VALUTAZIONE IMDb
7,6/10
15.444
LA TUA VALUTAZIONE
Due giovani disturbati liberano il loro fascino per le pistole attraverso una follia criminale.Due giovani disturbati liberano il loro fascino per le pistole attraverso una follia criminale.Due giovani disturbati liberano il loro fascino per le pistole attraverso una follia criminale.
- Premi
- 1 vittoria
Russ Tamblyn
- Bart Tare (age 14)
- (as Rusty Tamblyn)
David Bair
- Dave Allister (child)
- (as Dave Bair)
Frances Irvin
- Danceland Singer
- (as Frances Irwin)
Trama
Lo sapevi?
- QuizThe bank heist sequence was done entirely in one take, with no one outside the principal actors and people inside the bank aware that a movie was being filmed. When John Dall as Bart Tare says, "I hope we find a parking space," he really meant it, as there was no guarantee that there would be one. In addition, at the end of the sequence someone in the background screams that there's been a bank robbery - this was actually a bystander who saw the filming and assumed the worst.
- BlooperThe shadows of the cameraman, camera, and tripod are visible when the car cuts through the canyon in final chase.
- ConnessioniEdited into La città spenta (1953)
Recensione in evidenza
Bart Tare (John Dall) had a fascination with guns from an early age, even getting sent to a reform school at the age of 14 for yet another gun related incident. Back home now as an adult, after a stint in the army, he falls for a sharp-shooting carnival girl called Annie Laurie Starr (Peggy Cummins) and promptly joins the act. But after a fall out with the boss, the pair hit the road and turn to a life of crime - with Annie particularly showing a thirst for gun-play.
No doubt inspired by real life outlaws Bonnie Parker and Clyde Barrow, "Deadly Is the Female" (AKA: Gun Crazy) is as good a "doomed lovers on the lam" picture that has ever been made. It may be a "B" movie in terms of production, but no doubt about it, this film is stylish, crafty and also very sexy. Directed by the unsung Joseph H. Lewis ("My Name Is Julia Ross/The Big Combo"), it's based on a story written by MacKinlay Kantor that was reworked by Millard Kaufman (AKA: the then blacklisted "Dalton Trumbo"), into one that links sex and violence whilst simultaneously casting an eye over gun worship and its place in the American way of life. Dall & Cummings looked on the surface an odd pairing, but under Lewis' direction they go together like gun and holster (ahem). He is well spoken, almost elegantly fragile with his musings, yet underneath there is still this twitchy gun fanatic. She is savvy, almost virginal in sexuality, but ultimately she's a wild cat who's practically un-tamable.
The work of Lewis here should not be understated, check out the quite sublime continuous one take bank robbery. While marvel throughout at his long takes, use of angles, deep focus and jerking camera movements - all of which dovetail with our protagonists as they go on their nihilistic journey. But perhaps his master-stoke was with his preparation tactics for his two leads?. Sending them out with permission to improvise, he fired them up with sexual pep talks, and the result, in spite of the inevitable "code" restrictions, is a near masterpiece, a true genre highlight, and a film that continues to influence as much as it still entertains. 9/10
No doubt inspired by real life outlaws Bonnie Parker and Clyde Barrow, "Deadly Is the Female" (AKA: Gun Crazy) is as good a "doomed lovers on the lam" picture that has ever been made. It may be a "B" movie in terms of production, but no doubt about it, this film is stylish, crafty and also very sexy. Directed by the unsung Joseph H. Lewis ("My Name Is Julia Ross/The Big Combo"), it's based on a story written by MacKinlay Kantor that was reworked by Millard Kaufman (AKA: the then blacklisted "Dalton Trumbo"), into one that links sex and violence whilst simultaneously casting an eye over gun worship and its place in the American way of life. Dall & Cummings looked on the surface an odd pairing, but under Lewis' direction they go together like gun and holster (ahem). He is well spoken, almost elegantly fragile with his musings, yet underneath there is still this twitchy gun fanatic. She is savvy, almost virginal in sexuality, but ultimately she's a wild cat who's practically un-tamable.
The work of Lewis here should not be understated, check out the quite sublime continuous one take bank robbery. While marvel throughout at his long takes, use of angles, deep focus and jerking camera movements - all of which dovetail with our protagonists as they go on their nihilistic journey. But perhaps his master-stoke was with his preparation tactics for his two leads?. Sending them out with permission to improvise, he fired them up with sexual pep talks, and the result, in spite of the inevitable "code" restrictions, is a near masterpiece, a true genre highlight, and a film that continues to influence as much as it still entertains. 9/10
- hitchcockthelegend
- 27 nov 2009
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Gun Crazy
- Luoghi delle riprese
- 2300 E Olympic Blvd, Los Angeles, California, Stati Uniti(Armour meatpacking plant)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 400.000 USD (previsto)
- Lordo in tutto il mondo
- 17.322 USD
- Tempo di esecuzione1 ora 27 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was La sanguinaria (1950) officially released in India in English?
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