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There's a fair few Japanese crime films from the 1950s and 60s that have fun-sounding titles and end up being breezy, cool watches. I thought Cruel Story of Youth was going to be one of them, but I was off the mark. It's a darker and often confronting crime melodrama that I guess you could also describe as a twisted romance, but even that's a stretch, as the core relationship in the film is extremely troubling and is viewed by the movie as such, too.

That's to say the film's intentionally dark and unsettling, but that doesn't mean everyone would like it. That's also par for the course when it comes to director Nagisa Oshima. Naturally, this 1960 release isn't as extreme as his boundary pushing films from the 1970s onwards, but for its time, it would have been shocking. IMDb tells me it was banned in the UK, and only passed with a 15+ rating there in 2008.

Oshima is a great filmmaker though, and one that deserves mentioning alongside the likes of more well-known legendary Japanese directors like Akira Kurosawa and Masaki Kobayashi. This one is not one of his very best, but it's very solid overall, and holds up well, in that its core story about a troubled, rebellious, dangerous, and youthful romance still has moments that are unsettling and impactful.

So overall, definitely not a fun gangster/crime flick as I expected, but what was there instead was quite impressive in its own right.

Oshima's film about adolescents in Tokyo was made in 1960 and is extraordinarly prescient: the picture he portrays of teenagers is far in advance of Swinging London and the Summer of Love in San Francisco. His teenage protagonists not only have sex together, but are involved in a sex-crime scam where the girl acts as a decoy for middle aged men to be blackmailed for trying to solicit her sexual services. The treatment of adolescent sexuality is far ahead of its time:Oshima gives us an accurate picture of teenage sexual activity that was unthinkable at the time. Brilliantly shot in cinemascope and exquisitely lit, the film is visually arresting. The sequence where the male lead eats an apple over his sleeping girlfriend's sleeping body is one of many highlights. A little known masterpiece by one of the masters of twentieth century Japanese cinema.

See Cruel Story of Youth. It is an amazing film. Oshima Nagisa is probably best known for his avant garde work- films like "In the Realm of the Senses" and "Diary of a Shinjuku Thief"- but his earlier work is more compelling, if less sensational. This film tells the story of Makoto and Kiyoshi, two youths who suffer from the social malaise typical of their generation. They express their frustration in violent and poetic ways, which makes up the substance of the film's narrative. But putting all that aside, it's beautifully filmed and by it's end, completely heartwrenching. The color contrast is almost unprecedented- bright reds and blues set against pitch blacks. At times it has the sensibility of a yakuza film- violence abounds and Oshima makes use of sharp pans typical of that genre, giving it a very cool, retro feel. At it's core it's a love story, but of a sort that modern audiences will probably never see in a contemporary film. It shows love as the cruelest thing imaginable, making it difficult to watch at times, but in the end, impossible to forget.

I know that many consider this film to be a classic and my very low score will most likely trigger a lot of "not helpful" votes, but I just didn't like this film at all. I understand that the film is in many ways a Japanese film version of the important French film BREATHLESS, but like BREATHLESS, the leading characters are so unpleasant I had a hard time sticking with the film--though with THE CRUEL STORY OF YOUTH the characters a lot more unpleasant and slimy.

The girl is an idiot high schooler who slavishly follows after a college student who treats her like garbage. He rapes her twice at the beginning of the film and in return, she devotes herself to him!! The guy, in addition to being a rapist, is a violent user. The loves to fight and sleep around and does little to hide it from the girl. Considering that neither seem to ever go to class and don't have jobs, they earn money by setting up men to try to rape the girl--at which point the guy jumps out and beats up the men and takes their money. It sounds like a match made in heaven, right?! So why make the American title of the film "THE CRUEL STORY OF YOUTH"? What's cruel about the story--both characters choose to be evil and choose their fates. It isn't like they are somehow victims (though the film does try to paint it that way). Their lives are pointless and selfish. Rape, abortion, extortion, indifference--after a short time I found myself getting very tired of the whole thing and, oddly, when the film had it's supposed sad ending, I was thrilled! I say good riddance and bring me a film I can care about--not this nihilistic and nasty little film.

I liked seeing a raw, edgy, uninhibited side of Japan, and director Nagisa Oshima's style which mirrored the French New Wave directors from this period whom he admired. I liked the nice cuts and shots he captured, the rock and jazz music in the soundtrack, and his unflinching look at the cynicism present in Japan following WWII. There are some who relate it to "Rebel Without a Cause", but I don't like the comparison, because "Cruel Story of Youth" is over-the-top in its darkness and nihilism, none of the characters are likable, and one doesn't get any sense of the 'tragic, misunderstood, disaffected youth' or feel empathy towards them. There's also not enough content which relates their delinquent behavior to their upbringing or the times which would allow us to see it as an indictment of society.

You could say all this darkness is because life in Japan after the war was far darker than America, and while there is some truth to that, the film's biggest problem is the cruelty towards women which pervades it. You'll see attempted rape, rape (twice), attempted forced prostitution, an extortion scheme that involves using a woman as bait in dangerous situations, using women young and old as sex objects without any feeling, and utter indifference to abortion from a surprise pregnancy. Cruel story, indeed. The lead female character is shockingly stupid. There are some characters in films who are just stupid, regardless of their sex, but this is part of a larger theme. The film is all about in-your-face rebellion in its content, frankness, and even style (which I ordinarily love) – and yet how sad is that Oshima perpetuates the (very traditional) theme of misogyny. It's the combination of this and the general unlikeability of the whole thing that tempers my review score to an average rating, for what is such a landmark film from a talented director.