Ragazzi di provincia

Tony Curtis and Debbie Reynolds were my main reasons for seeing 'The Rat Race'. The idea of the story also intrigued me, as did seeing Jack Oakie in a late role, Don Rickles in an early one and having the great Elmer Bernstein being the composer. There was the worry though as to how Curtis would fare in the setting, and whether Reynolds would be too glamorous within a story that does have some grit.

Luckily, what 'The Rat Race' had going for it works very well in its favour, nothing is squandered. 'The Rat Race' has grit and charm, but it is also very entertaining where almost everything works and any initial worries were blown away very quickly. Quite a breath of fresh air compared to some things seen recently, of my recent viewings of Curtis' works it's among his better ones, and worthy of a little more credit than it gets.

Maybe at times 'The Rat Race' is a little too talky.

From personal opinion, as nit-picky as this sounds, Curtis and Reynolds are slightly too pretty amidst a purposefully drab setting and a story that has its grit.

Apart from those, there is very little to dislike. It is lovingly photographed and its locations are picturesque and atmospherically drab, which is more than fitting with the tone. Robert Mulligan directs with energy and is careful not to make things go over the top or too tame.

Bernstein's score is a major asset, haunting and smouldering with the main theme being a very difficult one to forget. The script on the most part has wit, sharpness and is free of fat and too much froth. The story is full of energy and charm, the romantic elements are adorable, the comedy genuinely funny, and the grittiness of some of the story is handled very well.

Curtis and Reynolds are immensely likeable and are irresistible together. Rickles has seldom been more deliciously repellent, while Jack Oakie and Norman Fell amuse.

Overall, very entertaining and recommended. 8/10 Bethany Cox