out of it. They concentrated on the first part about Roger's Rangers and their contribution to the French and Indian War. There were plans for a sequel, but they eventually came to naught. But they had a complete film in just what they used.

I got the feeling in Captain Caution that they tried to get the whole book in and did a slipshod job in adapting it. It's not a bad film, but it could have been a whole lot better.

Louise Platt was fresh from her triumph in Stagecoach and plays the lady owner of an American merchant vessel that gets attacked by a British navy frigate. The Americans don't know they're at war and get attacked by surprise. Louise's father, Robert Barrat, is killed and she develops an understandable case of anglophobia. And she's put out quite a bit that her intended Victor Mature isn't all fired up to turn their merchant vessel into a privateer. She gravitates towards the villainous Bruce Cabot who has his own ideas and they don't necessarily mesh with Louise's.

Alan Ladd has a small bit role as an American who was impressed into the British Navy. That was done quite a bit right before the War of 1812. He's a prisoner because he resisted the idea. I'm sure the folks at Paramount must have noticed this part because two years later, Ladd made his break out film for Paramount in This Gun for Hire.

I look at Captain Caution and wonder what might have happened if it had been done at MGM the way Northwest Passage was done.

VICTOR MATURE was an actor on the rise in the early '40s and here he gets his star turn in what is essentially a "B" picture, more lavish in its appearance than most low-budget films, and interesting because it gives us a glimpse of the early ALAN LADD in the background. LOUISE PLATT is too demure in appearance to play the spitfire type the script designates, as the feisty daughter of slain sea captain ROBERT BARRAT.

BRUCE CABOT and LEO CARRILLO are among the Americans that get caught up in the skirmish aboard ship when the British attack during the War of 1812. The action sequences are robust enough but sub-standard in presentation. Cabot plays his usual role as a scheming villain with romantic notions about the captain's daughter and Carrillo is supposed to serve as comedy relief but gets on the nerves with his accent and obvious comic ways.

With plot complications that are typical of Kenneth Roberts' historical novels, none of it stirs more than ordinary interest--routine film-making at best from the Hal Roach studios.

Summing up: Action film ruined by a boring cast of cardboard characters not worth caring about and a very miscast leading lady.

The first few minutes of this film hooked me and I had hopes that it would be an excellent film. After all, the idea of a film set during the War of 1812 was intriguing--this is a subject rarely talked about in movies. However, after a short time, it became obvious that the film was high on the anachronism factor--in other words, having people behaving totally uncharacteristically from that time period. The notion of a lady sea captain setting off to attack and punish the British just never would have or could have happened in 1812. While this was silly, it still didn't mean the film couldn't have been exciting. Unfortunately, even if you ignore this plot problem, about a half hour into the film it also became amazingly dull and talky. Instead of an Errol Flynn-style adventure film, it just all ground to an almost complete halt. Sure, it picked up for the rousing conclusion, but by then I had really lost interest and just wanted the whole thing to end due to poor writing. Plus, in this conclusion, it made fighting in a naval battle look FUN! This "fun" element is pretty stupid as well as a bit disturbing--and further evidence it is a mediocre film.

Kenneth Roberts was a wonderful writer of American historical novels set especially during the Revolutionary and War of 1812 eras. Weighty but very engaging sagas of heroism against adversity in the shaping of the early United States. I've read and re-read Northwest Passage, Arundel, Rabble in Arms, Oliver Wiswell, Captain Caution, and Lively Lady. Roberts takes the reader on a whirlwind of adventure rooted in real American history. The movie treatment of Captain Caution, however, has two many light and comedic elements making it almost into a satire on historical fiction. Victor Mature is no Errol Flynn when it comes to dashing, complex, romantic heroes, and the comedic over-acting of sidekick Leo Carrillo and other character actors pushes the movie from drama to light comedy. For a much better seafaring production made produced in the same Hollywood era stick with "Captain Horatio Hornblower" with Gregory Peck. I'm guessing that author Roberts was not happy with this treatment of his historical novel. For an excellent Roberts adaptation stick with "Northwest Passage."