VALUTAZIONE IMDb
7,8/10
75.822
LA TUA VALUTAZIONE
Quando l'ex marito di una donna ricca e un giornalista tipo tabloid si presentano poco prima del suo nuovo matrimonio programmato, lei inizia a conoscere la verità su se stessa.Quando l'ex marito di una donna ricca e un giornalista tipo tabloid si presentano poco prima del suo nuovo matrimonio programmato, lei inizia a conoscere la verità su se stessa.Quando l'ex marito di una donna ricca e un giornalista tipo tabloid si presentano poco prima del suo nuovo matrimonio programmato, lei inizia a conoscere la verità su se stessa.
- Vincitore di 2 Oscar
- 9 vittorie e 5 candidature totali
King Baggot
- Wedding Guest
- (non citato nei titoli originali)
Hillary Brooke
- Main Line Society Woman
- (non citato nei titoli originali)
Veda Buckland
- Elsie
- (non citato nei titoli originali)
Lita Chevret
- Manicurist
- (non citato nei titoli originali)
Russ Clark
- John
- (non citato nei titoli originali)
Sally Cleaves
- Party Guest
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe film was shot in eight weeks, and required very few retakes. During the scene where James Stewart hiccups when drunk, you can see Cary Grant looking down and grinning. Since the hiccup wasn't scripted, Grant was on the verge of breaking out laughing and had to compose himself quickly. Stewart (apparently spontaneously) thought of hiccuping in the drunk scene, without telling Grant. When he began hiccuping, Grant turned to Stewart, saying, "Excuse me." The scene required only one take.
- BlooperAfter Dexter reveals Kidd's blackmailing scheme to Tracy, he accidentally calls her Dinah. Correction: Dexter is not calling her Dinah. When he says "Quiet, Dinah" his implied meaning is "Quiet, Dinah will hear you."
- Citazioni
Tracy Lord: The time to make up your mind about people is never.
- Versioni alternativeAlso available in a computer colorized version.
- ConnessioniEdited into Hollywood: The Dream Factory (1972)
- Colonne sonoreLydia, the Tattooed Lady
(1939) (uncredited)
Lyrics by E.Y. Harburg
Music by Harold Arlen
Performed by Virginia Weidler (vocal and piano)
Recensione in evidenza
That this brilliant story originated on stage is obvious. The stage requires personas of epic and electric beauty. Philadelphia Story boasts three of the brightest stars that ever burned to occupy these personas, which they do with miraculous luminance.
The play, of course, was written for Hepburn by Phillip Barry, and after over 400 performances on Broadway she cleverly bought the film rights right out from under the noses of Hollywood moguls who fancied themselves smarter than Dear Kate. This came at a time when Hepburn was tops on the list of stars who had been labeled box office poison by producers.
The dynamics between the stars are legendary. Finer actors never lived, and these are the performances of a lifetime for each of them. Stewart is funny, smoldering, passionate and moving and he has moments, many of them, of stunning brilliance in each of those emotions. Grant is his typical stilted and elegant self, funny, gracious, urbane and, yes, beautiful. And then there is Hepburn. She is breathtaking to look at, and she plays your heart strings in a masterful glissando plucking at every emotion as she moves effortlessly across her entire unmatched range.
The supporting cast is worthy of the surplus of talent that surrounds them, and offer a few unforgettable moments of their own. And the presence of George Cukor, the greatest director of women in history, and the best director of Hepburn as well, coaxes every brilliant word of the script to its full potential.
You must not miss this treasure simply because it is from another era. It depicts that era with insight and irreverence that expose it, and the rarified world of old Philadelphia Money (yes, with a capital "M") like few films of its time, or any time, could. Every time I watch this movie, and the frequency would embarrass me if I were honest about it, I love it more.
Watch it. Study it. Assimilate every second of it and your understanding and appreciation of cinema will be enriched for it. And you'll have a great time doing it!
The play, of course, was written for Hepburn by Phillip Barry, and after over 400 performances on Broadway she cleverly bought the film rights right out from under the noses of Hollywood moguls who fancied themselves smarter than Dear Kate. This came at a time when Hepburn was tops on the list of stars who had been labeled box office poison by producers.
The dynamics between the stars are legendary. Finer actors never lived, and these are the performances of a lifetime for each of them. Stewart is funny, smoldering, passionate and moving and he has moments, many of them, of stunning brilliance in each of those emotions. Grant is his typical stilted and elegant self, funny, gracious, urbane and, yes, beautiful. And then there is Hepburn. She is breathtaking to look at, and she plays your heart strings in a masterful glissando plucking at every emotion as she moves effortlessly across her entire unmatched range.
The supporting cast is worthy of the surplus of talent that surrounds them, and offer a few unforgettable moments of their own. And the presence of George Cukor, the greatest director of women in history, and the best director of Hepburn as well, coaxes every brilliant word of the script to its full potential.
You must not miss this treasure simply because it is from another era. It depicts that era with insight and irreverence that expose it, and the rarified world of old Philadelphia Money (yes, with a capital "M") like few films of its time, or any time, could. Every time I watch this movie, and the frequency would embarrass me if I were honest about it, I love it more.
Watch it. Study it. Assimilate every second of it and your understanding and appreciation of cinema will be enriched for it. And you'll have a great time doing it!
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Dettagli
Botteghino
- Budget
- 944.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 404.524 USD
- Fine settimana di apertura Stati Uniti e Canada
- 258.994 USD
- 18 feb 2018
- Lordo in tutto il mondo
- 413.654 USD
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Scandalo a Filadelfia (1940) officially released in India in English?
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