VALUTAZIONE IMDb
4,9/10
2638
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn astronaut crew on their way to the Moon are unexpectedly propelled by gravitational forces and end up on Mars instead.An astronaut crew on their way to the Moon are unexpectedly propelled by gravitational forces and end up on Mars instead.An astronaut crew on their way to the Moon are unexpectedly propelled by gravitational forces and end up on Mars instead.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Patrick Aherne
- Reporter #1
- (as Patrick Ahern)
Kathy Marlowe
- Reporter
- (as Katherine Marlowe)
Tom Coleman
- Reporter
- (non citato nei titoli originali)
James Conaty
- Doctor Taking Lisa's Blood Pressure
- (non citato nei titoli originali)
Sam Harris
- Reporter at Press Briefing
- (non citato nei titoli originali)
Judd Holdren
- Reporter #3
- (non citato nei titoli originali)
Stuart Holmes
- Reporter
- (non citato nei titoli originali)
Barry Norton
- Reporter
- (non citato nei titoli originali)
Cosmo Sardo
- Reporter
- (non citato nei titoli originali)
Bert Stevens
- Reporter
- (non citato nei titoli originali)
Recensioni in evidenza
Writer-Producer-Director Kurt Neumann put together an excellent ensemble cast, and accomplished having Lippert Pictures finance this $96,000 venture in 1950. This is a simple picture that works due to fine direction, players and technical staff. Karl Struss, one of Hollywood's most admired photographers, lensed the picture. One of the best known American composers, Ferde Grofe, wrote the musical score, and one reviewer found it more original than John Williams' STAR WARS score. Although the technical knowledge that exists today dates the picture somewhat, this picture is not campy because it has a serious tone to it, and most audiences key in on that. The original soundtrack recording of the score received an LP release on the Starlog label during the 70's. There are now moves underfoot to re-record the entire score for a CD release, possibly in 2001.
ROCKETSHIP XM received some updates in the 70s, when some new special effects scenes were shot and released on VHS. This version is currently available from video sources.
ROCKETSHIP XM received some updates in the 70s, when some new special effects scenes were shot and released on VHS. This version is currently available from video sources.
Despite what we would now consider laughable scientific goofs, this science-fiction film carried itself well as a dramatic film. The actors were all solid professionals. The Martian settings were believable. The sentiments, while a bit pretentious, were sincere and laudable. It was an early attempt at mature science-fiction and succeeded better than many more polished, but cynical efforts that came later on.
I first saw this when it came out in the theater. Though only 13 at the time, I was an avid reader of "hard science" science fiction stories. The technical gaffes of the film are burned into my memory.
Some of the following may have significant spoilers.
Even as a youngster, I knew the premise is silly. The rocket takes off for a lunar mission, in a cosmos where there is always a gravitational effect on the crew (though loose objects float as in zero gravity) and because of that, the "cabin" (the area with the controls, whatever they called it) was gyrostabalized to maintain the "correct" orientation (so that when they landed, why didn't they land standing on their heads?) and where, at least in near-earth space, the rocket engines had to be running continually -- with propellant combusting away without an oxidizer. When the engines quit, the rocket stopped _dead_ in space, and couldn't start going until a PhD chemist determined it needed at a little oxidizer. This time, the rocket recalled it had momentum, and the next thing our heroes know they're near Mars (even a 13-year-old nerd knew such a minimum-energy trip would take over 200 days).
They land, find the air was breathable (though at the time scientific data revealed that the pressure, even if the atmosphere were pure oxygen, would be too low to do any good). They decide to camp outside the ship, and even build a campfire. They come armed, even though they were supposedly going to the Moon, where firearms wouldn't be needed.
They get a sight of a collapsed civilization, encounter stray martians who look just like people, develop an anti nuclear war philosophy, and those who survive try to get back to the home planet, and die in the attempt by crashing on the Earth! To do that would require such a long orbital period, they'd have died of starvation long before approaching their destination.
The film it preceded, Destination Moon, used real science most effectively (even though their "rescue" with the Oxygen Tank forgot about the moment arm from the tank's center of gravity to the output nozzle). This film showed woeful ignorance of even the most basic science. Only the most technologically illiterate should think of it as a science fiction film: it's on a par with the old Flash Gordon serials where their rocketships took off from their bellies and climbed in spirals, and whose engines were always on.
The story on this one I considered banal, and I can recommend this only as a film to be shown to students for them to pick out technical gaffes.
Some of the following may have significant spoilers.
Even as a youngster, I knew the premise is silly. The rocket takes off for a lunar mission, in a cosmos where there is always a gravitational effect on the crew (though loose objects float as in zero gravity) and because of that, the "cabin" (the area with the controls, whatever they called it) was gyrostabalized to maintain the "correct" orientation (so that when they landed, why didn't they land standing on their heads?) and where, at least in near-earth space, the rocket engines had to be running continually -- with propellant combusting away without an oxidizer. When the engines quit, the rocket stopped _dead_ in space, and couldn't start going until a PhD chemist determined it needed at a little oxidizer. This time, the rocket recalled it had momentum, and the next thing our heroes know they're near Mars (even a 13-year-old nerd knew such a minimum-energy trip would take over 200 days).
They land, find the air was breathable (though at the time scientific data revealed that the pressure, even if the atmosphere were pure oxygen, would be too low to do any good). They decide to camp outside the ship, and even build a campfire. They come armed, even though they were supposedly going to the Moon, where firearms wouldn't be needed.
They get a sight of a collapsed civilization, encounter stray martians who look just like people, develop an anti nuclear war philosophy, and those who survive try to get back to the home planet, and die in the attempt by crashing on the Earth! To do that would require such a long orbital period, they'd have died of starvation long before approaching their destination.
The film it preceded, Destination Moon, used real science most effectively (even though their "rescue" with the Oxygen Tank forgot about the moment arm from the tank's center of gravity to the output nozzle). This film showed woeful ignorance of even the most basic science. Only the most technologically illiterate should think of it as a science fiction film: it's on a par with the old Flash Gordon serials where their rocketships took off from their bellies and climbed in spirals, and whose engines were always on.
The story on this one I considered banal, and I can recommend this only as a film to be shown to students for them to pick out technical gaffes.
Got to remembering this old flick lately and decided to try to find a copy. Imagine my suprise when I found it in a dual pack which included "Destination Moon" (1950). Bought them both in a heartbeat! Although both are "primitively" produced I personally think they did a good job for what they had to work with. I would be a gas to see a remake of both using todays technology.
Rocketship X-M is a solid film, and is a darker, less optimistic effort than 1951's "Flight to Mars". The 50th anniversary DVD edition is amazing, and the "Sepiacolor" scenes on the martian surface are quite effective.
Buffs will notice that the very brief (5 second) image of the ship on the surface is a different image than in the original. The use of Death Valley for the Martian surface (at dusk) is much more effective that in scenes from Flight to Mars, which were probably all shot in a studio. Lloyd Bridges is in love with himself even more than he is with the German girl scientist on board - which is kind of nauseating - but overall, the film is a favorite.
Classical music lovers will take note of the music score by Ferde Grofe, better know for his Grand Canyon Suite and other orchestral works.
Buffs will notice that the very brief (5 second) image of the ship on the surface is a different image than in the original. The use of Death Valley for the Martian surface (at dusk) is much more effective that in scenes from Flight to Mars, which were probably all shot in a studio. Lloyd Bridges is in love with himself even more than he is with the German girl scientist on board - which is kind of nauseating - but overall, the film is a favorite.
Classical music lovers will take note of the music score by Ferde Grofe, better know for his Grand Canyon Suite and other orchestral works.
Lo sapevi?
- QuizWhen the film was originally released theatrically in 1950, the sequences on Mars were tinted red so as to impart a sense of the alien Red Planet into the black-and-white film. But subsequent TV prints did not reproduce this effect, and for decades the Martian scenes were shown only in black-and-white until the red tint was restored for home video in the early 1980s.
- BlooperWeightlessness appears to affect some props (harmonica, jacket), but not others (sandwich, papers, long hair, ties).
- Citazioni
Harry: From this distance it would only appear a mere speck.
Major Corrigan: A mere speck? *Texas* a mere speck?
- Versioni alternativeIn the original theatrical version, the Mars scenes were tinted pink/red.
- ConnessioniEdited into Il continente scomparso (1951)
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Dettagli
Botteghino
- Budget
- 94.000 USD (previsto)
- Tempo di esecuzione
- 1h 17min(77 min)
- Colore
- Proporzioni
- 1.37 : 1
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