Il mistero dei tre sosia

Billy The Kid and his intrepid sidekicks Al St. John and Dave O'Brien start the film in a real pickle, in less than a day they're to be hung at sunrise. But a miracle happens, a shooting fracas starts, their guns are tossed through a window, the key as well, and horses left outside. Now who could be such a guardian angel?

Well it ain't no angel. It's Glenn Strange who is the local outlaw boss and three of his guys dress like Buster Crabbe, St. John, and O'Brien. And if they're dead or locked up indefinitely, that part of Strange's action is closed down indefinitely.

It's a devil's choice for Strange because when our three heroes get out they set to find out who's been framing them and you know the result won't be good for the bad guy.

The most important leading lady that Crabbe ever had is in this film in the series. Anne Jeffreys is the sister of the sheriff of an outlaw town who Crabbe saves and she's grateful. Of course her fame came later in television as Marion Kerby in Topper.

Definitely one of the better of the Billy The Kid series.

Interesting storyline headed by the one and only Buster Crabbe with his trio chasing down their evil doppelgangers in a race to the finish. A stellar cast of great western actors set this movie in motion from the get go. Al St. John had some great scenes and good comic relief as usual. None other than Glenn Strange headed the band of outlaws and adeptly kept the tension high throughout. He had the help of a skillful band of henchman which included many great western names. I wish we could've seen more of Anne Jeffreys, but she was stunning in the scenes she was in. Billy The Kid Trapped breaks out to a wonderful adventure.

Great to see the one and only Buster Crabbe and the outstanding Anne Jeffreys in one movie but that's not where it ends. Glenn "Pee Wee" Strange, Fuzzy St. John, Jack Ingram, Ted Adams, Milton Kibbee and Walter McGrail all put in their usual stellar performances. Bud McTaggart held his own and then some with the stars. Unfortunately, this young talent left us too soon. Great story of Billy the Kid's trio breaking out of jail with the help of mysterious benefactors. But as Phaedrus once said, "Things are not always what they seem." Billy has to work fast to stop the robberies and murders of the nefarious imposters.

Billy The Kid Trapped is one of those western team movies. In this case it is a trio rather than just a hero and a sidekick. Buster Crabbe plays Billy The Kid, as in William Bonney, rather than Billy Carson. He also gets to be a hero in this one instead of letting Fuzzy St. John hog all the scenes. Fuzzy's beard is a little short in this film instead of the full forward thrusting beard he had at other times. The character Jeff Walker (Bud McTaggart) really doesn't do much more than support Billy and Fuzzy, but he adds to the fun. There are no automobiles or radios in this one, either. It's a real western.

The movie starts off with the trio in jail, accused of murder, when someone mysteriously breaks them out. We find out later that there are three imposters posing as Billy The Kid and his gang. They dress just like Billy, Fuzzy, and Jeff. When Fuzzy gets shot at by his "pals" and then "himself" the three so-called outlaws figure out why they have been accused of so many crimes. Sheriff Masters (Ted Adams) recognizes this after Billy saves his life and tells them the bad guys are in Mesa City. As they investigate Mesa City they run into Stanton, the local crime boss running the town.

Stanton is played by Glenn Strange. I've seen Strange play a sheriff in one movie, but he was almost always a henchman. In Billy The Kid Trapped he is the bad guy in the suit. Glenn Strange was good at being the boss in this movie.

The sets are absolutely perfect with the exception of flimsy railing in the bar fight scene. The details and the props in every scene are full of western imagery. The bouncing railing ruins the effect of the stage dressing, but then it wouldn't be a B western without it.

Billy The Kid Trapped is what a B western should be. The action never slows down and the movie has a great western feel to it.

"Billy the Kid " from 1942 is a most clever, pleasant, and enjoyable B-western excursion, one that features the best of what the genre can offer. The story is fun and well developed... oh sure, there are a few plot devices that the keen observer will have to let pass, but for the most part, the story is attractive and unique, involving as it does a lookalike component that is more intricate and directly responsible for the film's reason for being than any I have heretofore seen. The comedic antics offered by Fuzzy in this one are only some in number, which is really just about right to set the tone for the invitation to the viewer to sit back and take in a relaxed and quite competently performed western whimsy. All this in spite of the fact that this picture comes from the infamously low-budgeted PRC organization.

Buster shows an excellent hero's persona in this one... strong, but yet relaxed and firmly comfortable to the point that he knows he can capably handle any difficulties that may arise, and rest assured plenty of difficulties indeed arise. Because Fuzzy showcases far fewer shenanigans in this film compared to many of the other films in their series, Buster doesn't have to play straight man all that much, which allows him to maintain a more consistent authoritative bearing. This authoritative posture allows the viewer to unquestionably respect his presence in the film. We see Buster firmly take his place as a cowboy hero in this one, one that most other western stars of the era consistently portrayed. And it makes the viewer feel good to see a no-nonsense hero seriously stand up without too much interference to the plentiful bad around him.

The rest of the cast is excellent in their roles, and the cheap sets are appropriately superb... the street scenes have an earthy and rustic feel about them. The interiors look worn and real, and the outdoor scenery is varied. Western movie action abounds, yes, including running horses with eyes aglow and manes afire, but it is the story and its unique bent that propels this PRC western movie to far more than ordinary.