L'isola misteriosa

Harryhausen crossed Jules Verne with King Kong in his version of Mysterious Island, giving the author's Civil War castaways something really mysterious to look at for a change. The result is a Skull Island-style adventure with a nifty 19th century set-up, and one of the stop-motion maestro's most satisfying films. Harryhausen movies are at their best when Harryhausen is unabashedly the star—-as he is here in Mysterious Island. From this high-water mark in the early Sixties, Harryhausen's films slowly began to shipwreck on two constantly reiterated movie-making clichés. First, writers began to tell Harryhausen that his effects ought to be better integrated into the overall plot, that they ought not to be isolated set pieces sprinkled through the picture like plums in a fruitcake. Secondly, critics continued to repeat the old film music legend that movie scoring is best when it fades unnoticed into the background. Both of these old saws were, in fact, horrible lies. And Mysterious Island is great because Harryhausen and his composer were still refusing to take any notice of them. The effects sequences in Mysterious Island aren't plums in a fruitcake, they're solos in a symphony, they're like the soliloquies in Shakespeare. And Bernard Herrmann's scoring for these episodes is in your face…as it should be. It jumps up and screams "THIS IS A SET-PIECE…AND A GREAT ONE. KICK BACK AND ENJOY IT!" And this, once again, is as it should be. The truth is, that stop-motion isn't an effects technique. It's an art form. If you can't enjoy it for it's own sake, then you can't enjoy it. Every attempt Harryhausen later made to "integrate" his stuff just encouraged people to take it seriously--as a serious attempt, that is, to duplicate reality. Which it isn't. We go to a Harryhausen film for Harryhausen, just as we go to a Chaplin film for Chaplin. If you came in for some other reason, then you picked the wrong movie. That said, Mysterious Island really does work, I think, as a 60s "Jules Verne" picture. The period atmosphere is some of the best in any of those movies and the interesting Nautilus variation we see here is fun to look at in its own right. The acting is quite good also, and Cy Endfield is one of the better Harryhausen directors. But the Verne elements are really just the frame around the picture. Like I said, go for Ray's monsters--then go out and tell the world.

Forget the Harryhausen special effects. What really makes this movie great is the dress the main female character wears. It's incredible! We are introduced to the dress like this: our heroes (escaped POWs) are stranded on a desert island filled with gigantic animals. At some point, two women (aunt and niece if I recall) wash onto shore, after surving a ship accident. The aunt decides to make her niece a new dress, because her old one is all torn up. So she constructs a dress out of leather, and HOLY &@$%#!* what a dress! I don't fully understand why she would make a dress like that, being from the conservative 1860's Midwest and all, but it is the most erotic dress I have ever seen. It's so tiny and skintight, it looks like she can't bend over or it would explode into a million pieces. I spent the entire movie leaning forward in rapt attention, because it honestly looks like it is going to tear apart at any moment. Wow!

The rest of the movie is pretty good, too. The special effects are wonderfully fun. The only really annoying thing is the stupidity of the characters. Case in point: after encountering a giant crab and a giant chicken, a guy and the girl (still looking great in that dress!) wander into a cave, and see giant honeycomb. "Hmm, interesting," they say. Then they hear this buzzing sound, and wonder what it is. "What's that buzzing noise?? It's getting closer..." I don't believe it is humanly possible to be that stupid. It's GIANT BEES, you idiots! Get out of there! Oops, too late. Now a colossal bee is cornering you. Didn't see that one coming, huh?

Worth watching for the FX and the dress.

8/10 stars.

This is a nice, satisfying telling of the Verne story, with special effects by Ray Harryhausen and a good score by Bernard Herrman. Escapees from a Civil War prison camp are blown way off course in a balloon they stole. They find themselves on an apparently deserted island somewhere in the Pacific, are joined by two women who were shipwrecked, and eventually come face-to-face with Captain Nemo and the wrecked Nautilus.

They have to deal with pirates, an erupting volcano and Harryhausen's creature threats. These include very large versions of a hungry red crab, an aggressive chicken (or dodo), a bee and an unhappy squid. Some of the creatures turn out to be very good boiled or roasted.

The movie holds up well because of a strong story, good action, and fairly well-defined characters. It features Herbert Lom, in my view an under-rated actor, and Joan Greenwood. By this time Greenwood was taking character parts and doing a lot of stage work. But from the mid-Forties to the mid-Fifties she was, I think, one of the sexiest, smartest actors Britain has ever produced. Her plummy, smoky voice is inimitable.

Mysterious Island is a loose adaptation of Jules Verne's novel of the same name. It's out of Columbia Pictures and was filmed at Shepperton Studios in England with exteriors on the coast of Spain. Directed by Cy Endfield, with Ray Harryhausen working his stop motion genius for the creatures, it stars Michael Craig, Joan Greenwood, Michael Callan, Gary Merrill, Herbert Lom, Beth Rogan, Percy Herbert & Dan Jackson. Bernard Herrmann provides the score.

The plot sees three Union soldiers escaping in a gas balloon from a Confederate prison camp during the American Civil War. Also caught up in the escape is a Confederate rebel and a newspaperman. As they battle the elements they are forced to crash land on some island they think is in the Pacific. Here they encounter giant animals that threaten their survival. Soon two ladies are shipwrecked onto the island too, but the strange animals are not the only thing to worry about, the island volcano is close to eruption and they appear to not be the only humans on the island?

Though something of a lesser light in the pantheon of fantasy adventure films, Mysterious Island, in spite of its flaws, is rather good fun. Dramatically it's OK, with the creatures particularly memorable, but those in search of a science story befitting Jules Verne are in for a let down (though some small science interest does come in the last quarter). This is an out and out desert island survival movie with some Harryhausen kickers. There's a nice group dynamic as soldiers from opposing sides are forced to come together to survive. While the arrival of "posh stock" ladies throws up a class distinction issue, that is nice, if not fully exploited.

There's the usual clichés of course, and as much as I enjoyed it as a red blooded man, did they really need to make Beth Rogan's newly made island dress the shortest in the land? And true enough, some of the matte paintings and effects have aged better in our childhood memories than actually on the print of the film. It's nicely photographed by Wilkie Cooper in Eastman Color using the Super-Dynamation process, but the film also suffers in parts for the restoration. For the prints that exist on DVD now are beset by spotting, fading and scratches. While of course the resolution now shows the flaws of the source material that were once never evident.

Still this is a must have film for fantasy adventure enthusiasts.Yes, as with many Harryhausen based movies, the action sequences involving his creations light up an episodic picture. But with giant animals intent on eating our survivors, a Vernian turn of events in the last quarter, Herrmann's brilliant bombastic score and Rogan's dress! Who cares about routine narrative eh? 7/10

Schneer and Harryhausen team up to create a film that has all the allure and adventure of Kong's Skull Island. It's a war story, an adventure and a fantasy all in one.

Each scene is gripping and doesn't really slow down for me until the introduction of Capain Nemo. I wish the film had taken a different direction at that point, but I realize that it was a necessary part of the story to include him.

If only the contestants on "Survivor" had it so good! With the boiled crab, fresh oysters and BBQ chicken, who needs take-out? And the girl's outfit is just as skimpy; several years ahead of Raquel Welch in "One Million Years BC." This movie is everything that "The First Men in the Moon" is not. It has mood and atmosphere that is lacking in the fore-mentioned movie. I thoroughly enjoyed this movie. It succeeds on the strength of its story and is only enhanced by the wonderful Harryhausen creations, wisely spaced evenly throughout the movie.

I only offer one word of advice: climbing to the rim of an active volcano is never a good idea. But, what the heck, the climb was worth the goat's milk!