VALUTAZIONE IMDb
7,0/10
35.627
LA TUA VALUTAZIONE
Gli scienziati e gli ufficiali dell'Aeronautica militare americana sono alle prese con un alieno assetato di sangue mentre si trovano in una remota installazione artica.Gli scienziati e gli ufficiali dell'Aeronautica militare americana sono alle prese con un alieno assetato di sangue mentre si trovano in una remota installazione artica.Gli scienziati e gli ufficiali dell'Aeronautica militare americana sono alle prese con un alieno assetato di sangue mentre si trovano in una remota installazione artica.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Edmund Breon
- Dr. Ambrose
- (non citato nei titoli originali)
Nicholas Byron
- Tex Richards
- (non citato nei titoli originali)
John Dierkes
- Dr. Chapman
- (non citato nei titoli originali)
George Fenneman
- Dr. Redding
- (non citato nei titoli originali)
Lee Tong Foo
- Lee - a Cook
- (non citato nei titoli originali)
Paul Frees
- Dr. Vorhees
- (non citato nei titoli originali)
Everett Glass
- Dr. Wilson
- (non citato nei titoli originali)
Recensioni in evidenza
The Thing, released in 1951, is the original hostile alien movie, a must-see for fans of sci-fi and horror.
Major director Howard Hawks (Sergeant York, The Big Sleep, Red River, Rio Bravo) produced it but some sources (Leonard Maltin) credit him as co-director. Christian Nyby, a film editor for Hawks, is officially credited as the director. Whoever directed it, The Thing is an impeccably crafted movie. It's considered as a Grade B movie, probably because of its subject matter, but it's one of the best Grade B's along with Them and Invasion of the Body Snatchers.
A group of scientists at the North Pole discover something buried in the ice. Unknowingly they bring back part of it to the camp for study.
The acting is solid and the characters are given great dialog. Kenneth Tobey is the take charge Captain Patrick Hendry. Robert Cornthwaite is great as the slightly nutty Dr. Carrington. Douglas Spencer as Scotty is fun as the wisecracking reporter always looking for a photo. Margaret Sheridan is Nikki the shapely love interest. James Arness plays The Thing monster. With an ensemble cast of supporting actors. Be sure to rent the DVD version because it has a few scenes between Tobey and Sheridan that were always cut for TV and VHS probably because they were considered a little too racy for the time although now they are just cute.
The film has held up well for over fifty years. The film's contributors were seasoned professionals who had worked on major films. The screenplay by Charles Lederer (Mutiny on the Bounty, Ocean's Eleven, Gentlemen Prefer Blondes, His Girl Friday) is full of crisp dialog. The black and white cinematography by Russell Harlan (Red River, Witness for the Prosecution, To Kill A Mockingbird, Run Silent Run Deep) makes everything look right. The prolific film composer Dmitri Tiompkin provides a very eerie, theremin-based score.
After 50 years this movie rightly earns the label of classic.
Major director Howard Hawks (Sergeant York, The Big Sleep, Red River, Rio Bravo) produced it but some sources (Leonard Maltin) credit him as co-director. Christian Nyby, a film editor for Hawks, is officially credited as the director. Whoever directed it, The Thing is an impeccably crafted movie. It's considered as a Grade B movie, probably because of its subject matter, but it's one of the best Grade B's along with Them and Invasion of the Body Snatchers.
A group of scientists at the North Pole discover something buried in the ice. Unknowingly they bring back part of it to the camp for study.
The acting is solid and the characters are given great dialog. Kenneth Tobey is the take charge Captain Patrick Hendry. Robert Cornthwaite is great as the slightly nutty Dr. Carrington. Douglas Spencer as Scotty is fun as the wisecracking reporter always looking for a photo. Margaret Sheridan is Nikki the shapely love interest. James Arness plays The Thing monster. With an ensemble cast of supporting actors. Be sure to rent the DVD version because it has a few scenes between Tobey and Sheridan that were always cut for TV and VHS probably because they were considered a little too racy for the time although now they are just cute.
The film has held up well for over fifty years. The film's contributors were seasoned professionals who had worked on major films. The screenplay by Charles Lederer (Mutiny on the Bounty, Ocean's Eleven, Gentlemen Prefer Blondes, His Girl Friday) is full of crisp dialog. The black and white cinematography by Russell Harlan (Red River, Witness for the Prosecution, To Kill A Mockingbird, Run Silent Run Deep) makes everything look right. The prolific film composer Dmitri Tiompkin provides a very eerie, theremin-based score.
After 50 years this movie rightly earns the label of classic.
"The Thing from another world" is the pinnacle of 1950s horror movies. It is not one of those cheap exploitation pictures that cashed in on the publics fear of atomic energy, no, this film actually takes itself seriously and manages to scare the hell out of the audience in the process. So many future sci-fi/horror movies were influenced by this one, most notably the original "Alien". Gorgeous production design and great performances help to carry the story along, a story that concerns an isolated arctic base and the people there who have to deal with a very unwelcome visitor. Definitely holds your suspense throughout. The zenith of all horror movies to come out of the fifties
Classic, wonderful sci-fi / horror feature, a none too faithful adaptation of the John W. Campbell, Jr. short story "Who Goes There?". In this instance, the idea of the alien entity being a monstrosity that can imitate other life forms is jettisoned, in favour of making the creature basically like the Frankenstein monster. It's a super vegetable that requires blood for sustenance, and it makes life very tense for the scientists and military personnel at an isolated Arctic outpost when it's thawed from an icy imprisonment.
With an intrepid hero in the form of 1950s icon Kenneth Tobey on hand, it's a guarantee that "The Thing from Another World" is going to be a good time. It was a fairly odd choice of material for the producer Howard Hawks, who fills the story with overlapping dialogue and a sense of camaraderie among the various protagonists. Unlike the 1982 version, where the characters had the means to destroy the creature but first had to *identify* who the creature was, our cast here have to improvise their survival.
While any genre fan such as this viewer, who'd been brought up on the 1982 John Carpenter film, may be more inclined to favour that brand of horror, this is still very stylish fun. Hawks's editor Christian Nyby gets the directing credit, but it's generally believed that Hawks was pretty much in control of things. The score by Dimitri Tiomkin, utilizing the theremin, is suitably eerie. There are solid shocks, moments of suspense, and atmosphere along the way, as well as a lively finish.
This is a film very much of its time, with our military characters very much a dependable bunch of heroes, and the scientists (most of them) treated as highly suspect, especially the misguided Dr. Carrington, played delightfully by Robert Cornthwaite.
A little too much time is devoted to the romantic subplot with Captain Hendry and his love interest (Margaret Sheridan), but the actors couldn't be more engaging. Tobey, Sheridan, and Cornthwaite are extremely well supported by a strong ensemble: Douglas Spencer as annoying newspaperman Scotty (who has the honour of uttering the memorable closing monologue), James Young, Dewey Martin, Robert Nichols, William Self, Eduard Franz, Nicholas Byron, John Dierkes, George Fenneman, Paul Frees, David McMahon, and Norbert Schiller. A young James Arness, in his pre-'Gunsmoke' days, has great presence as The Thing.
There are images here so striking that Carpenter was wise to pay homage to them in his film: the line of men encircling the buried UFO, and the sight of the burning creature crashing through the building into the snow.
It's definitely a different beast, in more ways than one, than what we would see 31 years later, but it's solid entertainment for its own very good reasons.
Eight out of 10.
With an intrepid hero in the form of 1950s icon Kenneth Tobey on hand, it's a guarantee that "The Thing from Another World" is going to be a good time. It was a fairly odd choice of material for the producer Howard Hawks, who fills the story with overlapping dialogue and a sense of camaraderie among the various protagonists. Unlike the 1982 version, where the characters had the means to destroy the creature but first had to *identify* who the creature was, our cast here have to improvise their survival.
While any genre fan such as this viewer, who'd been brought up on the 1982 John Carpenter film, may be more inclined to favour that brand of horror, this is still very stylish fun. Hawks's editor Christian Nyby gets the directing credit, but it's generally believed that Hawks was pretty much in control of things. The score by Dimitri Tiomkin, utilizing the theremin, is suitably eerie. There are solid shocks, moments of suspense, and atmosphere along the way, as well as a lively finish.
This is a film very much of its time, with our military characters very much a dependable bunch of heroes, and the scientists (most of them) treated as highly suspect, especially the misguided Dr. Carrington, played delightfully by Robert Cornthwaite.
A little too much time is devoted to the romantic subplot with Captain Hendry and his love interest (Margaret Sheridan), but the actors couldn't be more engaging. Tobey, Sheridan, and Cornthwaite are extremely well supported by a strong ensemble: Douglas Spencer as annoying newspaperman Scotty (who has the honour of uttering the memorable closing monologue), James Young, Dewey Martin, Robert Nichols, William Self, Eduard Franz, Nicholas Byron, John Dierkes, George Fenneman, Paul Frees, David McMahon, and Norbert Schiller. A young James Arness, in his pre-'Gunsmoke' days, has great presence as The Thing.
There are images here so striking that Carpenter was wise to pay homage to them in his film: the line of men encircling the buried UFO, and the sight of the burning creature crashing through the building into the snow.
It's definitely a different beast, in more ways than one, than what we would see 31 years later, but it's solid entertainment for its own very good reasons.
Eight out of 10.
The movie starts out very promisingly, creating a great spooky atmosphere and avoiding possible cheap looking special effects of the spaceship crash. It knows where its true driving force lies; it's not in the silly looking "carrot" creature(that thankfully also doesn't get much screen time), it's in the dialogues and the relationships between characters. This reminds me of Rydley Scott's "Alien". Same concept, same result. Great atmosphere and a good sense for story telling make "The Thing From Another World" well worth the watch. 7/10
Let me get my two (minor) complaints out of the way first: the attempt to get the UFO out of the ice felt rushed (as in the filmmakers wanted to get to the rest of the film) because I saw the result coming a mile away . . . it just felt soulless and obligatory. Second, the scientist Dr Carrington, rubbed up with the 'mad scientist in pursuit of knowledge risking everyone's life' cliché a bit too much for me . . . and I was trying to be forgiving since this was 50 years ago and far less cliché then.
All right, now . . . I have to say, I loved The Thing from Another World. I loved the dialogue in this movie. It's been a long long (Jesus Christ, a loooong) time since I had this much fun listening to exposition. Yes, exposition. The obligatory plot details that no one cares about that some poor sap spells out? Yes, that exposition! Thing from Another World actually gains momentum with its exposition whereas your typical film slows down and comes to a screeching halt for it.
Nyby spreads the exposition across about half a dozen characters, and they have real conversation with overlapping, quick fire, back and forth, dialogue, and in brief instances multiple conversations going at the same time. The result? Five minutes of exposition becomes one minute of exposition. Will the audience catch every single detail of their plan? No, but the audience doesn't need to either. Thank you Howard Hawks!
Lace this exposition with characterization, inside jokes amongst characters, hints at their history together, and friendly pranks, and The Thing from Another World not only knocks out exposition with one blow, but develops their characters simultaneously, yielding a wonderfully complex and realistic relationship between the characters and plot. No spot light and overdone Shakespearian aside with melodramatic boo-hoo backstory that brings elicits yawns and groans, no little nerd with all the answers getting to explain everything while everyone asks stupid questions--nope--the Thing from Another World is above that drivel.
Nyby and Hawks sold me on the characters from the get go, placing emphasis on how they introduce the characters and not so much in what their character backstory is. I salute the filmmakers for this decision, and in response was more than willing to suspend my disbelief for the sake of the film's needs.
Follow it up with well lit and well staged action sequences--the fire scene was perhaps one of the most beautiful and glorious moments caught by b/w photography--and the Thing from Another World delivers with all its 1950s charms. I'll take a film with narrow corridors and electrodes over all out war with CGI bugs/machines any day of the week.
All right, now . . . I have to say, I loved The Thing from Another World. I loved the dialogue in this movie. It's been a long long (Jesus Christ, a loooong) time since I had this much fun listening to exposition. Yes, exposition. The obligatory plot details that no one cares about that some poor sap spells out? Yes, that exposition! Thing from Another World actually gains momentum with its exposition whereas your typical film slows down and comes to a screeching halt for it.
Nyby spreads the exposition across about half a dozen characters, and they have real conversation with overlapping, quick fire, back and forth, dialogue, and in brief instances multiple conversations going at the same time. The result? Five minutes of exposition becomes one minute of exposition. Will the audience catch every single detail of their plan? No, but the audience doesn't need to either. Thank you Howard Hawks!
Lace this exposition with characterization, inside jokes amongst characters, hints at their history together, and friendly pranks, and The Thing from Another World not only knocks out exposition with one blow, but develops their characters simultaneously, yielding a wonderfully complex and realistic relationship between the characters and plot. No spot light and overdone Shakespearian aside with melodramatic boo-hoo backstory that brings elicits yawns and groans, no little nerd with all the answers getting to explain everything while everyone asks stupid questions--nope--the Thing from Another World is above that drivel.
Nyby and Hawks sold me on the characters from the get go, placing emphasis on how they introduce the characters and not so much in what their character backstory is. I salute the filmmakers for this decision, and in response was more than willing to suspend my disbelief for the sake of the film's needs.
Follow it up with well lit and well staged action sequences--the fire scene was perhaps one of the most beautiful and glorious moments caught by b/w photography--and the Thing from Another World delivers with all its 1950s charms. I'll take a film with narrow corridors and electrodes over all out war with CGI bugs/machines any day of the week.
Lo sapevi?
- QuizThe skeleton crew at the South Pole Telescope station have a tradition every winter-over of watching this movie, and the other two adaptations on the very first night after the departure of the final plane of the season.
- BlooperAs the flying saucer explodes, the camera tilts up to follow the blast, revealing the top of the Arctic backdrop built around the set.
- Citazioni
[last lines]
Ned "Scotty" Scott: Watch the skies, everywhere! Keep looking. Keep watching the skies!
- Curiosità sui creditiOnly technical and production credits precede the film, no acting credits.
- Versioni alternativeThere is a version which shows Dr. Carrington wandering through his "nursery" of baby "things" on his way to the generator to shut it down as the others prepare to fry the creature. The "things" have grown to a height of over 12 inches.
- ConnessioniFeatured in House of Horror: The Thing (1957)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- El enigma de otro mundo
- Luoghi delle riprese
- Glacier National Park, Montana, Stati Uniti(second-unit footage)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.600.000 USD (previsto)
- Tempo di esecuzione
- 1h 27min(87 min)
- Colore
- Proporzioni
- 1.37 : 1
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