Aggiungi una trama nella tua linguaThe arrival of wealthy bachelors in town causes an uproar when families with single daughters aggressively seek engagements, including the Bennet family, with five eligible daughters.The arrival of wealthy bachelors in town causes an uproar when families with single daughters aggressively seek engagements, including the Bennet family, with five eligible daughters.The arrival of wealthy bachelors in town causes an uproar when families with single daughters aggressively seek engagements, including the Bennet family, with five eligible daughters.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 4 vittorie totali
Recensioni in evidenza
An affront to Austen, the viewer's intelligence, and all notions of human decency
Good for Hollywood
Mary Boland as Mrs. Bennet, Edna May Oliver as Lady Catherine De Burgh, and Melville Cooper as Mr. Collins eat the scenery in their respective roles. They give some of the best supporting player performances that I ever remember seeing in early films. They manage to steal scenes from the greatest actor of the 20th century and making him look good at the same time!
Maureen O'Sullivan is charming as Jane, but of course Greer Garson is fabulous as Elizabeth even if she doesn't fit my idea of Elizabeth.
I recommend this movie highly as a nice addition to any classical movie collection.
Austen with a sugar coating and no bite
What's good about it? Mainly the casting - Greer Garson is a feisty and cheeky Elizabeth (and this was more than 50 years before Jennifer Ehle played her in a similar way for BBC TV); Laurence Olivier never looked more attractive or brooded with greater effect than here as Darcy; Edna May Oliver is a memorable and prickly Catherine de Bourgh; Edmund Gwenn and Mary Boland are the Bennet parents; and the other Bennet girls are eye-catching and fun (Maureen O'Sullivan as Jane, Ann Rutherford as flighty Lydia, Heather Angel as Kitty, and Marsha Hunt as Mary).
Austen's barbs and fangs are removed from this adaptation, making it a romantic sugar gloop like many other films of the period. Still, providing you expect this, enjoy what's on the screen. MGM did this kind of thing better than other studios of the time, after all.
Not True to the Book - But Who Cares?
The original is the best
There have been several versions of Pride and Prejudice, two of which I had seen before this film and after viewing the 1940 version starring Greer Garson and Laurence Olivier it is clear that this is the standard. Is there a better actor than Olivier in these period dramas? And Greer Garson is radiant as Elizabeth. Their performances and the pace of the film is such that while I knew the story I was still sucked into the romance and laughter - not an easy task for a hard-core cynic like me. This movie garnered 4 stars and for good reason - if you are looking for a charming, witty and romantic film, this is a must-see.
--Shelly
Lo sapevi?
- QuizAccording to Ann Rutherford, although the filmmakers were committed to begin shooting on a particular date, they discovered that producer David O. Selznick had used every available reel of Technicolor film in existence to make Via col vento (1939). Therefore, despite the lavish sets and opulent costumes, this movie had to be shot in black-and-white.
- BlooperMrs. Bennet is seen steaming open the letter to Jane from Caroline Bingley. The envelope is a modern-day, gummed envelope fit for stationery letters. In 1815, the year the film takes place, letters would have been folded in and sealed with a wax seal. Gummed envelopes would not be invented for another 100 years.
- Citazioni
Mr. Bennet: An unhappy alternative is before you, Elizabeth. Your mother will never see you again if you do not marry Mr. Collins. And I will never see you again if you do.
- Curiosità sui creditiOpening credits prologue: It happened in OLD ENGLAND . . . . in the village of Meryton . . . .
- Versioni alternativeThere is an Italian edition of this film on DVD, distributed by DNA Srl: "CIME TEMPESTOSE (1939) + ORGOGLIO E PREGIUDIZIO (1940)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnessioniFeatured in Hollywood: Style Center of the World (1940)
- Colonne sonoreFlow Gently Sweet Afton
(1786) (uncredited)
Music by Alexander Hume
Lyrics by Robert Burns (1786)
Performed by Marsha Hunt
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Más fuerte que el orgullo
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 4.030.820 USD
- Tempo di esecuzione
- 1h 58min(118 min)
- Colore
- Proporzioni
- 1.37 : 1







