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Broderick Crawford plays a cop in this excellent crime drama. (I wouldn't call it a film noir but I'd say it got to the location of "On the Waterfront" first. And, in my very humble opinion, pulled together a better story.) The dialogue has a snappy edge that isn't found much in gangster movies of this period. The guys -- and it's mostly all guys here -- have a sarcastic way of communicating. They talk like athletes or construction workers. I've been both and I know. A lot of calling each other cheerleaders and other ways of joking about their masculinity. But it's done in a good-natured, blue collar. There is no hint of anti-gay sentiment.

Broderick Crawford generally seems so different from his mother it's hard to imagine they were related in that way. But here we pick up his casually comic timing.

Crawford is excellent as a policeman who goes undercover on the docks. Richard Kiley shines as one of the guys -- giving nothing away, here -- he deals with. And Matt Crowley is fine as another. (I checked on him and he played Walter Burns in a TV version of "The Front Page in 1945. Wow! I didn't know there WAS TV in 1945.) The actress playing Crawford's girlfriend isn't bad. She plays a nurse and she seems wholesome. Wholesome and dull. She seems to have few film credits.

This has an authentic feel. And it's different, too. It's definitely a keeper.

The title of this review says it all. In 1951, who knew who Ernest Borgnine, Richard Kiley and Charles Buchinsky were? But in this Columbia noir, made after Broderick Crawford became an unlikely star because of ALL THE KING'S MEN has the lead going undercover to investigate racketeering on the docks, we see how good actors can overcome a basically decent script overloaded with 'snappy' dialog, cheap sets and unexceptional directing. The actors are, frankly, amazing and this is as good as a movie can get with a major flaw like this -- ace DP Joseph Walker can't do much with the studio sets and back projection, but he makes a good effort with a highly mobile camera.

I saw The Mob at Cinevent in 2013 and it was the best film of the weekend. This tight noir is filled with great one-liners and unexpected twists.

Broderick Crawford plays a cop who goes undercover as a hoodlum to try to take down a crime ring. We constantly question whether he is totally legit because his mouth is just as tough as the criminals' he's working to put in jail. The story keeps moving and if you blink you might miss something, but the plot never quite gets away from the viewer. This is realism done with panache. It is unfortunate that this movie has had no formal release because it is certainly worth seeing.

Three years before 'On the Waterfront' Broderick Crawford was already there busting the rackets in this tough little thriller backed by a big police operation with advanced surveillance technology at its disposal, a wisecracking script by William Bowers, atmospheric photography by veteran Columbia cameraman Joe Walker and a creepy supporting cast of ugly young faces including Ernest Borgnine, Neville Brand, Charles Bronson and John Marley to give big Brod a friendly reception...

Broderick Crawford plays a cop who goes undercover to infiltrate the mob. And to make them think he's "their kind of guy" he comes into town with a major attitude and a willingness to slug anyone who gets in his way. However, this is no routine assignment, as there are lots of dangerous twists and turns and repeatedly it appears he's about to buy the farm. I particularly loved the very tense and rather violent ending in the hospital---you just have to see it to understand.

This film has one of the most important ingredients of Film Noir down pat--it has one of the ugliest casts in film history!! True lovers of this gritty genre know that actors in such films can't be "pretty boys" but ugly and cold-blooded killers. That's why when I saw this film starred Broderick Crawford (king of the hard-drinking ugly actors), Ernest Borgnine and Neville Brand (the scariest looking thug in film history) I was thrilled to see it. Now this ISN'T meant as an insult--I am just stating a fact necessary for a good Noir film. Great Noir abounds with ugly mugs like Edmund O'Brien, John Ireland and John McGraw--though the cast in THE MOB is among the ugliest and therefore best in genre history. In addition to ugly and menacing men, the film also features realistic and gritty violence, tough dialog, lots of great shadows and camera angles as well as a taut script--and all are in THE MOB in spades. All the elements needed for exceptional Noir--so it certainly wasn't a surprise that I really enjoyed the film.

If you love Noir, you will love this film. If you don't, then watch this film anyways!! Then, try some other great Noir films like THE KILLERS, DOA, KISS OF DEATH and ASPHALT JUNGLE--then you, too, will most likely be hooked!!