Three Husbands

Screen Play and Story by Vera Caspary, a writer, known for "Laura" (1944), "A Letter to Three Wives" (1949), and my favorite Bachelor in Paradise (1961.)

Basic story is Englishman that moved to California, Max (Emlyn Williams) dies of a hart attack. In the process of heavenly internment, he is given a wish. He has ben a naughty boy with three men's wife's and leaves them each a letter inferring this. Now he (and we) wants to see their reaction.

The story is so, so, and we must put up with Hollywood Production Code.

On the plus side you will see many familiar faces (actors) and try to remember where you have seen them before.

Released the year following the very successful drama LETTER TO THREE WIVES from 20th Century Fox, this United Artists film alters its predecessor's formula by reversing the gender configuration while constructing the storyline as a comedy, producing a favourable impression upon viewers appreciative of clever plotting, witty dialogue and strong playing. It opens with a voice-over conversation between recently deceased playboy Maxwell Bard (Emlyn Williams) and a representative of Heaven deciding upon his single allotted request granted to the newly passed on - Max wishes to be permitted to view reactions over a 24 hour period of three poker playing pals when they open letters, addressed to them from him, that reveal details of ostensible dalliances that their wives enjoyed with the rakish Bard. The three husbands, performed by Shepperd Strudwick, Howard Da Silva, and Robert Karnes, display varying reactions during flashbacks revealing that, in each case, the men recall events that, in retrospect, do indeed indicate possible acts of infidelity by their wives, played respectively by Ruth Warrick, Eve Arden, and Vanessa Brown, as all the while the sardonic shade of Max hovers about the resultant comedic marital straits. Crisply paced and directed well by Irving Reis, this work is generally well played by the seven principals, although acting bays go to Louise Erickson as Matilda, or "The Menace", as she is tagged in the credits due to an adulterous liaison with one of the husbands, and there are valuable contributions from cinematographer Franz Planer and designers Rudolph Sternad and Edward Boyle.

4/20/18. I have forgotten why I originally wanted to watch this. Well, it wasn't that much of a romantic comedy and it didn't hold up too well over time. Enjoyed seeing Eve Arden though.

After suffering a fatal heart attack, confirmed bachelor Emlyn Williams (as Maxwell "Max" Bard) gives heavenly greeters his last wish - he would like to observe events on Earth for the next twenty-four hours. And, with good reason. Mr. Williams has left not only a will, but also letters to "Three Husbands" admitting affairs with each of their three wives. The three men are poker playing pals Shepperd Strudwick (as Arthur Evans), Robert Karnes (as Kenneth Whittaker), and Howard Da Silva (as Dan McCabe). Their respective wives are Ruth Warrick (as Jane), Vanessa Brown (as Mary), and Eve Arden (as Lucille).

Mr. Strudwick, who is having an affair with attractive Louise Erickson (as Matilda Clegg) nevertheless takes the news hard.

Mr. Da Silva thinks the letter is a dead man's a joke, until Ms. Arden hints otherwise. And, happily married Mr. Karnes becomes frantically jealous. The admissions of infidelity threaten all three marriages, as everyone wonders if Williams was writing the truth… This lighter, low-budget take on the hit "A Letter to Three Wives" (1949) is surprisingly adroit, for what it cost; though, obviously, it would have had a greater impact if done ten years earlier, or updated decades later. Williams leads a fine ensemble cast, with bartender Jerry Hausner, butler Benson Fong, and elevator man Frank Cady given memorable "bit" parts.

****** Three Husbands (3/8/51) Irving Reis ~ Emlyn Williams, Eve Arden, Shepperd Strudwick, Robert Karnes

Plot-- From cloudy heaven, a departed playboy gleefully watches three married couples grapple with problems he's created with incriminating letters to the husbands. Could it be that he has a hidden purpose.

Pairing the sardonic Eve Arden with the gruff Howard DaSilva has all kinds of comedic potential. Too bad they don't get more barbed screen time. Then the sometimes comedy, sometimes drama, would get more needed spark. There's clever banter among the three couples, but much of the acting, particularly Strudwick and Karnes, fails to lift beyond the blandly conventional. Nor does Reis's direction heighten the effects. Nonetheless, actor Williams manages to make his potentially dislikable character, Max, oddly likable. Also, scenes in celluloid heaven could raise a touchy 'who-rules' religious problem. However, the script finesses this by making the gate-keeper sound like a corporate auditor without indicating who's ultimately in charge.

Overall, it's an indie production that shows its limitations; at the same time, the occasional snappy dialogue amounts to the best part.