VALUTAZIONE IMDb
6,1/10
1522
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA Yankee sea captain has adventures in paradise trying to become an entrepreneur in Micronesia.A Yankee sea captain has adventures in paradise trying to become an entrepreneur in Micronesia.A Yankee sea captain has adventures in paradise trying to become an entrepreneur in Micronesia.
- Regia
- Sceneggiatura
- Star
André Morell
- Alfred Tetins
- (as Andre Morell)
Jimmy Dime
- Sailor at Table in Saloon
- (non citato nei titoli originali)
Sol Gorss
- Tough Sailor in Fight
- (non citato nei titoli originali)
Hugh McLardy
- Hong Kong Tailor
- (non citato nei titoli originali)
Paddy Mulelly
- J.R. Beldon, Bank Manager
- (non citato nei titoli originali)
Recensioni in evidenza
19th century freebooter O'Keefe (Lancaster) uses his wiles to set up copra trade in south seas despite native resistance and organized competition.
Lancaster was made for this kind of role. With his athletic frame, blinding grin, and iron jaw, he's a great adventurer. Later, he became a serious actor, but I always preferred the grinning swashbuckler ever up to some kind of daring-do, as he is here.
This is one of his lesser known action films and I'm not sure why. At times the shifting loyalties are hard to follow, so it's not the simple action narrative of good guys versus bad. Still, the story's based on fact, and I like the insight into how the Europeans try to turn the simple native economy into a commodity producing one (copra). In that regard, I really like the ending that seems surprisingly contemporary in its respectful politics. As a result, the story may be complex, but there's also considerable substance.
Meanwhile, I'm on my way to Yap to see if the green-eyed Dalabo (Rice) left any female offspring. Besides, the scenery there is spectacular, nicely captured by Warner's Technicolor department. Traditional Hollywood usually went to Catalina for its south seas background. Not here. Instead, Warner's popped for authentic Pacific locations-- probably to compete with newfangled TV. Then too, Lancaster's big, native ceremony is elaborately colorful and unusual, especially the costuming. At the same time, he gets to do some of his effortless acrobatics and come up grinning.
In my book, it all adds up to an entertaining package and well worth tuning in.
Lancaster was made for this kind of role. With his athletic frame, blinding grin, and iron jaw, he's a great adventurer. Later, he became a serious actor, but I always preferred the grinning swashbuckler ever up to some kind of daring-do, as he is here.
This is one of his lesser known action films and I'm not sure why. At times the shifting loyalties are hard to follow, so it's not the simple action narrative of good guys versus bad. Still, the story's based on fact, and I like the insight into how the Europeans try to turn the simple native economy into a commodity producing one (copra). In that regard, I really like the ending that seems surprisingly contemporary in its respectful politics. As a result, the story may be complex, but there's also considerable substance.
Meanwhile, I'm on my way to Yap to see if the green-eyed Dalabo (Rice) left any female offspring. Besides, the scenery there is spectacular, nicely captured by Warner's Technicolor department. Traditional Hollywood usually went to Catalina for its south seas background. Not here. Instead, Warner's popped for authentic Pacific locations-- probably to compete with newfangled TV. Then too, Lancaster's big, native ceremony is elaborately colorful and unusual, especially the costuming. At the same time, he gets to do some of his effortless acrobatics and come up grinning.
In my book, it all adds up to an entertaining package and well worth tuning in.
If you like Burt Lancaster, than this film is worth watching. The plot is very silly, and takes place largely in the South Seas. There is the usual large contingent of half-naked South Sea natives interacting with the "white man", although several of the natives with speaking parts are white themselves, as always: Joan Rice and Abraham Sofaer in particular come to mind. And as always, the natives who speak English speak it better than many people I know in real life. Joan Rice, in particular, has a beautiful English accent of dubious ancestry for a native girl (OK, yes, her father was British, but she was brought up in the South Seas and somehow speaks a more polished English than he does).
There are many bad Germans, with very stereotypical movie accents (proto-Nazis?), and one good German, played by Andre Morell, with a less disagreeable accent (although his saying "zee" for "the" gets tiring). His genial friendship with Burt Lancaster is pleasing. Most hilariously, Joan Rice, as Burt Lancaster's eventual wife, looks completely lost most of the time, smiling her way through most scenes, looking like a confused tourist in Paris who doesn't speak the language.
But we started with Burt Lancaster. Burt gets to show off his acrobatic skills in several scenes, swinging on ropes and so forth, although in one shot he is shown only beginning to climb a coconut tree; I would like to have seen him climb to the top. He smiles a lot in this film, and this too is always pleasing.
The plot is too absurd and improbable to describe. Everybody wants the oil of the coconuts, which is very valuable, except the natives themselves. There are too many changes of power on the island, and it is not that interesting to follow. But it is a pleasant enough film, and totally harmless.
There are many bad Germans, with very stereotypical movie accents (proto-Nazis?), and one good German, played by Andre Morell, with a less disagreeable accent (although his saying "zee" for "the" gets tiring). His genial friendship with Burt Lancaster is pleasing. Most hilariously, Joan Rice, as Burt Lancaster's eventual wife, looks completely lost most of the time, smiling her way through most scenes, looking like a confused tourist in Paris who doesn't speak the language.
But we started with Burt Lancaster. Burt gets to show off his acrobatic skills in several scenes, swinging on ropes and so forth, although in one shot he is shown only beginning to climb a coconut tree; I would like to have seen him climb to the top. He smiles a lot in this film, and this too is always pleasing.
The plot is too absurd and improbable to describe. Everybody wants the oil of the coconuts, which is very valuable, except the natives themselves. There are too many changes of power on the island, and it is not that interesting to follow. But it is a pleasant enough film, and totally harmless.
His Majesty O'Keefe is directed by Byron Haskin and adapted to the screen by Borden Chase & James Hill from the novel written by Lawrence Klingman & Gerald Green. It stars Burt Lancaster, Joan Rice, Andre Morell and Abraham Sofaer. Music is by Robert Farnon and Technicolor photography by Otto Heller.
Plot finds Lancaster as Captain David O'Keefe, who after a mutiny is tossed overboard in the South Pacific. Making his way to Yap Island, O'Keefe is pleased to see the money making potential by harvesting copra from the mass coconut growth on the island. However, the natives aren't exactly thrilled by his intentions and there's also some serious German businessmen interested in the island as well. Too many cooks spoil the broth and this once peaceful little island is soon to become a hotbed of greed and division.
It's all very muscular and pretty (actually filmed on location in Fiji), led by a super tanned, white toothy grinned Lancaster, film has a very decent theme at its core, but sadly this mostly get lost in the confusing mixture. Picture never quite settles into being one cohesive whole, at times a wannabe swashbuckling adventure propelled by a South Seas love story, at others an observation of capitalism corrupting the beautiful untapped paradise's of the world. The pace is stop/start, with Haskin (Treasure Island) struggling manfully to make the various strands of the screenplay work, and cast are effective enough in just about retaining viewing Interest.
Worth it for Lancaster fans, and for fans of great choreography and attractive scenery. But it remains a hit and miss affair, it takes an age to make its point but survives ignominy on account of the unusual flavours in the mix. 5/10
Plot finds Lancaster as Captain David O'Keefe, who after a mutiny is tossed overboard in the South Pacific. Making his way to Yap Island, O'Keefe is pleased to see the money making potential by harvesting copra from the mass coconut growth on the island. However, the natives aren't exactly thrilled by his intentions and there's also some serious German businessmen interested in the island as well. Too many cooks spoil the broth and this once peaceful little island is soon to become a hotbed of greed and division.
It's all very muscular and pretty (actually filmed on location in Fiji), led by a super tanned, white toothy grinned Lancaster, film has a very decent theme at its core, but sadly this mostly get lost in the confusing mixture. Picture never quite settles into being one cohesive whole, at times a wannabe swashbuckling adventure propelled by a South Seas love story, at others an observation of capitalism corrupting the beautiful untapped paradise's of the world. The pace is stop/start, with Haskin (Treasure Island) struggling manfully to make the various strands of the screenplay work, and cast are effective enough in just about retaining viewing Interest.
Worth it for Lancaster fans, and for fans of great choreography and attractive scenery. But it remains a hit and miss affair, it takes an age to make its point but survives ignominy on account of the unusual flavours in the mix. 5/10
A deeply subversive, yet utterly enjoyable (and kinda true)South Seas movie from the 50's. Burt Lancaster is a typical 19th century trader/pirate whose only ambition is to make money out of the "natives", and fast. He comes to a Pacific Island Utopia where no one has to work... because who needs money?...
Vastly underrrated, this film makes all kinds of points. The Natives (half of whom, admittedly,are white guys in blackface)are dangerous quasi-cannibals. But the white guys (including Burt!)are plain Euro- Trash. The head chief, and Burt's head wife (Joan Rice in a lovely performance - she takes the cliché of the innocent island girl and makes a performance out of it with her eyelashes) are the real heroes.
Did I mention the Chinese dentist who knows more about investments than Burt? Or the German philosophy student who can relate to the natives better than Europeans? Filmed on location in Fiji with a cast that seem to be having the time of their lives, HIS MAJESTY O'KEEFE is a very simple, yet completely fun relic of the non-PC days. (P.S. Check out the other scripts by Borden Chase. Some good ones there...)
Vastly underrrated, this film makes all kinds of points. The Natives (half of whom, admittedly,are white guys in blackface)are dangerous quasi-cannibals. But the white guys (including Burt!)are plain Euro- Trash. The head chief, and Burt's head wife (Joan Rice in a lovely performance - she takes the cliché of the innocent island girl and makes a performance out of it with her eyelashes) are the real heroes.
Did I mention the Chinese dentist who knows more about investments than Burt? Or the German philosophy student who can relate to the natives better than Europeans? Filmed on location in Fiji with a cast that seem to be having the time of their lives, HIS MAJESTY O'KEEFE is a very simple, yet completely fun relic of the non-PC days. (P.S. Check out the other scripts by Borden Chase. Some good ones there...)
This film is not Lancaster's best but is enjoyable if you enjoy watching him in his athletic prime. Beautifully shot, it captures the exciting times of adventure on the high seas and island exploration. The plot is fairly insubstantial and there's nothing new here but at just over 90 minutes, the story never drags. Definitely worth a look if you're a fan of Burt's.
Lo sapevi?
- QuizAlthough heavily Hollywoodized, the film is based on real individuals and events. There is a boutique hotel in Yap named after him (O'Keefe's), and the style of construction reflects the architecture of O'Keefe's time.
- BlooperO'Keefe returns to Hong Kong and stock footage is shown of people walking down a street. However, the movie is set in the 1870s and the footage is of 1950s Hong Kong. Giveaways include signs such as "No Motors".
- Citazioni
Capt. David O'Keefe: Goodbye, Fatumak. Thank you for everything. Goodbye!
Fatumak, Medicine Man: There are no goodbyes between friends.
[handing him a necklace]
Fatumak, Medicine Man: This is the whale's tooth of remembrance until we meet again.
- ConnessioniFeatured in A Fellow Journeyman: Byron Haskin at Paramount (2022)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- His Majesty O'Keefe
- Luoghi delle riprese
- Viti Levu, Fiji(village of Goloa)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.550.000 USD (previsto)
- Tempo di esecuzione1 ora 31 minuti
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By what name was Il trono nero (1954) officially released in India in English?
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