Il terrore sul mondo

In the third and final installment of the "Creature" trilogy, it is clearer than ever that the real monsters are the scientists themselves, with their constant prodding and poking of nature. The Creature is bestial, but no more evil than a wolf or a lion, when you come down to it. He is a natural part of his landscape. But Man is not content to leave him there.

In the first movie, the scientists didn't really know there was a living Creature. That story was one of survival...kill or be killed. In the second film, Man is not content to let the Creature live his isolated existence, so he is captured, brought to civilization and displayed like a sideshow freak. In "Creature Walks Among Us", science now thinks it can "improve" the Creature. As one might expect, the results are tragic.

Millionaire scientist Bill Barton is obsessed with capturing the Creature and "tweaking" him. Barton himself is a seriously unbalanced man...abusive to his beautiful "trophy" wife and insanely jealous when she is in the company of other men. Barton is the ultimate control freak and as his hold over his wife weakens, he increases his control over the Creature, capturing him. When the Creature is severely burnt by a fire, Barton and his team of scientists convert him into a hulking, ungainly land beast that even wears clothes.

The "land" Creature is a pathetic sight and evokes tremendous sympathy. Despite the constant babbling of the egg-heads to the contrary,the Creature is not meant to be a land dweller. Graceful and natural in the water, he is a stumbling, confused brute in the air. Yet his instinct always guides him back to the water where he belongs.

As Barton's marital and mental condition deteriorates, it is also clear that humans are more purely hateful, grasping and neurotic than animals. Finally, both the Creature and Barton erupt into violent conflict.

The movie has its slow spots but is extremely well-directed, almost like a film noir. The scene where the Creature catches fire is breath-taking, but it's the haunting last scene of the movie that will stay with you. At the end, there is nothing "monstrous" about the Creature anymore. He is a victim, pure and simple. This radical concept makes this movie daringly different from almost every other 50's monster flick.

The acting is pretty good, with Rex Reason playing a sympathetic scientist who is the voice of reason. Jeff Morrow (who co starred with Reason in "This Island Earth") is nasty but nuanced as the grasping Barton. Leigh Snowdon is lovely as Barton's sexy young wife and also gives a pretty good performance.

More than just a monster movie, this is thought-provoking entertainment. "The jungle or the stars?" asks Dr. Morgan, concerning mankind's destiny. Watching "The Creature Walks Among Us" doesn't make me too optimistic about the stars...

THE CREATURE WALKS AMONG US has another group of scientists trying to capture the gill man in his storied lagoon. This time, they're led by demented zillionaire, Dr. William Barton (Jeff Morrow) who has big plans for the scaly monster. Among others, Barton has enlisted Dr. Thomas Morgan (Rex Reason) to help in his endeavor. Along for the ride is Barton's beautiful, bored wife, Marcia (Leigh Snowden), who gets her turn at an obligatory "swim scene".

As in the first two films, the humans can't leave well enough alone. After drugging and burning the poor creature, they have to save his life, making an astonishing discovery in the process. Back at Barton's estate -after what feels like a century- the beast must adjust to his new life as a landlubber! An electrified prison is his new "home".

In reality, this installment has more depth than the first two movies. The creature becomes a sympathetic being, a true "fish out of water". Barton, who's neglected wife has been cavorting with Morgan, is driven mad with jealousy and rage. Who is the true "monster"? A great movie with a terrific, totally berserk ending.

P.S.- It's cool to see Morrow and Reason reunited after having starred together in THIS ISLAND EARTH...

I remember seeing `The Creature Walks Among Us' on TV as a kid. The local syndicated TV channel had worked out a deal with Burger King where you would buy one of their Happy Meal rip-offs (whatever they were called then) and get a pair of 3D glasses, so you could watch the movie with its `full effect.' Brilliant. I don't recall that the 3D worked very well (it rarely does on a TV screen), but I do remember how excited I was to stay up late and see the Creature from the Black Lagoon arise again in glory.

Now this was the third film in the `Creature' trilogy, and it's clear that the budget was far smaller than on either of the previous films. I'm guessing that accounts for the recycled underwater footage (there is not one new shot of the Creature swimming – it's all from the first film) and the limited use of the original Creature suit. In all probability, the suit was showing its wear and tear, we only see it from the waist up, in darkness, except for the brief scene in which they set it on fire (!). After the Gillman is captured, they explain his modified (cheaper) makeup by explaining that he is `mutating' to adapt to air-breathing circumstances. Apparently his skin is now so `sensitive' that he is required to wear a potato sack for `protection.' This means that they only had to come up with hands and a head for the actor to wear, rather than a full-bodied suit.

Still, there is something compelling about this picture, even after 20 years of growing up. Somehow the fact that the Creature is brought into our world and made to wear clothes reminds one of the Fall of Man, and our unexpected shame at our nakedness. This Creature still longs for that innocence, for a return to his primal water environment, even though his gills are damaged and his lungs would drown if submerged. The romantic subplot parallels this theme in its reversal of the original `Creature' pattern. This time, instead of a lustful but rich scientist hitting on the Hero's girl, the girl is married to the rich but jealous scientist while our Hero reminds her what love is meant to be like. This girl is already Fallen, and she begins the movie looking like a slut, but she slowly comes around to innocence, under the charms of Rex Reason.

Jeff Morrow and Rex Reason have a fascinating chemistry, just as interesting here as in their better known picture, `This Island Earth.' In that movie, again, Morrow plays the scientist who `has it all' – unlimited funding, access to advanced alien technology, and Reason portrays the good guy who won't sell his soul to get ahead. This version of the story has Reason a bit more subdued, and Morrow a bit more paranoid/manic. Comparing the two films makes it possible to appreciate the actors' range, and makes me wish they had worked together more often.

After seeming to have been killed at the end of each prior installment (with no explanation in this or the prior sequel how he survived), the Gill Man is now residing in the Everglades of Florida. Wealthy scientist Jeff Morrow has gathered a team of medical and scientific types to help him catch the Gill Man and study him. The creature is caught, but seriously burned in the process. Rushing him back to the boat, they wrap him up in bandages, and try to save his life. As he recuperates, his gills fall off, and a humanistic skin if found underneath. Okay, a little far fetched, but, the Gill Man is in between man and fish, so this plotline works. What got me was that the new human Gill Man is gigantic and lumbering in size, where the original was trim and athletic. That never made sense to me. Don Megowan (the new Gill Man) was a big fellow, and his size made him more menacing, but, I have always had a problem with that size and weight difference.

Again, we're treated to some excellent underwater photography. And, the action is on par. Jeff Morrow is nicely evil, and Rex Reason is ruggedly masculine as the hero. Leigh Snowden as Morrow's wife, lends the added touch of beauty to the story, and Greg Palmer's rather slimey character is played perfectly.

Almost any movie could have been improved upon (well maybe not an Orson Welles or Frank Capra film), and yes, there could have been some changes that would have made this better, but, I still like today as I did in 1956 when I first saw it. It's a proud member of my classic library. For most, this would be a fair at best movie, but, you gotta give 'em credit for trying to be original with the Gill Man, and not just rehashing parts one and two. Also, the team of Morrow and Reason always made for good viewing.

MORD39 RATING: *** out of ****

Why Oh Why do so many fans never let go of an original film and denounce any improvement that might be made? While the original film is a classic of the fifties, I think that was purely because it was the first (a distinct advantage most first films in a series have!)

The second film was only "okay," and was a rehash of the first one. But why I like #3 so much is due to the daring change made to the Creature himself. He looks truly menacing and powerful when he becomes a land being, but more importantly he becomes much more human-like. We get to see how docile he truly is, and how it turns out to be that destructive animal known as Man who really makes him wild.

When the Creature DOES get wild in this one, he's a REAL killing machine! The rampage he goes on in this movie still packs a jolt for me.