Raffles

With the amount of epic classics that were released in 1939, it's no wonder why lighter films from that year have been forgotten about. Raffles, while not worthy of any Academy Award nominations, is a very cute and entertaining movie.

David Niven stars as the title character, a wealthy and famous cricket player who moonlights as a burglar. There are several stealth scenes, and even though we know we shouldn't be rooting for the criminal, the fact that he's a compulsive thief rather than a desperate one makes us root for him instead of the police. Those scenes are quite suspenseful, so don't be surprised if you find yourself holding your breath until The Niv is home safe and sound.

There are lots of twists and turns in this movie, so I'll skimp on the plot overview so nothing will be ruined for you. It's much better if you experience it during the moment. This is a quick-paced, clever, romantic, classy, overlooked old movie that, had it been released in 1938 or 1940, might have become a classic. Check it out if you like heist movies, or if you like leading men with double lives and lots of secrets. You might get a new celebrity boyfriend from this movie!

David Niven stars as Raffles, debonair society gent, top cricketer and 'The Amateur Cracksman' forever foiling Scotland Yard's attempts to catch him. Raffles friend Bunny introduces Raffles to his sister Gwen (Olivia de Havailland) who he had always adored and they begin a relationship. Invited to Lord and Lady Melrose's house for the weekend, Raffles plans to steal some of Lady Melrose's jewellery to help out suicidal Bunny with his gambling debt, but all doesn't go as planned as Scotland Yard are at the weekend soirée as well.

Fun and sometimes quite tense piece of well staged stiff upper lip society fluff with Niven perfect as the suave thief with a silver tongue and a heart of gold. As is often the case with these films, it's the supporting cast that are the most fun and Raffles' butler Barraclough, played by E. E. Clive steals every scene he's in as do Lionel Pape and the great Dame May Whitty as Lord and Lady Melrose. Definitely one of those 'they don't make 'em like that anymore' films.

Nice to see James Finlayson, Laurel and Harry's frequent stooge appear briefly as a handsome cab driver.

I'm an great admirer of the Raffles books. E W Hornung was a better writer than the more famous Arthur Conan Doyle, his more famous brother in law. The stories were very well constructed,characters well-defined and deserved classics. This is a thin lazy adaptation, combining of several of the stories losing a great deal of what was important. It is though a scene by scene and largely word for word re-make of the superior 1930 Ronald Colman version.

One, and perhaps the, reason for the remake seemed obvious to me. The 1930 version was too steamy and too suggestive for 1939. When Ronald Colman courteously escorts the large and elderly Lady Melrose to her bedroom and wishes her goodnight, Lady Melrose affects to mishear and Colman repeats with great emphasis the finality of NIGHT!. It is made very clear from their expressions that Lady Melrose was hoping Colman would join her. It think it was not perhaps until the 1970s that Hollywood would again dare suggest such a thing. Colman's love interest is clearly passionately besotted with him and would do anything for him. It was realism but of a kind which Hollywood would I think never portray again. Firstly Hayes Code prudery and later the box office obligation to show women as heroic and independent.

The adaptation removes Bunny's connection with Raffles (formerly a junior at Raffles public (fee paying) school and the odd obligations this entailed. Bunny in this version has little purpose. Raffles was the ultimate professional thief and corrupts Bunny and in the process teaches him (and the reader) his philosophy of life and crime. His cricket was a calculated necessary high profile front. Raffles lived alone without a servant - his night time arrivals and departures, often in disguise made that obligatory

As other reviewers have said, Niven makes a good job of his part but only Olivia de Havillands loveliness makes the film at all watchable.

The best screen rendering of the Raffles was a 1975 British TV series - again combining different stories but a seamlessly invisible adaptation. The interiors were those of a wealthy single gentleman of 1890s London - based on gentleman's clubs. Raffles, Bunny and McKenzie were authentically true to the books. It did Hornung honour. BBC Radio has done two versions (at least), first a reading and second a full production complete with distinctive signature tune.

Thanks once again to Talking Pictures TV for screening these famous early Raffles versions. Otherwise I would never have known of them.

Scotland Yard inspector Dudley Digges opens up a wooden cabinet next to his desk...and turns on the television set. The cricket match is on and the star player is fan favorite A.J. Raffles.

The inspector and his colleagues have just been discussing the baffling case of "the Amateur Cracksman," a clever thief who leaves a signed note at the scene of each crime. Little do the Scotland Yard men realize that Raffles and the Amateur Cracksman are one and the same--celebrity by day, burglar by night.

David Niven is excellent as Raffles, that adventurous character who decides to hang up his secret life, finds it necessary to do one last job, and feels the pressure build as his cover is slowly chipped away. Pensive, charming, sly, quick-thinking....it's a great role for Niven.

Olivia de Havilland is fine as the socialite who loves the dashing Raffles but begins to wonder about his puzzling behavior. (However, her top billing just under Niven does not reflect her actual role in the picture; the two main roles belong to Niven and Digges.)

Dudley Digges is lots of fun as the steadfast inspector who doesn't miss much. He follows his suspects down to one of those large country houses where Dame May Whitty's jewels are a temptation to more than one would-be crook.

The plot is really nothing much but it's certainly entertaining watching these characters watch each other.

Bonus: Laurel and Hardy fans will enjoy seeing the great James Finlayson as a cab driver. And a note: Apparently the first televised cricket match was in 1938. Not sure if Scotland Yard offices really had TV yet.

David Niven is a gentleman thief who gets caught in a bind when a Scotland Yard inspector catches up with him. Olivia deHavilland costars as his romantic interest. Interesting premise, deeply flawed execution.

David Niven is perfectly cast in the role, but the pacing of the moving is painfully slow, and it just drags on and feels so much longer than its 75-ish minute length. I think the big problem is that Niven's character next to no reason for actually being a thief, so we're dragged along on escapades that don't really seem to have much point.

And then there is Olivia deHavilland, who was criminally underused in this film, to the point that she could have been completely written out and you wouldn't miss her. This movie had so much promise, and it just fell flat. I still prefer the 1930 film with Ronald Colman in the title role. It was a very fluid early talkie.