VALUTAZIONE IMDb
6,7/10
30.354
LA TUA VALUTAZIONE
Un inglese vittoriano scommette che con le nuove navi a vapore e le nuove ferrovie potrà circumnavigare il globo in ottanta giorni.Un inglese vittoriano scommette che con le nuove navi a vapore e le nuove ferrovie potrà circumnavigare il globo in ottanta giorni.Un inglese vittoriano scommette che con le nuove navi a vapore e le nuove ferrovie potrà circumnavigare il globo in ottanta giorni.
- Vincitore di 5 Oscar
- 14 vittorie e 5 candidature totali
John Gielgud
- Foster - Fogg's Ex-Valet
- (as Sir John Gielgud)
José Greco
- Flamenco Dancer
- (as Jose Greco and Troupe)
Luis Miguel Dominguín
- Bullfighter
- (as Luis Dominguin)
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Trama
Lo sapevi?
- QuizThis movie created the idea of "cameo roles" as a way to invite established stars to participate in a production.
- BlooperIn San Francisco the prostitutes jump off a wagon full of beer barrels marked 'Pabst Blue Ribbon.' It was called Select until 1882. Due to their practice of tying a blue ribbon around the neck, it was frequently asked for as 'that blue ribbon beer.'
- Citazioni
Princess Aouda: Have there been any women in his life?
Passepartout: I assume he had a mother, but I am not certain.
- Curiosità sui creditiThe last line of dialogue is "This is the end". The closing credits then begin with the words WHO WAS SEEN IN WHAT SCENE ... AND WHO DID WHAT. The story is then recapped in 6 minutes of simple, minimally animated cartoon images, allowing the names of the many cast members who each appeared in just one scene to be shown in relation to that scene, often adjacent to a cartoon image of their character. The cast is therein listed in order of appearance. The character names don't appear. Some of the crew credits (WHO DID WHAT) are interspersed with the cast credits, with the remainder at the end. The very last thing shown is the film's title.
- Versioni alternativeWhen Warner Bros. bought the rights to this film from Elizabeth Taylor (to whom United Artists lost control of the film in the 1970s) for its later re-releases, some prints were heavily edited. An uncut print of the 35mm version has been shown on cable TV.
- ConnessioniEdited into I Monkees: Monkees Mind Their Manor (1968)
- Colonne sonoreRock-a-Bye Baby
(uncredited)
Arranged by Victor Young
[In the score: When the scientists go to sleep in the "Trip to the Moon" sequence.]
Recensione in evidenza
As I watched "Around the World in Eighty Days" tonight, I noticde that it is a beautiful and spectacular film. The first time I tried seeing it was on a 25" TV--this time it's on a 58" one and the beauty is much more obvious. Too bad I couldn't have seen this on the big screen using the amazing 70mm cameras. And, if they brought it back to the theaters, I might be tempted to see it that way--even though the film does have many shortcomings.
I've got to be honest here, I tried watching this film years ago and gave up on it. The only reason I am watching it through to the end now is that I would like to eventually see all the Best Picture winners--even the incredibly overblown ones. This brings me to a pet peeve I have. I HATE films that feature a bazillion cameos. I find that often the plethora of stars tend to get in the way of the story and often soak up a huge portion of the budget--leaving precious little for writing. Some of the stars in the film are very international in flavor and I never would have recognized them the first time I tried to see this movie 25 years ago. Now, after having seen and reviewed a ridiculous number of films, I was actually excited by some of these casting decisions. Catinflas, though completely unknown in America did some marvelous little comedies in Mexico--and he is the other reason I chose to try watching the movie again. I was to see Fernandel (who also made many wonderful films--in France and Italy). But, I was also maddened because his cameo as a hack driver was so short and unfunny--completely wasting his wonderful comedic talents. And this trend continued for several more of the cameo--wonderful actors who really have nothing to do and are pretty much wasted.
At least 30 minutes could have and should have been cut from the film. I am NOT against long films...if they are well-paced. Too many times in this movie, however, scenes just unfold way too slowly--such as when the balloon is going over the Alps. A VERY LONG period of nice music and shots of the balloon are shown--when it really seemed interminably long. This reminded me of the major problem with "Star Trek: The Motion Picture"--too many unnecessarily long shots which killed the film's momentum. The bullfighting scene is also one that goes on and on and on and could have been 1/3 as long. Many other such examples followed.
So is it a great film? No. I agree with another reviewer who felt the movie got an Oscar for Best Picture simply because it was such a spectacle--not because it was especially good. It's one of the weaker Best Picture films of the era, in my opinion. However, I must give the film its due. The movie is beautiful in every way--great costumes, amazing locations and sets, breathtaking cinematography and a scope that cannot really be matched. But, it is also very, very , very long with poor pacing, suffers from an overuse and wasting of cameos and just isn't that interesting. Catinflas was a very gifted and funny man--here you don't get a great sense of that at all. Likewise, David Niven was a very fine actor--but here he's more like set dressing and you don't get to see him at his best.
Before I conclude, let's talk about the cameos. With all the many cameos, why did they pick Shirley MacLaine to play an Indian princess?! Talk about bizarre casting! And why have Frank Sinatra in a cameo that takes two seconds and he just turns and smiles at the camera?! I don't get it. And what was with John Carradine?! Even for him he over-acted horribly.
I've got to be honest here, I tried watching this film years ago and gave up on it. The only reason I am watching it through to the end now is that I would like to eventually see all the Best Picture winners--even the incredibly overblown ones. This brings me to a pet peeve I have. I HATE films that feature a bazillion cameos. I find that often the plethora of stars tend to get in the way of the story and often soak up a huge portion of the budget--leaving precious little for writing. Some of the stars in the film are very international in flavor and I never would have recognized them the first time I tried to see this movie 25 years ago. Now, after having seen and reviewed a ridiculous number of films, I was actually excited by some of these casting decisions. Catinflas, though completely unknown in America did some marvelous little comedies in Mexico--and he is the other reason I chose to try watching the movie again. I was to see Fernandel (who also made many wonderful films--in France and Italy). But, I was also maddened because his cameo as a hack driver was so short and unfunny--completely wasting his wonderful comedic talents. And this trend continued for several more of the cameo--wonderful actors who really have nothing to do and are pretty much wasted.
At least 30 minutes could have and should have been cut from the film. I am NOT against long films...if they are well-paced. Too many times in this movie, however, scenes just unfold way too slowly--such as when the balloon is going over the Alps. A VERY LONG period of nice music and shots of the balloon are shown--when it really seemed interminably long. This reminded me of the major problem with "Star Trek: The Motion Picture"--too many unnecessarily long shots which killed the film's momentum. The bullfighting scene is also one that goes on and on and on and could have been 1/3 as long. Many other such examples followed.
So is it a great film? No. I agree with another reviewer who felt the movie got an Oscar for Best Picture simply because it was such a spectacle--not because it was especially good. It's one of the weaker Best Picture films of the era, in my opinion. However, I must give the film its due. The movie is beautiful in every way--great costumes, amazing locations and sets, breathtaking cinematography and a scope that cannot really be matched. But, it is also very, very , very long with poor pacing, suffers from an overuse and wasting of cameos and just isn't that interesting. Catinflas was a very gifted and funny man--here you don't get a great sense of that at all. Likewise, David Niven was a very fine actor--but here he's more like set dressing and you don't get to see him at his best.
Before I conclude, let's talk about the cameos. With all the many cameos, why did they pick Shirley MacLaine to play an Indian princess?! Talk about bizarre casting! And why have Frank Sinatra in a cameo that takes two seconds and he just turns and smiles at the camera?! I don't get it. And what was with John Carradine?! Even for him he over-acted horribly.
- planktonrules
- 12 dic 2011
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Around the World in 80 Days
- Luoghi delle riprese
- Sylhet, Bangladesh(train trip)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 42.000.000 USD
- Lordo in tutto il mondo
- 42.009.549 USD
- Tempo di esecuzione2 ore 47 minuti
- Proporzioni
- 2.20 : 1
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Divario superiore
By what name was Il giro del mondo in 80 giorni (1956) officially released in India in Hindi?
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