Un ricco americano incontra una giovane donna francese e paga anonimamente per la sua istruzione. Scrive lettere al suo misterioso benefattore, cercando di capire chi sia in base alle descri... Leggi tuttoUn ricco americano incontra una giovane donna francese e paga anonimamente per la sua istruzione. Scrive lettere al suo misterioso benefattore, cercando di capire chi sia in base alle descrizioni fornite da alcuni dei suoi compagni orfani.Un ricco americano incontra una giovane donna francese e paga anonimamente per la sua istruzione. Scrive lettere al suo misterioso benefattore, cercando di capire chi sia in base alle descrizioni fornite da alcuni dei suoi compagni orfani.
- Candidato a 3 Oscar
- 4 candidature totali
- Ray Anthony
- (as Ray Anthony and his Orchestra)
- Deliveryman
- (non citato nei titoli originali)
- College Girl
- (non citato nei titoli originali)
- Art Gallery Patron
- (non citato nei titoli originali)
- College Girl
- (non citato nei titoli originali)
- Second Jeweler
- (non citato nei titoli originali)
- 'Sluefoot' Dancer
- (non citato nei titoli originali)
- Orphan
- (non citato nei titoli originali)
- College Girl
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizFred Astaire's wife died during filming, so between some takes he would retreat to his trailer and cry. That's why, in some scenes, his eyes look red and swollen.
- BlooperWhen Jervis is about to play the drums for Griggs, his brushes suddenly turn into sticks between shots.
- Citazioni
Julie Andre: Did he have a weakness for girls?
Jervis Pendleton III: Oh no, a great strength!
- ConnessioniEdited into Fred Astaire Salutes the Fox Musicals (1974)
Simple story, executed very well. I didn't read the book, nor do I think it is relevant. This is a movie and it should be appreciated on its own merits. It is well-established that the author of this screenplay changed the story quite a bit, for purposes of this Hollywood production, so comparing it to the book is moot.
Wealthy American (Astaire/Jervis) is on an economic mission to France when their vehicle gets stuck in a ditch. He wanders upon a French orphanage, looking for a phone or ride, and spots the 18-yr-old orphan (Caron/Julie), so lively, bright, responsible, attending to the younger orphans. He becomes an anonymous sponsor and sends her to a college in Mass. The only stipulation is that she write a letter weekly to "Mr Jones" to keep him informed of her progress.
The letters never get to Jervis, intercepted and filed by his staff. Until over two years later, when he had forgotten about her, but her letters are called to his attention. Finds out his niece is one of her roommates, he goes to a college dance to visit his neice, but really to see Julie. They meet, hit it off despite their age difference, dance marvelously. Later Julie visits NYC alone, ambassador to France is on next patio, at breakfast overhears what he thinks is hanky-panky, persuades Jervis to quit seeing Julie.
Julie eventually graduates, is lonely because she has never met "Daddy Long Legs", and has no place to go to after graduation. She insists on meeting her benefactor, who lives in a mansion, sort of museum, that even gives art tours to the public. There she realizes Jervis is in fact her benefactor, he proposes, she accepts.
First, the story is very plausible. A rich man seeing a talented person and wanting to help out anonymously. So I naturally find the story compelling. Second, Astaire and Caron were two of the best dancers, and also very good actors, that ever lived. "Dream scenes" were concocted to showcase each alone, and both together, in production dance numbers. For its genre, it is an almost perfect film. It gets its name from the small orphans telling Julie they saw him, not distinctly, at night and his shadow cast on the orphanage's wall made him look like he had very long legs.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Daddy Long Legs
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione2 ore 6 minuti
- Colore
- Proporzioni
- 2.55 : 1