La città assediata

This movie surprised me a little bit. From the title and the description of the movie on the DVD jacket, I was expecting to find almost a quasi-documentary about the Berlin airlift. There is some interesting stuff about the airlift. The challenges of flying in and out of Berlin in the era seem to be well documented, and there was what seemed to me to be a wholly authentic picture of American military life in that era, heightened by the fact that aside from Montgomery Clift and Paul Douglas, all the military personnel portrayed played themselves. Having said that, the movie really turned out to be more of a slice of life depiction of what it was like to live in Berlin during these post-war years, and especially during the airlift.

The movie focuses really on the budding relationship between Sgt. MacCullough (Clift) and a German woman he meets and falls in love with (played very well by an actress named Cornell Borchers.) As we watch their relationship develop we are introduced to the situation in Berlin - a city still largely in ruins 5 years after the end of World War II, food and electricity in short supply, hopelessly divided into the different zones of occupation, some Germans struggling with a Nazi legacy, others co-operating with the Russians just to survive, and (in the greatest irony of all) a people totally dependent on the Western allies (who had so recently been their enemies) for their survival. Douglas offered a pretty good portrayal of an American soldier (Kowalski) who had been held in a German POW camp during the War and who struggled with his anti-German feelings all the way through. After being a bit taken aback to discover that this movie wasn't what I had expected it to be, I ended up getting quite caught up in the story. As a very early piece of Cold War movie-making propaganda, it obviously glorifies the American ideal, but it's pretty well put together and enjoyable all the way through. 7/10

Found this one recently on DVD at my local market. Have mixed feelings about it. On the negative side there is the picture quality with too high a contrast, plus an abysmal and tinny-sounding soundtrack. Storywise, the first 27 minutes were superfluous and my interest as a spectator was only aroused from minute 28 onwards. I reckon the whole gamut could have been locked into a 1h 35m stint instead of the two hours it took in reality.

On the positive side, however, the film is a very interesting insight into the Berlin under blocade of the 1950's. Filmed on location with the Berliner people, you couldn't ask for a greater dose of realism. Some of the scenes are overlong, notably those within aircraft, which gets boring. What interested me were the character developments of the four main protagonists, plus the "russian spy". I found Montgomery Clift's character too weak and passionless and was more interested by the character portrayed by Paul Douglas, as well as that portrayed by Cornell Borchers ( I was most unpleasantly surprised when I realised what her real intentions were ). A most impressive moment in the film is when Clift confronts Borchers on her past in front of the house in rubble. As he leaves her, disgusted, a great part of wall comes tumbling down ! I don't know whether it was done on purpose, or whether it was just a coincidence during the filming. Whatever the hypothesis, it was most impressive.

My appreciation of the film on balance is definitely positive in relation to its plot and character development but oh how I wish they could have given it a clear stereo soundtrack !!!

To say that a film is dated because it was shot on location in 1950 (which, I suppose, is history for most of us now) is pretty inadequate. If anything makes this film still interesting it is BECAUSE it was shot on location in 1950. As a young German who only knows a wealthy comfortable democratic Germany I find the very setting the most intriguing, as is the case with the more serious "Germania anno Zero" by Rosselini. The film has its values, however, but is, admittedly, more on the entertaining side. Nice to spot later Haimatfilm and TV favourites in a Hollywood production. If you like Berlin and don't mind an "old" look, watch Billy Wilder's "One, Two, Three", shot 10 years later. To me as funny as "Some Like it Hot", and that means VERY funny.

This is film is one of the best true-life adaptations of an historical event - The Berlin Airlift. It was made on location in Berlin with the full cooperation of the US Military who actually played minor acting roles with the exception of the principal actors. The movie does an excellent job in portraying the bleak situation that the Berliners had to endure as a result of the Soviet blockade along with all the wrecked structures all of the city and the hording of black market staples such as coffee and coal. The most interesting portrayal in this film is the Paul Douglas character of that of an American seargant who has no love for the Germans and goes out of his way to be rude and act like a true "occupation" taking revenge out on a former Nazi prison guard that tormented him while he was a prisoner.

Its probably the most realistic portrayal of an American soldier after the war when technically the US Army was an occupation force along with the British and French. In addition, the portrayal of the German widow who really hated the Americans was probably realistic as well. These characters seemed more than stereotypes which was common in films portraying the political situation at the time. It does a good job in showing how ordinary soldiers and people can have divided loyalties and wrestle with the adverse situation that befell them in Berlin at the time. Truly a time capsule of Postwar Berlin.

Just saw The Big Lift. Bought the DVD for 3 dollars. Out-dated since it was filmed on location in Berlin in 1950 at the beginning of the Cold War. However, the camera work, the on-location shots, the use of real military people as actors, and the out-standing performances by Monty Clift and Paul Douglas make this an entertaining night at the movies.

The acting is so good, it doesn't seem like a film at all. Somewhat slow in parts, but overall pretty good. Even a surprise ending. Paul Douglas steals the movie & there is one very disturbing scene in the film in which he is fantastic. Also, you get to see how really handsome Monty Clift really was before the car accident and party-life style aged him way before his time.